52 8 1266 https://ausmed.arts.uwa.edu.au/files/original/e56da760c6670d4e66e172040cb09d7b.jpg fda22fffc2e8134cfac333383b157ff7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/61163683b5ecd37d82290fc7c48c5786.jpg 7bd44e632f3f3b8e6d05b40918f8bc19 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3888 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edward Nicholas Memorial Window, St Michael and All Angels Anglican Church, Bothwell, Tasmania Subject The topic of the resource Anglican, armour, Bothwell, crenellation, Gothic, Gothic Revival, helmet, knight, lancet window, memorial, Edward Nicholas, parapet, pennant, plate armour, St George cross, St Michael and All Angels Church, spire, stained glass, sword, Tas, Tasmania, tower. Description An account of the resource The Edward Nicholas (d. 1881) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window consists of two lancet windows, each of which features Christ. He is framed by a representation of elaborate Gothic building with towers, crenellation, and spires. The window on the right includes two knights below Christ (who carries a pennant, or long narrow flag, of St George) dressed in plate armour and helmets of the late medieval period. One of the knights wears a sword. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource October 8, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican Armour Bothwell crenellation Edward Nicholas Gothic Gothic Revival helmet knight lancet window memorial parapet pennant pennon plate armour spire St George cross St Michael and All Angels Church stained glass sword Tas Tasmania tower. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data photograph URL <a href="http://hdl.handle.net/10462/deriv/145853">http://hdl.handle.net/10462/deriv/145853</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Hour Day Parade in Brisbane, 1912 Subject The topic of the resource parade, procession, trade union, trade unionism, union, unionism, labour, work, working class, Labour Day, Labor, banner Description An account of the resource Photograph portraying a 1912 parade celebrating the Eight Hour Day. Trade unionists are in the parade showing their support by bearing a medieval inspired banner. Some historians consider trade unions to be the successors of medieval guilds. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived John Oxley Library, State Library of Queensland Publisher An entity responsible for making the resource available John Oxley Library, State Library of Queensland Date A point or period of time associated with an event in the lifecycle of the resource 1912 Rights Information about rights held in and over the resource State Library of Queensland Format The file format, physical medium, or dimensions of the resource Hyperlink; Photograph Labor labour Labour Day parade procession Trade Union trade unionism union unionism work working class https://ausmed.arts.uwa.edu.au/files/original/8c0e747b16a8fb079a873d9e1a7093e8.pdf 4468b7e5ce8a4efcd743b1652a456707 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Hour Procession 1901, Sydney Subject The topic of the resource Eight-Hours Day, Sydney, Labour Movement, Trade Unions, carnival, Trade Union, trade unionism, procession, parade, processions, parades, ‘Merrie England’, craft guild, guild, guilds, craft, medieval origins of eight-hours day, carnival, Professor J.E. Thorold Rogers, Agincourt, Poitiers, Golden age of labour, labour, labourer, work, worker, workers, labourers, Charles Jardyne Don, stonemasons; King Alfred as originator of eight hours rest, sleep and recreation, Tooth’s brewery, Sydney, New South Wales, NSW Description An account of the resource The writer credits the craft guilds of medieval England for the eight-hour system, including the Saturday half-holiday. The latter was supposed to be devoted to archery practice, which eventually ensured English mastery of the bow and arrow and their successes at Agincourt and Poitiers. Later in the article, King Alfred is cited as the originator of the divided day: sleep, work and recreation. Although the eight-hour movement was won in Melbourne in 1856 after the stonemasons working on the construction of the University of Melbourne marched to the Government House, the writer asserts that it was won in Sydney in 1855 for the Tooth’s brewery workers. Creator An entity primarily responsible for making the resource O'Sullivan, R.W. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 7 May 1901 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English ‘Merrie England’ Agincourt carnival Charles Jardyne Don craft craft guild Eight-Hours Day Golden age of labour guild guilds labour Labour Movement labourer labourers medieval origins of eight-hours day New South Wales NSW parade parades Poitiers procession processions Professor J.E. Thorold Rogers sleep and recreation stonemasons; King Alfred as originator of eight hours rest Sydney Tooth’s brewery Trade Union trade unionism Trade Unions work worker workers Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Print: Wood Engraving published in The Australian news for home readers. Accession No: IAN19/05/66/8; Image No: mp001027 URL <a href="http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab15089">http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab15089</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Hours Demonstration Subject The topic of the resource eight hours demonstration, demonstration, eight hour working day, eight hours, eight hours movement, procession, processions, Melbourne, float, floats, banner, banners, Labour, Labour Day, working class, nineteenth century, nineteenth-century, Trades Hall Description An account of the resource Wood Engraving by Frederick Grosse (1866) depicting the 1866 procession which started at the Trades Hall, Carlton and finished at the North Botanical Gardens, celebrating the 10th anniversary of the eight hours movement. Creator An entity primarily responsible for making the resource Grosse, Frederick Source A related resource from which the described resource is derived The Australian; State Library of Victoria Publisher An entity responsible for making the resource available Melbourne : Ebenezer and David Syme Date A point or period of time associated with an event in the lifecycle of the resource 19 May 1866 Rights Information about rights held in and over the resource Reproduction rights owned by the State Library of Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink; Print: Wood Engraving Language A language of the resource English banner banners demonstration eight hour working day eight hours eight hours demonstration eight hours movement float floats labour Labour Day Melbourne nineteenth century nineteenth-century procession processions Trades Hall working class https://ausmed.arts.uwa.edu.au/files/original/e6f095dff053f389b9cf0a08cb6aeee9.jpg 23e014b0ae881e273fc95631f6e76b86 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 1 Height 309 Width 239 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Labour Song in Newspaper Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Eight Hours Song Subject The topic of the resource Knights of Labor, Labor songs, sabre, Eight Hour Day, eight hours, union, unionism, Trade Union, Trade Unionism, labour, labourer, work, worker, working class, unions, Felix McLaren Description An account of the resource Working or labour songs were a feature of nineteenth century (and later) union gatherings and processions. The songs and communal singing evoke peasant or folk traditions. The song gives the workers the high-ground because they resort to moral rather than bellicose means to gain the Eight Hours Day. They are proud to declare they did not shed blood for their ‘crown’. Transliteration from Trove [HH] All hail to the Knights of Labor! All hail to the Eight Hours Day! Far better than wielding the sabre, Is your peaceful and grand display. Your banners float proudly over To tell how your cause was won Since the time when your day would cover From rising to setting sun. But do not forget you have brothers Who toll in the midnight’s gloom, Or sisters, perchance, or others Who are wasting their youthful bloom; Who sweat when they world is sleeping, To win starvation’s meat, With no relief save weeping – Their lot is hard indeed. All hail to our glorious Union! Success to the A.M.A.! That fought like brave and true men Till they gained the Eight Hours Day. No sanguine conflict marred the strife, ‘Twas moral force alone That gained the glorious victory That might adorn a throne. Creator An entity primarily responsible for making the resource McLaren, Felix Source A related resource from which the described resource is derived National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 5 October 1898 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper, Labour Song Language A language of the resource English Eight Hour Day eight hours Felix McLaren Knights of Labor Labor songs labour labourer sabre Trade Union trade unionism union unionism unions work worker working class https://ausmed.arts.uwa.edu.au/files/original/39edb24187492347565820a8f96d1bab.JPG 4e6f44191cd8dee955ef9ae188f82f9e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance gate, Swiss Shopping Village, Grindelwald, Tasmania Subject The topic of the resource Entrance gate, Grindelwald, pointed arch, spire, Swiss Shopping Village, Switzerland, Tamar Valley Resort, Tas, Tasmania, tower, Roelf Vos. Description An account of the resource Grindelwald is a Swiss-inspired town created by Roelf Voss in northern Tasmania, and is home to the Tamar Valley Resort. The town includes the Swiss Shopping Village, opened in 1985, which is entered through a re-creation traditional town gate. The gate is topped by a square tower and spire, and includes an arched entrance of stone. Such gates, usually attached to a town wall, are still found in many smaller European villages from the medieval period, for example Noyers-sur-Serein in France. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 24, 2012 Rights Information about rights held in and over the resource No copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Entrance gate Grindelwald pointed arch Roelf Vos. spire Swiss Village Switzerland Tamar Valley Resort Tas Tasmania tower https://ausmed.arts.uwa.edu.au/files/original/50244c77052c66a73a748619f6a6df70.jpg ac255173747fdd350b80667bec5860f4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 811 Width 691 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance Porch, Mitchell Building, The University of Adelaide Subject The topic of the resource Adelaide, arcade, arch, architecture, blind tracery, entrance, gothic architecture, Gothic Revival, hood moulding, jamb, lancet arch, mullion, neo-gothic, porch, quatrefoil, SA, South Australia, The University of Adelaide, tracery, university, university buildings, Victorian Academic Gothic style, William McMinn (1844-1884), William Mitchell (1861-1962) Description An account of the resource An image of the entrance porch to the Mitchell Building at The University of Adelaide. Large lancet openings surrounded by decorative hood moulding lead from all three sides to entrance, which consists of a wooden door topped with a rose window and accompanied on either side by a slender lancet window. Extensive blind tracery can be seen around the lancet archways and along the roofline, where an arcade of lancet arches also forms a parapet. About the Mitchell Building: The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Building’s other neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 5 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arcade arch architecture blind tracery entrance gothic architecture Gothic Revival hood moulding jamb lancet arch mullion neo-Gothic porch quatrefoil SA South Australia The University of Adelaide tracery university university buildings Victorian Academic Gothic style William McMinn (1844-1884) William Mitchell (1861-1962) https://ausmed.arts.uwa.edu.au/files/original/a8972f6c1e65035cb902efb57176136e.jpg 3d26353712e529a023f77dbe0f8b0e34 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 509 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Entrance to Albany Bell Castle Subject The topic of the resource battlements, Albany Bell, brick, Alexander Cameron, castles, castle, castellation, crenellation, factory, Maylands, Medieval Revival, medieval, Medieval Revival Style, parapets, Perth, stucco, tower, WA, Western Australia, architecture, building, residence Description An account of the resource Image of Albany Bell Castle in the Perth suburb of Maylands. The castle was designed by architect Alexander Cameron for Mr Albany Bell and his company Albany Bell Ltd. Completed in 1919, the building was used as a cake and confectionary factory. It was designed as a model factory providing pleasant conditions for employees, and was inspired by the Cadbury factory in Bourneville, England. The red brick and stucco building features towers with parapets, and crenellation on much of the building. It was heritage listed in 1992 and converted into apartments. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 9 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Albany Bell Alexander Cameron architecture battlements brick building castellation castle castles crenellation factory Maylands medieval Medieval Revival Medieval Revival Style parapets Perth residence stucco tower WA Western Australia