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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Bonython Hall at the University of Adelaide</text>
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                <text>Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows</text>
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                <text>An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. </text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;a href="http://nla.gov.au/nla.news-article28680351" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article28680351&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>'The Viking': A film review in the â€˜Camperdown Chronicleâ€™</text>
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                <text>Camperdown, Camperdown Chronicle, cinema, Erik the Red, Lief Eriksson, film, films, review, film review, Greenland, Helga, Norseman, pagan, Thorhild, VIC, Victoria, Viking</text>
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                <text>A film review in the â€˜Camperdown Chronicleâ€™ on August 24, 1929 for â€˜The Vikingâ€™. The review is featured in the â€˜Camperdown Theatre: Tonightâ€™s Picturesâ€™ section on page 5. Unlike other reviews of the film, this one focuses on the main actors (for example, â€™Pauline Starke dyed her Titian hair to appearâ€™) and characters (Leif Eriksson and Helga, Erik the Red, his wife Thorhild) rather than the ships and costumes. Erik the Red is described as â€˜the pagan ruler of Greenlandâ€™, while the supporting cast who play â€˜the Viking types of Norsemenâ€™ manage to create â€˜an appearance as of a lost tribe brought back to lifeâ€™. This is one of many reviews (some of the others can also be found on the â€˜Medievalism on the Pageâ€™ section of this website â€“ see Viking Memories and The Viking) which appeared in newspapers around Australia for what was evidently a very popular film.</text>
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                <text>The Camperdown Chronicle</text>
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                <text>24 August 1929</text>
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                <text>Camperdown Chronicle, National Library of Australia</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Distinctions</text>
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                <text>bench, church court, Cope, County Court, court, crime, criminal classes, criminal justice, criminal law, ecclesiastical court, General Sessions, judge, judiciary, judicial, justice, Kalgoorlie, law, legal profession, magistrate, Nolan, offence, punishment, Quinlan, religion, sentence, sessions, Skinner, tribunal, WA, Western Australia</text>
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                <text>In this article from the Kalgoorlie Western Argus, an opening statement about the strength and integrity of the County Court bench in 1900 is contrasted with comments about the incompetence of former members of the judiciary. Four judges are identified as having been â€˜lame ducksâ€™, the worst of whom was a man named Quinlan. He, the author suggests â€œwas more fitted for an ecclesiastical medieval tribunal than a secular modern courtâ€ because he allowed his religious zeal to influence his decisions, sentencing a defendant who stole from a church with much more severity that one who stole from a private dwelling. â€œThese distinctions between the house of God and that of plain Bill Smith may be acceptable in older countriesâ€, the article continues, â€œbut not in this new landâ€. </text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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                <text>17 May 1900, p. 25.</text>
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                <text>Carter, Bree, "Entrance to St. Matthew's Anglican Church, Guildford,  Western Australia," in Medievalism in Australian Cultural Memory, Item  #463, &lt;a href="../../../items/show/463"&gt;http://ausmed.arts.uwa.edu.au/items/show/463&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Arched Windows, St. Matthew's Anglican Church,  Guildford," in Medievalism in Australian Cultural Memory, Item #464, &lt;a href="../../../items/show/464"&gt;http://ausmed.arts.uwa.edu.au/items/show/464&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Carter, Bree, "Side Entrance, St. Matthew's Anglican Church, Guildford,"  in Medievalism in Australian Cultural Memory, Item #465, &lt;a href="../../../items/show/465"&gt;http://ausmed.arts.uwa.edu.au/items/show/465&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Saint Matthew's Anglican Church, Guildford," in Medievalism in Australian Cultural Memory, Item #466, &lt;a href="../../../items/show/466"&gt;http://ausmed.arts.uwa.edu.au/items/show/466&lt;/a&gt;&lt;br /&gt; &lt;a href="../../../items/show/467"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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