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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of Christ Church Anglican Church in North Adelaide, South Australia. The foundation stone was laid by Dr Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851, 1855 and 1884. Bishop Short had arrived from England with three different building plans in 1847, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings in comparison to the wall area, the high parapeted gable and the semi-circular rounded arches.&#13;
&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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                <text>&lt;p&gt;Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, &lt;a href="../../../items/show/475"&gt;http://ausmed.arts.uwa.edu.au/items/show/475&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide,"  in Medievalism in Australian Cultural Memory, Item #478, &lt;a href="../../../items/show/478"&gt;http://ausmed.arts.uwa.edu.au/items/show/478&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, &lt;a href="../../../items/show/479"&gt;http://ausmed.arts.uwa.edu.au/items/show/479&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, &lt;a href="../../../items/show/480"&gt;http://ausmed.arts.uwa.edu.au/items/show/480&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>A letter to the Pen Name Competition of the Western Mail newspaper, Perth, by Svensk Viking. The letter describes how the author chose their pen name as they grew up in Sweden (Svensk translates to â€˜Swedishâ€™) listening to older children read sagas about Viking exploits. Sagas were prose stories (but often including poetry) written primarily in Iceland in the twelfth and thirteenth centuries. Many of them were set in the Viking Age and provide stories of both historic and legendary figures.</text>
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                <text>&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article38408247" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article38408247&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows.&#13;
&#13;
About Christ Church:&#13;
&#13;
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&#13;
For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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&#13;
About Christ Church:&#13;
&#13;
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
&#13;
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&#13;
About Christ Church:&#13;
&#13;
Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
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                <text>America, burial, Canada, J.O. Dawdson, Leif Eiriksson, Leif Ericson, Gokstad, grave goods, Morning Bulletin, Norsemen, Norway, QLD, Queensland, recreation, replica, Rockhampton, ship, ships, boat, ship, vessel, Viking, vikings</text>
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                <text>An article on page 3 of the Rockhampton, Queensland newspaper, Morning Bulletin on January 31, 1894. The article by J.O. Dawdson acts as a popular history of Norway during the Viking Age. It provides the meaning of the term â€˜Vikingâ€™ (inlet-men) and how they were pirates, although it notes that at the time piracy was also common in other regions. The article also, somewhat speculatively, describes the training of young Norsemen in sailing and the use of weapons. Much attention is given to the ship burial of the Gokstad ship which had been excavated in 1880, with the ship, skeleton, and grave goods all described in some detail. The article also mentions the claim that Leif Eiriksson/Ericson was the first European to reach America (specifically the east coast of Canada), and that a replica of the Gokstad ship had been built (The Viking) and sailed to America in 1893, proving that the voyage was possible. The article concludes by noting that unlike the first Vikings to reach America, the replica ship was met by welcoming crowds, and that the new iron warships in the harbour with the Viking ship were â€˜greater and more terrible than the viking ever dreamt ofâ€™. The discovery of Viking artefacts at Lâ€™Anse-aux-Meadows on Newfoundland, Canada in 1960 proved that Vikings had reached America.  </text>
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