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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows a dragon looking over the roof of the castle/house. The house features extensive crenellation and is made of brick. </text>
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                <text>&lt;p&gt;One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine (Byzantium, or the Eastern Roman Empire, was centred on Constantinople/Istanbul and endured until 1453) influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the brickwork and two arched windows within a larger arch.&lt;/p&gt;&#13;
For more on William Gibson see &lt;a href="http://webjournals.ac.edu.au/journals/adeb/g_/gibson-william-1820-1892/" target="_blank"&gt;http://webjournals.ac.edu.au/journals/adeb/g_/gibson-william-1820-1892/&lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. This photograph shows a boy, presumably Jack, climbing a beanstalk that grows to the roof of the house. Jack and the Beanstalk is an enduringly popular English folktale which has existed in some form since at least the mid-18th century. Versions of the tale often have medievalism aspects, especially in the depiction of the giant, where he might be thought to represent an uncouth medieval past.</text>
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                <text>One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows domestic stained glass/leadlight beside the front door featuring an armoured knight on horseback. The knight has an early medieval style helmet, armour, and a shield like those depicted on the Bayeux Tapestry worn by the Normans in 1066. In this instance the shield features a central cross.</text>
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      <tag tagId="1555">
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      <tag tagId="96">
        <name>knight</name>
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      <tag tagId="139">
        <name>knighthood</name>
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      <tag tagId="1249">
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>A photograph of domestic architecture in Unley Park, South Australia, featuring crenellation and false machiolation. Crenellation is an architectural feature that was commonly employed in the design of medieval castles and military structures. Cut into the parapets, crenels created alternating openings through which weapons could be fired (embrasures) and raised sections of stone (merlons) to protect shooters from oncoming fire and obscure their visibility. Machiolations were created when the parapet protruded out from the castle wall and holes were cut into the floor. Also a defensive measure, machiolation allowed occupants to fire down on the enemy, and also track their movements. Here, however, these features have been incorporated simply for their decorative effect.</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn, and is of a Victorian Academic Gothic architectural style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was renamed the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s notable neo-gothic features include the steeply gabled roof, rows of twin lancet windows, decorative stone tracery, entrance porch and the stone fleche/spire.</text>
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            <description>Information about rights held in and over the resource</description>
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          <element elementId="42">
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                <text>One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. This photograph shows one of the gothic-style windows, which is accentuated by the roofline and surrounding decoration. Gothic architecture was the dominant style in much of Europe from the twelfth to sixteenth centuries. For Jack climbing a beanstalk see other entry. </text>
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                <text>An image of the Mitchell Building at The University of Adelaide. The Mitchell Building was designed by South Australian architect Willliam McMinn, and is of a Victorian Academic Gothic architectural style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was renamed the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Buildingâ€™s notable neo-gothic features include the steeply gabled roof, rows of twin lancet windows, decorative stone tracery, entrance porch and the stone fleche/spire.</text>
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