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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>â€˜The bride woreâ€¦ a swordâ€™</text>
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                <text>Celtic, costume, Hobart, Hannah Martin, Medievalist wedding, The Mercury, newspaper, Port Arthur, re-enactment, SCA, Society for Creative Anachronism, sword, Tas, Tasmania, The bride woreâ€¦ a sword, torc, wedding.</text>
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                <text>&lt;p&gt;The article &amp;lsquo;The bride wore&amp;hellip; a sword&amp;rsquo; by reporter Hannah Martin appeared in the online version of the Tasmanian newspaper The Mercury. The article reports on a medieval &amp;lsquo;Celtic&amp;rsquo;-style wedding of two members of the Society of Creative Anachronism. The Hobart couple were married at Port Arthur wearing specially made medieval costumes and brandishing a sword each. The also wore torcs, or neck-rings, an item occasionally found in the medieval period but more common earlier. Many of the guests also wore medieval costumes.&lt;/p&gt;&#13;
&lt;p&gt;For the article, including photographs, see &lt;a href="http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html"&gt;http://www.themercury.com.au/article/2012/06/17/337741_tasmania-news.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Mercury, Hannah Martin</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Arched windows, Art Deco, Harold Boas, Chicago, Commercial Gothic, crenellation, buttresses, Robert Gledden, Gledden Building, Gothic, New York, parapet, Perth, tower, Tribune Building, University of Western Australia, UWA, WA, Western Australia.</text>
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                <text>&lt;p&gt;The Gledden Building is in the Perth CBD and was designed by architect Harold Boas. It was built in 1937 and 1938, and is named after Robert Gledden who had gifted the land that the building is on to The University of Western Australia in 1927. The building is in the Art Deco style, and was inspired by New York skyscrapers and the Tribune Building in Chicago. The style of the building has also been termed &amp;lsquo;Commercial Gothic&amp;rsquo; and the upwards trajectory of the building is similar to that found in Gothic churches. Medievalist features include a parapet and a nod towards crenellation at the top of the building, whilst the two-storey corner tower includes semi-circular arched windows in the top storey and buttresses.&lt;/p&gt;&#13;
&lt;p&gt;For another Commercial Gothic building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/868"&gt;http://ausmed.arts.uwa.edu.au/items/show/868&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/868"&gt;http://ausmed.arts.uwa.edu.au/items/show/868&lt;/a&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;The photograph shows a building at the former Hutchins School in Hobart, Tasmania. Although this building is sympathetic to the main 1849 building on the site designed by William Archer, this building was a later addition and does not feature in an 1890 photograph. This later building is also in the Gothic style, featuring an arcade with pointed arched entrance ways, pointed arched windows on the second storey, and small towers on the corners.&lt;/p&gt;&#13;
&lt;p&gt;For the central building on the site see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/880"&gt;http://ausmed.arts.uwa.edu.au/items/show/880&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>Dorey, Margaret</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/880" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/880&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;a href="http://www.youtube.com/watch?v=EXXifVGU8Lk"&gt;http://www.youtube.com/watch?v=EXXifVGU8Lk&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>â€˜Gallantry is backâ€™ St George beer commercial</text>
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                <text>&lt;p&gt;This advertisement is for the Launceston, Tasmania, brewing company James Boag&amp;rsquo;s &amp;lsquo;St George&amp;rsquo; beer. The slogan of the commercial is &amp;lsquo;Gallantry is back&amp;rsquo;, which plays on one of the attributes associated with St George, that of honour. In medieval chivalric culture St George was also depicted as showing great chivalry towards women, and this is the notion found in the advertisement. The advertisement concludes with the logo of a mounted St George coming to life and trampling a dragon underfoot.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see &lt;a href="http://www.youtube.com/watch?v=EXXifVGU8Lk"&gt;http://www.youtube.com/watch?v=EXXifVGU8Lk&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>2006</text>
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              <text>&lt;p&gt;&lt;a href="http://www.dragons.com.au/home"&gt;http://www.dragons.com.au/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Armour, dragon, helmet, knight, logo, New South Wales, NSW, rugby, rugby league, St George, St George Bank, St George Illawarra Dragons, shield, Sydney.</text>
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                <text>&lt;p&gt;The St George Illawarra Dragons are a professional rugby league club based in Sydney, New South Wales. They were formed in 1998 from the merger of two previous clubs: St George Dragons and the Illawarra Steelers. The club&amp;rsquo;s logo is in the shape of a shield and features a silhouette of a mounted knight in armour and wearing a helmet, and a white fire-breathing winged dragon. Appropriately, their major sponsor is St George Bank, resulting in the head of another fire-breathing dragon (the Bank&amp;rsquo;s logo) being on the players jersey&amp;rsquo;s.&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;Their website is: &lt;a href="http://www.dragons.com.au/home"&gt;http://www.dragons.com.au/home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>St George Illawarra Dragons</text>
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              <text>&lt;p&gt;&lt;a href="http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/"&gt;http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>James Boagâ€™s St George beer</text>
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                <text>Alcohol, beer, Boagâ€™s Brewery, crusade, dragon, label, logo, James Boagâ€™s, Launceston, St George, sword, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Launceston, Tasmania, brewing company James Boag has a &amp;lsquo;St George&amp;rsquo; beer. The bottle&amp;rsquo;s label features St George on a horse and carrying a sword trampling a dragon underfoot. This was one of the original logos of the brewery and has been used since 1883. The Boag&amp;rsquo;s website states that St George symbolises &amp;lsquo;strength, honour and courage&amp;rsquo;. Although the mounted figure depicts a more historic St George, who was a Roman soldier, than most other images, the tale of St George fighting a dragon is thought to have been brought to Western Europe by crusaders returning from the Holy Lands in the eleventh century.&lt;/p&gt;&#13;
&lt;p&gt;More information about the beer can be found at &lt;a href="http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/"&gt;http://www.classicblonde.com.au/#/brands/stgeorge/regular/background/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>James Boag Brewery</text>
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              <text>&lt;a href="http://www.jousting.com.au/"&gt;http://www.jousting.com.au/&lt;/a&gt;</text>
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                <text>Full Tilt jousting</text>
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                <text>Armour, Bathurst, costume, Full Tilt, Full Tilt Knight Riders, jousting, knight, lance, motorcycle, New South Wales, NSW, re-enactment, sport, sword, tournament, video, Rod Walker, website.</text>
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                <text>&lt;p&gt;Full Tilt is a jousting entertainment company run by Rod Walker based in the New South Wales city of Bathurst. They can be hired for events wherein performers dressed as medieval knights perform feats of swordplay before they put on a jousting display on specially trained horses. Full Tilt also offer the Knight Riders: modern-day knights mounted on customised motor bikes jousting.&lt;/p&gt;&#13;
&lt;p&gt;Their website can be found at &lt;a href="http://www.jousting.com.au/"&gt;http://www.jousting.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;A video of a Full Tilt jousting demonstration can be found at &lt;a href="http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=K2Quf_6K7-A"&gt;http://www.youtube.com/watch?feature=player_embedded&amp;amp;v=K2Quf_6K7-A&lt;/a&gt;#!&lt;/p&gt;</text>
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                <text>June 14, 2012</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>P.J. Oâ€™Reillyâ€™s is an Irish pub in the Melbourne Building in Canberra, the Australian Capital Territory. The logo of the business is a lion rampant (in profile standing erect with forepaws raised) commonly found in medieval heraldry. Their accompanying slogan, â€˜The Tradition Continuesâ€™, suggests that old-time service and food are available, perhaps in the pubâ€™s â€˜The Olde Bailey Roomâ€™. The Old Bailey is the Central Criminal Court found in London and first mentioned in the late sixteenth century.  </text>
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                <text>Hirsch, Brett</text>
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                <text>Digital photograph</text>
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