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                <text>A room inside the heritage-listed Earlsferry House Bed and Breakfast on   the   Swan River in Guildford,  Western Australia. The building is of  typical   late nineteenth century  style, embodying elements of the  Victorian   gothic with its turret,  arches, and arched leadlight windows. This room  has been decorated in keeping with the architectural design of the  building, with tapestry-like wallpaper and velvet curtains.&#13;
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&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;An image of the heritage listed Earlsferry House Bed and Breakfast on  the Swan River in Guildford, Western Australia. The building is of  typical late nineteenth century style, embodying elements of the  Victorian gothic with its turret, arches, and arched leadlight windows.&lt;/p&gt;&#13;
&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>gothic, gothic revival, nineteenth century, nineteenth-century, 19th century, Victorian, architecture, turret, Swan River, Perth, Guildford, WA, Western Australia, hotel, bed, breakfast, accommodation, heritage, tourism</text>
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                <text>Image of the heritage-listed Earlsferry House Bed and Breakfast on   the    Swan   River in Guildford,  Western Australia. The building is of   typical     late nineteenth century  style, embodying elements of the   Victorian     gothic with its turret,  arches, and arched leadlight  windows. This room    has been decorated in keeping with the  architectural design of the    building, with tapestry-like wallpaper  and velvet curtains.&#13;
&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Photographs taken with the permission of Jane Bowen and Martin Jaine.</text>
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                <text>Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, on the Swan River  in Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #451, &lt;a href="../../../items/show/451"&gt;http://ausmed.arts.uwa.edu.au/items/show/451&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Lead-light Windows, Earlsferry Bed &amp;amp; Breakfast in  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #450, &lt;a href="../../../items/show/450"&gt;http://ausmed.arts.uwa.edu.au/items/show/450&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford - Front  Room," in Medievalism in Australian Cultural Memory, Item #448, &lt;a href="../../../items/show/448"&gt;http://ausmed.arts.uwa.edu.au/items/show/448&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;&#13;
&lt;div class="element-text"&gt;Carter, Bree, "Door with Lead-light  Panels, Earlsferry House, Guildford," in Medievalism in Australian  Cultural Memory, Item #447, &lt;a href="../../../items/show/447"&gt;http://ausmed.arts.uwa.edu.au/items/show/447&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Vaulted Ceiling in Earlsferry House, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #445, &lt;a href="../../../items/show/445"&gt;http://ausmed.arts.uwa.edu.au/items/show/445&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;&lt;/div&gt;</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Beggar, De Regimine Principum, dialogue, Geoffrey Chaucer (c.1340-1400), heresy, John Gower (c.1330-1408), John Lydgate (c.1370-1450), knight, manuscript, marginalia, medieval dress, medieval poetry, Occleve, poet, poetry, portrait, Sir John Oldcastle (d.1417), The Regiment of Princes, Thomas Hoccleve (c.1367-1426), tribute, review</text>
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                <text>&lt;p class="MsoNormal"&gt;In this &lt;em&gt;Western Mail &lt;/em&gt;article from 1930, the author begins by providing a somewhat negative review of Thomas Hoccleve&amp;rsquo;s poem, &amp;ldquo;The Regiment of Princes&amp;rdquo;. Asserting that the poem &amp;ldquo;looks better than it reads&amp;rdquo;, the author describes it as a &amp;ldquo;long and tedious poem on virtues and vices in imitation of an older writing&amp;rdquo;. The author goes on to suggest that Hoccleve has &amp;ldquo;an historical, rather than a literary value&amp;rdquo;, because he drew in the margin of the book what was thought to be the most accurate portrait of his near contemporary, Geoffrey Chaucer (c.1340-1400), and revered him in the text. The author concludes that although not a great poet, Hoccleve was probably an &amp;ldquo;earnest, forthright man&amp;rdquo;, because he knew his limitations.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Thomas Hoccleve (c.1367-1426) was an English poet and clerk of the Privy Seal. &amp;ldquo;The Regiment of Princes&amp;rdquo; was written in 1410-11 and was addressed to Prince Henry, the future King Henry V. It describes the virtues of a good ruler, and survives in 43 manuscript copies. For the text of Hoccleve&amp;rsquo;s &amp;ldquo;The Regiment of Princes&amp;rdquo;, see &lt;a href="http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm" target="_blank"&gt;http://www.lib.rochester.edu/camelot/teams/hoccfrm.htm&lt;/a&gt;.&lt;/p&gt;</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican, altar, Church of England, William Henry Clayton, Gothic, Gothic Revival, lancet window, pointed arch, reredos, St Andrewâ€™s Anglican Church, stained glass, Tas, Tasmania, tracery, Westbury.</text>
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                <text>&lt;p&gt;This East Window is in St Andrew&amp;rsquo;s Church of England (Anglican) in the small Tasmanian town of Westbury. The window is above the altar and reredos in the Sanctuary of the Gothic Revival church. The Sanctuary was completed in 1888 and consecrated in 1890 from a design by architect William Henry Clayton (1823-1877). The large pointed arch stained glass window with tracery is made up of three lancet windows.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1186"&gt;http://ausmed.arts.uwa.edu.au/items/show/1186&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1191"&gt;http://ausmed.arts.uwa.edu.au/items/show/1191&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1178"&gt;http://ausmed.arts.uwa.edu.au/items/show/1178&lt;/a&gt;&lt;/p&gt;</text>
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                <text>St. Joseph, Saint Joseph, architecture, architect, Archbishop Clure, C.W. Arnot, Edgar Le Blond Henderson, gothic architecture, gothic revival, neo-gothic, gothic, Inter-War Gothic, cross, lancet window, lancet arch, fleur de lis, Catholic, Catholicism, Catholic church, church, Christian, Christianity, Subiaco, Perth, WA, Western Australia, window, windows, multi-light window, multi-light windows, single-light window, single-light windows, leadlight window, lead-light window, lead-light windows, leadlight windows, stained glass, stained glass window, rose, rose window, tracery, bar tracery, arch, heritage, heritage listed, Archdiocese, Archdiocese of Perth, mullions</text>
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&lt;p&gt;St. Joseph&amp;rsquo;s Roman Catholic Church in  Subiaco,  Western Australia was designed  by architect Edgar L. B.  Henderson and  built by C. W. Arnot between  1933 and 1937. It is  constructed from red  brick and pressed cement in an  inter-war gothic  style common of the  1920s and 1930s. It exhibits many  features common  to gothic  architecture, including pointed gothic arches,  lancet  windows,  elaborate bar tracery in the stained glass windows and  blind  tracery on  the tympana of the doorways, and a large tower and  spire.&lt;/p&gt;&#13;
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&lt;p&gt;The windows of St Joseph&amp;rsquo;s are a mixture of the early gothic  style   single (or standalone), lancet windows, collections of two or  three   single windows positioned side by side, and also the later gothic  trend   of enclosing multiple lancet windows beneath one arch and  separating   them with mullions to form larger windows and allow for more  light to   enter the church.&lt;/p&gt;&#13;
&lt;p&gt;In 2001, the church and presbytery were placed on the Heritage list for WA.&lt;/p&gt;&#13;
For a timeline of the church's history, see &lt;a href="http://www.stjosephssubiaco.org.au/our-parish/history/"&gt;http://www.stjosephssubiaco.org.au/our-parish&lt;/a&gt;&lt;/div&gt;&#13;
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