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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.history.com/shows/full-metal-jousting/bios/rod-walker"&gt;http://www.history.com/shows/full-metal-jousting/bios/rod-walker&lt;/a&gt;</text>
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                <text>Full Metal Jousting: Rod Walker</text>
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                <text>Armour, Bathurst, combat, Full Metal Jousting, helmet, History.com, International Jousting Association, jousting, knight, lance, New South Wales, NSW, shield, television, Rod Walker</text>
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                <text>This online biography of Rod Walker appears on the History.com website for the television show Full Metal Jousting. Rod, a founding member of the International Jousting Association, is one of the coaches on the show. The show is a televised jousting tournament over a number of weeks in which contestants compete for a cash prize. As their medieval counterparts did, the jousters/knights ride horses wearing armour and helmets, and carrying a lance and shield with which to combat the other contestant. Jousting is described as â€˜the most dangerous collision sport in historyâ€™. Full Metal Jousting premiered on April 15, 2012.&#13;
&#13;
Rod Walker is from the New South Wales city of Bathurst where he runs the jousting company Full Tilt and performs at local events. </text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Alice Werner (1859-1935), castle, chivalry, â€˜Creeve Roeâ€™, Gothic medievalism, knight, L. D. (1859-1935), Lucia Di Valle Rojana (1859-1935), melancholia, poetry, romance, tournament, Victor Daley (1858-1905)</text>
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                <text>The long-vanished past is briefly reconfigured in this sad and poignant poem. It allows us a fleeting glimpse of what has (or may have) been, even though we find ourselves standing in the waking world â€œUnder blue skies in a fair land.â€ True Romance, it suggests, has gone the way of stately knights in armour, beautiful â€˜maidens forlorn,â€™ castles, and all the accoutrements and trappings of the chivalric medieval past. In gothic literary fashion the buildings, mores and customs have all crumbled, decayed, and vanished, and the poem â€œlament[s] the irredeemable loss of this world, which â€˜Ages ago [...] faded out and diedâ€™â€ (Louise D'Arcens, Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910 Turnhout, Brepols, 2011, p.139). While these verses do convey sadness and melancholia, Australia was a new land, at least in terms of European settlement and influence, and so it can be concluded, as Louise Dâ€™Arcens suggests, that that, â€œthis melancholy poem is not coupled with any attempt to reanimate the spirit of nostalgia in the presentâ€ (Dâ€™Arcens, p.139). </text>
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                <text>L. D.  (Alice Werner aka Lucia Di Valle Rojana)</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Art Deco, beasts, Colonial Mutual, Colonial Mutual Life Building, commercial architecture, eagles, gargoyle, Gothic, Hennesy &amp; Hennesy, Hobart, lions, neo-Gothic, sculpture, Stripped Classical, Sydney, Tas, Tasmania.</text>
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                <text>The Colonial Mutual Life Building in Hobart, Tasmania, was designed by Sydney architects Hennesy &amp; Hennesy and completed in 1936. It is in the Stripped Classical style with Art Deco elements, whilst the sculptural embellishments are reminiscent of Gothic architecture. The sculptures are similar to the gargoyles found on Gothic cathedrals, although in this case they appear to be purely decorative. They include eagles, lions and the faces of beasts with their tongues out.</text>
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            <description>Information about rights held in and over the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>commercial architecture</name>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Anglo-Saxon, Beowulf, beverage, label, honeymoon, honey wine, king, McLaren Vale, Maxwell Mead, Maxwell Wines, mead, poetry, SA, Scandinavia, South Australia, stained glass, sword, Viking.</text>
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                <text>&lt;p&gt;The McLaren Vale, South Australia, company Maxwell Wines produce three varieties of Maxwell Mead. Their website explains that although mead was first drunk much earlier than the medieval period, it has a particularly strong association with Scandinavian culture during the Viking Age (c. 790-1000), where the Mead of Poetry is a mythical drink that allows one to become a poet. Mead is also drunk by the Danish warriors in the Anglo-Saxon epic poem &lt;em&gt;Beowulf&lt;/em&gt;. The website also claims that the term &amp;lsquo;honeymoon&amp;rsquo; comes from a newlywed couple being given mead as an aphrodisiac in the hope of conceiving a child (this etymology is difficult to prove).&lt;/p&gt;&#13;
&lt;p&gt;The label of Maxwell Mead features a medieval king standing in front of a stained glass window and holding a sword.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.maxwellwines.com.au/maxwell-mead/"&gt;http://www.maxwellwines.com.au/maxwell-mead/&lt;/a&gt;&lt;/p&gt;</text>
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The New Church are a Christian group whose beliefs are based on the writings of the Swedish theologian Emanuel Swedenborg (1688-1772).&#13;
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