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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Establishing the Commonwealth Culture: A Distinctly Australian Event</text>
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                <text>Federation procession, Federation parade, 1901, Federation, procession, processions, parades, parade, unity, nationhood, national identity, identity, nationalism, nationalist, Australia, Australian, Australian national identity, Australian culture, egalitarian, culture, egalitarianism, Trade Unionism, unions, unionism, Trade Union, labourer, labourers, labour, working class, Ancient Order of Druids, Oddfellows, Irish, Irish National Foresters</text>
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                <text>This article written by the Australian Broadcasting Commission in 2010 displays a collection of primary source materials pertaining to the Australian Federation Parade in Sydney in 1901. Of particular interest are the groups of people present at/participating in the parade. E.g. the Oddfellows, the Ancient Order of Druids, the Irish National Foresters, mounted police, a squadron of Lancers, the Australian Holy Catholic Guild, trade unionists bearing an 'Eight Hour' banner.&lt;br /&gt;&lt;br /&gt;Also of interest is the poem extracted from the Left-wing Melbourne newspaper, &lt;em&gt;The Tocsin&lt;/em&gt;, which, through the use of medieval imagery, laments the end of Victorian economic autonomy.&lt;br /&gt;</text>
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                <text>&lt;p&gt;Europa Re-Enactment Association Inc. are a living history group based at Springwood in the Blue Mountains, New South Wales. The group focus on the period of Viking rule of the city of Jorvik (York) in northern England from 876-954. They re-enact such cultural activities as craft, cooking, clothing, combat, building construction, and weapon making. Combat includes archery, swords, shields, armour, and helmets. The group also performs for school groups and at re-enactment events. Their website, made by Wiccy, includes basic maps on Viking settlement in England, a gallery, and useful articles on making such things as Viking ovens, huts, and shields, a Bibliography for those wanting more information about Viking life, and a comprehensive 'Links' page.&lt;/p&gt;&#13;
&lt;p&gt;The groups logo features the early tenth-century Viking cross from Middleton, North Yorkshire. The ring-headed Celtic cross features a Scandinavian ring-chain pattern and a warrior sitting on a throne with two swords and a spear. A raven, a bird commonly associated with the Norse war god O&amp;eth;inr (Odin) flies from the cross.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://europa-reenactment.org/"&gt;http://europa-reenactment.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Copyright Â© Europa Reenactment 2009 - 2010</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Evandale Village Singers present Henry Purcellâ€™s â€˜King Arthurâ€™ </text>
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                <text>Advertisement, St Andrewâ€™s Anglican Church, The British Worthy, Britons, choir, John Dryden, Evandale, Evandale Village Singers, Freya, King Arthur, music, Norse, opera, performance, poster, Henry Purcell, Restoration, Saxons, Tas, Tasmania, Thor, Woden.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see &lt;a href="http://www.anca.org.au/choir-view/1302"&gt;http://www.anca.org.au/choir-view/1302&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Holy Trinity Anglican Church is in the northern Tasmanian city of Launceston. The church was designed by local architect Alexander North (1858-1945)&amp;nbsp;and consecrated in 1902. The brick building is in the Gothic Revival&amp;nbsp;style and features numerous relief sculptures around the exterior of the church. These include foliage, grotesque winged creatures, and a lion holding a heraldic shield.&lt;/p&gt;&#13;
&lt;p&gt;The church website is at: &lt;a href="http://www.holytrinitylaunceston.org/" target="_blank"&gt;http://www.holytrinitylaunceston.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other external photographs see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/978" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/978&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/975" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/975&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/969" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/969&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;The church website is at: &lt;a href="http://www.holytrinitylaunceston.org/" target="_blank"&gt;http://www.holytrinitylaunceston.org/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For other external photographs see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/978" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/978&lt;/a&gt;&lt;/p&gt;&#13;
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/966" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/966&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;For other external photographs see&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/978" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/978&lt;/a&gt;&lt;/p&gt;&#13;
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