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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Exterior sculptural features, Holy Trinity Anglican Church, Launceston</text>
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                <text>&lt;p&gt;Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church was designed by local architect Alexander North (1858-1945) and consecrated in 1902. The brick building is in the Gothic Revival style and features numerous relief sculptures around the exterior of the church. These include foliage, grotesque winged creatures, and a lion holding a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;The church website is at: &lt;a href="http://www.holytrinitylaunceston.org/" target="_blank"&gt;http://www.holytrinitylaunceston.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For&amp;nbsp;external photographs see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/975" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/975&lt;/a&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/969" target="_self"&gt;&lt;br /&gt;http://ausmed.arts.uwa.edu.au/items/show/969&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/966" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/966&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Exterior View of Lancet Windows at St. Patrick's Catholic Church, York, Western Australia</text>
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                <text>Saint Patrick, St. Patrick, St Patrick, Father Patrick Gibney, Patrick Gibney, convict, convicts, Joseph Nunan, architecture, architect, building, vaulted ceiling, Gothic revival, Gothic, Gothic building, Gothic revival, Catholic, Catholicism, Christian, Christianity, church, churches, religious, religion, saint, saints, lancet window, rose window, lancet windows, windows, window, tower, spire, spires, arch, arches, York, South Street, Perth, Western Australia, WA, statue, statues, Ireland, Irish, patron, patronage, patron saint, patron saints, stained glass, stained glass windows, stained-glass windows</text>
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                <text>An image of St. Patrick's Catholic Church, located on South Street in York, a settlement ninety minutes south-east of Perth in Western Australia. This image shows lancet windows separated by stone mullions, a rose window and an arched doorway located at the side of the church. &#13;
&#13;
About St. Patrick's Catholic Church, York:&#13;
&#13;
The Church's foundation stone was laid on St. Patrick's Day in 1875, with the building being completed in 1886. Its design is typical of the Gothic revival style with its spire and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries.&#13;
&#13;
It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation. </text>
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                <text>Carter, Bree</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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            <description>The topic of the resource</description>
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                <text>Ned Kelly, bushranger, bushrangers, bush, Kelly Gang, landscape, Australian landscape, law, legal, crime, criminal, legend, legends, myth, mythology, media, armour, knight, knights, police, Edward Kelly, theft, stealing, Melbourne</text>
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            <description>An account of the resource</description>
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                <text>A series of extracts from The Argus ranging from 1878 to 1880. They tell of the Kelly Gang's exploits and their encounters with colonial Victorian law enforcement. A few of the extracts towards the end of the list include descriptions of the bullet-proof body armour and helmet worn by Ned Kelly during his final battle with police. Although much cruder, the armour was reminiscent of that worn by knights in the late medieval period.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>The Argus</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>The Argus</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>The Argus</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Newspaper article extracts;&#13;
Word Doc.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>English</text>
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        <name>Edward Kelly</name>
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        <name>knight</name>
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        <name>Melbourne</name>
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        <name>myth</name>
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        <name>Ned Kelly</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="21128">
              <text>3 x Digital Photographs; JPEGs</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Extraordinary Stories Exhibition, Perth</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="21122">
                <text>advertising, advertisement, advertisements, British Museum, chess, Elizabeth I, England, Erin Jackson Vis, exhibition, Extraordinary Stories, Isle of Lewis, Lewis chess set, museum, Norway, Perth, Phoenix Jewel, queen, review, Scotland, sign, WA, Western Australia, Western Australian Museum</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>These photographs are of advertising for the Extraordinary Stories exhibition at the Perth branch of the Western Australian Museum. The signs feature a photograph of a queen piece from the twelfth century Isle of Lewis chess set found in modern-day Scotland but probably made in Norway. The text on the A-frame sign the playing of chess as part of its advertisement, making the medieval image â€˜speakâ€™ to a modern audience. The exhibition included many items on loan from the British Museum, including the sixteenth-century Phoenix Jewel of Elizabeth I of England, which is also included in one of the photographs. &#13;
&#13;
For an extended review of the exhibition see Erin Jackson Vis, 'A commonwealth of stories',  Review of The Extraordinary Stories Exhibition, The Western Australia Museum, in History Australia, Vol. 9, No. 2, Aug. 2012, pp. 178-180.  &#13;
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>January 29, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21126">
                <text>Photographs: Shane McLeod&#13;
Advertisements: Western Australian Museum</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21127">
                <text>3 x Digital Photographs; JPEGs</text>
              </elementText>
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        <name>advertisement</name>
      </tag>
      <tag tagId="3064">
        <name>advertisements</name>
      </tag>
      <tag tagId="902">
        <name>advertising</name>
      </tag>
      <tag tagId="1728">
        <name>British Museum</name>
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        <name>chess</name>
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      <tag tagId="4636">
        <name>Elizabeth I</name>
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      <tag tagId="2786">
        <name>England</name>
      </tag>
      <tag tagId="1128">
        <name>exhibition</name>
      </tag>
      <tag tagId="4637">
        <name>Extraordinary Stories</name>
      </tag>
      <tag tagId="4638">
        <name>Isle of Lewis</name>
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      <tag tagId="4639">
        <name>Lewis chess set</name>
      </tag>
      <tag tagId="3197">
        <name>museum</name>
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      <tag tagId="605">
        <name>Norway</name>
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      <tag tagId="150">
        <name>Perth</name>
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      <tag tagId="4640">
        <name>Phoenix Jewel</name>
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        <name>queen</name>
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        <name>Scotland</name>
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        <name>sign</name>
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        <name>WA</name>
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        <name>Western Australia</name>
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        <name>Western Australian Museum</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="19466">
              <text>Digital Photograph; JPEG</text>
            </elementText>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>FaÃ§ade of The Great Synagogue, Sydney</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19460">
                <text>Arched entrance, arched windows, Byzantine, domes, Gothic, Great Synagogue, Judaism, Moorish, New South Wales, NSW, Romanesque, Thomas Rowe, Sydney, Synagogue, towers, Transition French Gothic, wheel window</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19461">
                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19462">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19463">
                <text>5 February 2012</text>
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            </elementTextContainer>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19464">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="19465">
                <text>Digital Photograph; JPEG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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        <name>arched windows</name>
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        <name>Byzantine</name>
      </tag>
      <tag tagId="2316">
        <name>domes</name>
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        <name>Gothic</name>
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        <name>Great Synagogue</name>
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        <name>Judaism</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>Sydney</name>
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        <name>Synagogue</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The Great Synagogue on Elizabeth Street in central Sydney opened in 1878, when it was described as a mix of Romanesque, Gothic, Byzantine, and Moorish motifs (according to the official website &amp;ndash; link provided below). The architectural style has also been described as Transitional French Gothic. The synagogue was designed by Sydney architect Thomas Rowe. These two photographs show aspects of the elaborately carved fa&amp;ccedil;ade: two domed towers, rounded arched windows and doorways, and a large wheel window. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For more on the Great Synagogue see &lt;a href="http://www.greatsynagogue.org.au/Home.aspx" target="_blank"&gt;http://www.greatsynagogue.org.au/Home.aspx&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Arthur Hughes (1832-1915), Eleanor of Aquitaine, fleur-de-lys, flowers, foxgloves, garden, Henry II of England, iris, maze, mistress, poison, Rosamund, secret garden, symbolism, VIC, Victoria, Walter de Clifford, Woodstock</text>
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                <text>This work by English artist Arthur Hughes depicts the twelfth-century figure of Rosamund in the garden that King Henry II of England created for her at his royal residence in Oxfordshire. Rosamund was Henryâ€™s mistress. She was reputedly poisoned in 1176 by Eleanor of Aquitaine, Henry's wife. Eleanor can be seen in the background of the painting discovering the entrance to the secret garden, which was only accessible by way of a maze. As Ted Gott et al suggest,the selection of flowers in the painting add important symbolism - blue foxgloves, a source of poison, line the queenâ€™s path, while purple irises are visible in the foreground. Irises were associated with the Greek Goddess Iris who chaperoned the souls of dead women to the Elysian Fields, and also with the fleur-de-lys, a symbol of the French crown. Eleanor of Aquitaine was the Queen of France from 1137-1152. (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.78).</text>
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                <text>National Gallery of Victoria</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>An image of the falconry display at the Balingup Medieval Carnivale.</text>
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            <name>Creator</name>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Image made available with the permission of N. Jeffrey</text>
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