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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://thehappyviking.com.au/"&gt;http://thehappyviking.com.au/&lt;/a&gt;</text>
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                <text>The Happy Viking: Leatherwork and craft of the Viking and Medieval Age</text>
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                <text>Braid, Celtic, craft, Elizabeth (Hlif), The Happy Viking, The Happy Viking: Leatherwork and craft of the Viking and Medieval Age, jewellery, leatherwork, Maleny, pottery, Qld, Queensland, re-enactment, store, Sweden, ValsgÃ¤rde, Viking, weaving, website.</text>
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                <text>&lt;p&gt;The Happy Viking: Leatherwork and craft of the Viking and Medieval Age is an online store which opened in 2012. It is owned by Elizabeth (Hlif), a re-enactor from Maleny, Queensland. The hand-made Australian products include leatherwork, pottery, jewellery, weaving, braiding, and cards. All of the products feature medieval-inspired motifs, including Viking ring-knot motifs,Celtic spirals and crosses, and images derived from medieval artefacts, such as the eighth-century helmet from Valsg&amp;auml;rde, Sweden. The range includes both medieval &amp;ndash; braids, knife sheaf, pouches &amp;ndash; and modern &amp;ndash; laptop and mobile phone cases &amp;ndash; products.&lt;/p&gt;&#13;
&lt;p&gt;The page also includes information on re-enactment and and Viking-related facts and stories.&lt;/p&gt;&#13;
&lt;p&gt;The store is available at http://thehappyviking.com.au/&lt;/p&gt;</text>
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                <text>Elizabeth (Hlif)</text>
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                <text>2012</text>
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                <text>Elizabeth (Hlif), The Happy Viking</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.esford.com/armourytemplar.htm"&gt;http://www.esford.com/armourytemplar.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Esford Armoury â€˜Knights Templarâ€™ Range</text>
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                <text>arms, armoury, Brisbane, chain mail, chainmail, cloak, Crusades, dagger, Esford Armoury, Holy Land, hood, knights, Knights Templar, mail coat, medieval clothing, military order, Order of the Temple, Queensland, QLD, re-enactment society, red cross, shield, soldiers of Christ, surcoat, sword, war, warfare, weapons</text>
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                <text>This website advertises a range of Knights Templar garb and weaponry that has been designed with the guidance of â€˜The Knights Templarâ€™, a Brisbane-based re-enactment society. The Knights Templar formed what was arguably the most powerful and well-known of the Christian military orders in the medieval period. The order was endorsed by the Catholic Church in the early twelfth century and was particularly active during the Crusades. The clothing adopted by the Templar Knights was distinctive, consisting of a white surcoat with a red cross. Most of this â€˜war gearâ€™ is visually self-explanatory, thanks to films such as The Kingdom of Heaven (2003), which depicts crusading knights playing politics and fighting Saladin in the Holy Land. The Esford online catalogue promotes their version of the Templar sword, dagger, helmet, gambeson, surcoat, and hooded cloak. The purpose of the surcoat was initially to protect the wearer from the sun, although the practice was quickly adopted elsewhere, even in the northern lands where the climate did not warrant such precautions (See Mark Cruse, â€˜Material Cultureâ€™ in Albrecht Classen, ed. Handbook of Medieval Studies: Terms, Methods, Trends, Vol. 1., Berlin, De Gruyter, 2010, p.841). Curiously, there are two essential items missing from the Templarâ€™s equipment: a mail coat and a red cross emblazoned triangular shield. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>November, 2011</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Esford Swords and Armoury, 2011</text>
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            <name>Language</name>
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                <text>English </text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://eskfestival.com.au/Home.php"&gt;http://eskfestival.com.au/Home.php&lt;/a&gt;</text>
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                <text>Armour, Black Wolf, Brisbane Valley, Brisbane Valley Multicultural Festival, Celts, chain mail, costume, Crusader, Damascus, Esk, Esk Festival, helmet, Holy Roman Empire, honour, knight, The Knights of Germanica, Knights Hospitalier, living history, migration age, multicultural, Ormsgard Dark Age Village, performance, Qld, Queensland, Rafnheim, re-enactment, Saga Vikings, Saxons, Scions of Mars, shield, sword, trade, Vikings, website.</text>
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                <text>&lt;p&gt;The Esk Festival, also known as the Brisbane Valley Festival, is an annual single-day event held in the Queensland town Esk. A major component of the festival are displays of &amp;lsquo;Living History &amp;amp; Medieval Re-enactments&amp;rsquo; which take place all day on the &amp;lsquo;Field of Honour&amp;rsquo;. The festival website promises Celts, Saxons, and Vikings, and medieval re-enactment groups who performed at the 2012 festival were The Knights of Germanica (Holy Roman Empire from 1360-1410), Scions of Mars (15th century knights), Ormsgard Dark Age Village (hunters and traders of 400-1000), Damascus (Crusader Knights Hospitalier), Saga Vikings, Rafnheim (late migration age Northern Europe), and Black Wolf (Crusades). The groups dress in period costume, perform with weapons, and re-enact other aspects of medieval culture such as trade, village life, and pre-Christian religion.&lt;/p&gt;&#13;
&lt;p&gt;For their website see http://eskfestival.com.au/Home.php&lt;/p&gt;</text>
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&lt;p&gt;For their website see &lt;a href="http://www.eslitedcorps.com/index.html"&gt;http://www.eslitedcorps.com/index.html&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For more information on their founder see &lt;a href="http://www.sirjustyn.com/home.htm"&gt;http://www.sirjustyn.com/home.htm&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>Caroline Finander, childrenâ€™s literature, childhood, children, child, European culture, European Studies, fantasy, fairy tale, folk tale, gothic, imagination, literature, myth, popular culture, pop culture, Perth, The University of Western Australia, university, universities, WA, Western Australia</text>
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                <text>One of two posters for the second and third year undergraduate course &amp;lsquo;Fantasy, Fairy Tale  and Childhood&amp;rsquo; offered at The University of Western Australia. The  course includes European folk and fairy tales, and examines their place  European culture and civilization.&lt;br /&gt; &lt;br /&gt; The course outline can be found at &lt;a href="http://units.handbooks.uwa.edu.au/units/euro/euro2224" target="_blank"&gt;http://units.handbooks.uwa.edu.au/units/euro/euro2224&lt;/a&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism in the Classroom</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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      <name>Still Image</name>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="7610">
              <text>Poster</text>
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            <name>Title</name>
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                <text>Fantasy, Fairy Tale and Childhood: The Fantastic Imagination in European Culture (UWA)</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Caroline Finander, childrenâ€™s literature, childhood, children, child, European culture, European Studies, fantasy, fairy tale, folk tale, gothic, imagination, literature, myth, popular culture, pop culture, Perth, The University of Western Australia, university, universities, WA, Western Australia</text>
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            <description>An account of the resource</description>
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                <text>One of two posters for the second and third year undergraduate course  &amp;lsquo;Fantasy, Fairy Tale  and Childhood&amp;rsquo; offered at The University of  Western Australia. The  course includes European folk and fairy tales,  and examines their place  European culture and civilization.&lt;br /&gt; &lt;br /&gt; The course outline can be found at &lt;a href="http://units.handbooks.uwa.edu.au/units/euro/euro2224" target="_blank"&gt;http://units.handbooks.uwa.edu.au/units/euro/euro2224&lt;/a&gt;</text>
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            <name>Creator</name>
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                <text>Finander, Caroline</text>
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            <name>Source</name>
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                <text>University of Western Australia</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="7606">
                <text>19 May 2011</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="7607">
                <text>Caroline Finander, University of Western Australia</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Poster</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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        <name>Caroline Finander</name>
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        <name>children</name>
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        <name>Childrenâ€™s literature</name>
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        <name>European culture</name>
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        <name>European Studies</name>
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        <name>fairy tale</name>
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        <name>fantasy</name>
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        <name>folk tale</name>
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        <name>The University of Western Australia</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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              <text>&lt;a href="http://www.artgallery.nsw.gov.au/collection/works/169.1984/" target="_self"&gt;http://www.artgallery.nsw.gov.au/collection/works/169.1984/&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="30782">
                <text>â€˜The Marriage of the Arnolfini â€“ After Jan van Eyckâ€™ by Fiona Hall</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>art, artwork, Bruges, Giovanni di Nicolao Arnolfini, insert, Jan van Eyck, marriage, merchant, modern art, New South Wales, NSW, photograph, portrait, The Arnolfini Portrait, The National Gallery, wedding.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This photographic artwork by Australian artist Fiona Hall was purchased by the Art Gallery of New South Wales in 1984. In the photograph Hall has reconstructed her own version of the scene from medieval Dutch painter Jan van Eyckâ€™s famous 1434 oil painting, â€œThe Arnolfini Portraitâ€, by transposing the figures into a modern setting and replacing their faces. At the bottom of the frame is an insert of the original painting by Jan van Eyck. The figures in van Eyckâ€™s painting are believed to be those of Gionvanni di Nicolao Arnolfini, a fifteenth-century Italian merchant living in the Flemish town of Bruges, and his wife. </text>
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                <text>Fiona Margaret Hall</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Art Gallery of New South Wales</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1980</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="30788">
                <text>The Art Gallery of New South Wales</text>
              </elementText>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Photograph, 28cm x 35.5cm.</text>
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        <name>Jan van Eyck</name>
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        <name>marriage</name>
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        <name>merchant</name>
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        <name>modern art</name>
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      <tag tagId="106">
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        <name>portrait</name>
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        <name>The Arnolfini Portrait</name>
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        <name>The National Gallery</name>
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      <tag tagId="127">
        <name>wedding</name>
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