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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;span style="font-size: 10pt;"&gt;Digitised Newspaper Article - National Library of Australia&lt;br /&gt; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 12pt; font-family: &amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;" lang="EN"&gt;&lt;a href="http://nla.gov.au/nla.news-article41438038" target="_blank"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article41438038&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Two New Clocks: Novelties for London Court</text>
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                <text>arcade, Big Ben, Big Clock, clock, dragon, Fremantle, H. Hope Jones, Hay Street, horse, knights, La Grosse Horage, lance, London Court, mechanisation, Monk of Glastonbury, Moreton Bay, Peter Lightfoot, retail arcade, Rouen, shopping, St George, St Georgeâ€™s Terrace, sword, Synchronome Company Ltd, synchronome invention, â€œTournament of Tilting Knightsâ€, WA, Wells Cathedral, Western Australia</text>
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                <text>In this article from The West Australian in 1937, the arrival of two clocks destined for London Court in Perth, Western Australia is announced. They were delivered to Fremantle by Mr H. Hope-Jones, managing director and founder of the Synchronome Company in London, during his world tour of observatory clocks. The article goes on to summarise Hope-Jonesâ€™ description of the clocks: the clock at the St Georgeâ€™s Terrace entrance would have a dial copied from the famous medieval (fourteenth century) Big Clock at Rouen and the clock at the Hay Street entrance would be a replica of Big Ben in London. Above the clock at the St Georgeâ€™s end, Hope-Jones explained, would be the figures of St George and the dragon on a revolving horizontal wheel. The wheel would revolve once at every quarter past the hour, twice at every half hour, three times at every three-quarters past the hour and at the chiming of the full hour St Georgeâ€™s sword would touch a hidden trigger switch and the dragonâ€™s head would fall off. Above the Hay Street clock would be four jousting knights, who would occasionally dismount each other with a blow from their lance. This, Hope-Jones said, was a copy of the fourteenth-century Wells Cathedral Clock reputed to have been made by Peter Lightfoot, the Monk of Glastonbury. </text>
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                <text>9 October 1937, p. 27.</text>
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        <name>â€œTournament of Tilting Knightsâ€</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised Newspaper Article, National Library of Australia - &lt;a href="http://nla.gov.au/nla.news-article58414412" target="_blank"&gt;http://nla.gov.au/nla.news-article58414412&lt;/a&gt;</text>
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                <text>Wedding Fashions</text>
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                <text>bouquet, brides, bride, bridesmaids, brocade, chiffon, clothing, coronet, dress, gown, fashion, headdress, jackets, lace, lilies, medieval lines, medieval style, roses, satin, tulle, veil, velvet, wedding, wedding dress, womenâ€™s fashion</text>
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                <text>In this column on wedding fashions in 1929, readers are advised that the favoured style for wedding dresses has changed from the short straight frocks of the previous year to long medieval style dresses. A long frock, the author suggests, is more dignified than a short or flimsy one, and is therefore â€œmuch more in keeping with the church serviceâ€. Materials such as velvet and satin are recommended, and a new tendency to eliminate the train and replace it with a flowing tulle veil is noted. Veils of tulle or chiffon are advised to create a â€œcloudy effectâ€ that contrasts the heavier material of the dress. The bridesmaidâ€™s dresses, the article concludes, should be in the same style as the bride. If the bride wears a velvet dress of medieval design, it instructs, the bridesmaids should also wear velvet in a different colour, and definitely not tulle frocks of the early Victorian style. </text>
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                <text>The Sunday Times</text>
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                <text>12 May 1929, p. 5s.</text>
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                <text>The Sunday Times</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St. Johnâ€™s Lutheran Church, Perth, Western Australia</text>
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                <text>architecture, buttress, church, church building, crenellation, gothic tracery, Inter-War Gothic style, laterite stone, leadlight windows, Lutheran church, neo-gothic, parish church, Perth, Richard Spanney, St Johnâ€™s Lutheran Church, stone, tower, Western Australia, window tracery, St. John, Saint John, saint, saints</text>
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                <text>View of St Johnâ€™s Lutheran Church in Perth, Western Australia. Built in 1936, St Johnâ€™s was the first Lutheran Church in Perth. It was designed by architect Richard Spanney and is an example of Inter-War Gothic architecture. The church is constructed from Darlington laterite stone and uses a combination of both semi-circular and pointed arch forms. Other features typical of medieval church architecture are the square tower, the solid buttresses, the decorative crenellations along the roofline and the window tracery.</text>
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                <text>McEwan, Joanne</text>
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                <text>View of St Johnâ€™s Lutheran Church in Perth, Western Australia. Built in 1936, St Johnâ€™s was the first Lutheran Church in Perth. It was designed by architect Richard Spanney and is an example of Inter-War Gothic architecture. The church is constructed from Darlington laterite stone and uses a combination of both semi-circular and pointed arch forms. Other features typical of medieval church architecture are the square tower, the solid buttresses, the decorative crenellations along the roofline and the window tracery.</text>
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                <text>McEwan, Joanne</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Digitised Newspaper Article, National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article49067504" target="_blank"&gt;&lt;span style="color: blue;"&gt;http://nla.gov.au/nla.news-article49067504&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Wool Types in Australia Total 1,500</text>
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                <text>competition, marketing, medieval methods, sales, Sydney University, synthetic fibres, T. G. Hunter, wool, wool market, wool trade, sheep</text>
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                <text>In this article about wool sales in 1952, Australiaâ€™s marketing methods are described as medieval. T. G. Hunter, a Professor of Chemical Engineering at Sydney University, is quoted advising that wool should be marketed in a few uniform grades (rather than by 1,500 different classification types) so as to counter the threat posed by uniform quality synthetic fibres. This change, although costly, is necessary, suggests the author, if the Australian wool trade is to maintain its sales volume. </text>
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                <text>Anon.</text>
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                <text>The West Australian</text>
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                <text>The West Australian</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Camelot Castle, Adelaide Hills</text>
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                <text>Adelaide hills, arcading, arches, Arthurian, battlements, Camelot, castle, castellation, hotel, hotels, accommodation, chapel, wedding, weddings, motel, restaurant, crenellation, recreation, towers, SA, South Australia, tourism, Arthur, Arthurian</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;Image of &amp;lsquo;Camelot Castle&amp;rsquo; in  the Adelaide Hills. The building has functioned  as a hotel and wedding venue since 1972 and is described on their  website as a &amp;lsquo;medieval themed complex&amp;rsquo;, and &amp;lsquo;a medieval Castle in the  heart of South Australia&amp;rsquo;. The 3000 square metre building is named after  the fictitious castle of King Arthur and has many  features which one would expect of a castle &amp;ndash; towers, crenellation,  pointed arched windows and arcading, a chapel and a suit of armour  (although the armour is from the 17&lt;sup&gt;th&lt;/sup&gt; century).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;More information is available at &lt;a href="http://www.camelotcastlesa.com.au/" target="_blank"&gt;http://www.camelotcastlesa.com.au&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane, photos by Margaret Dorey</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>26 June 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9390">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="46">
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            <description>A related resource</description>
            <elementTextContainer>
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                <text>McLeod, Shane, photos by Margaret Dorey, "Camelot Castle, in the  Adelaide Hills," in Medievalism in Australian Cultural Memory, Item  #436, &lt;a href="../../../items/show/436"&gt;http://ausmed.arts.uwa.edu.au/items/show/436&lt;/a&gt;&lt;br /&gt;&lt;br /&gt; McLeod, Shane, photos by Margaret Dorey, "Camelot Castle, A Motel and  Restaurant in the Adelaide Hills," in Medievalism in Australian Cultural  Memory, Item #435, &lt;a href="../../../items/show/435"&gt;http://ausmed.arts.uwa.edu.au/items/show/435&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; McLeod, Shane, photos by Margaret Dorey, "Camelot Castle Sign," in Medievalism in Australian Cultural Memory, Item #434, &lt;a href="../../../items/show/434"&gt;http://ausmed.arts.uwa.edu.au/items/show/434&lt;/a&gt;</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9392">
                <text>Digital Photograph; JPEG</text>
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        <name>arcading</name>
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        <name>Arthur</name>
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        <name>battlements</name>
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        <name>castle</name>
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        <name>chapel</name>
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        <name>crenellation</name>
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        <name>hotel</name>
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      <tag tagId="2857">
        <name>hotels</name>
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        <name>motel</name>
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        <name>recreation</name>
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        <name>restaurant</name>
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        <name>weddings</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/5126fbc9b9e09c973fd89c7a034b7fe6.pdf</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Page</text>
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            <element elementId="41">
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>&lt;p&gt;Digitised Newspaper Article; PDF&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;a href="http://nla.gov.au/nla.news-article31897631" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://nla.gov.au/nla.news-article31897631&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Grand Theatre: â€™Under the Red Robeâ€</text>
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                <text>Alma Rubens (1897-1931), Cardinal Richelieu (1585-1642), Day of the Dupes (1630), drama, duel,  fiction, film, Gil de Berault, Grand Theatre, Henri de Cocheforet, historical fiction, honour, Huguenot, John Charles Thomas (1889-1960), literature, Louis XIII, Mademoiselle de Cocheforet, â€œMedieval romanceâ€, movie, novel, Robert B. Mantell, screen Stanley J. Weyman (1855-1928), â€œUnder the Red Robeâ€, WA, Western Australia</text>
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          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt;"&gt;In this notice about  the upcoming programme for the Grand Theatre, a screening of the 1923  silent film &amp;ldquo;Under the Red Robe&amp;rdquo; is announced. The film is based on  Stanley J. Weyman&amp;rsquo;s historical novel of the same name. The novel is  described in the article as a medieval romance, although it is set in  seventeenth-century France. The story opens in 1630, when Gil de Berault  sets out on a search for fugitive Huguenot Henri de Cocheforet, on the  orders of Cardinal Richelieu. He has offered his martial skills to  Richelieu in exchange for his life after being arrested for duelling in  Paris. Although he does indeed find and arrest M. de Cocheforet, he  realises that he has fallen in love with his sister and lets him go free  to restore his honour. The story ends on the Day of the Dupes with the  marriage of de Berault and de Cocheforet.&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;"&gt;For a copy of &amp;ldquo;Under the Red Robe&amp;rdquo; by Stanley J. Weyman, see &lt;/span&gt;&lt;a href="http://www.gutenberg.org/ebooks/1896" target="_blank"&gt;&lt;span style="font-size: 10pt;"&gt;http://www.gutenberg.org/ebooks/1896&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 10pt;"&gt;. &lt;/span&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Anon.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>National Library of Australia</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="9280">
                <text>The West Australian</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9281">
                <text>16 December 1925, p. 12.</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9282">
                <text>The West Australian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9283">
                <text>Digitised Newspaper Article; PDF</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9284">
                <text>English</text>
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        <name>â€œMedieval romanceâ€</name>
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        <name>â€œUnder the Red Robeâ€</name>
      </tag>
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        <name>Alma Rubens (1897-1931)</name>
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      <tag tagId="2861">
        <name>Cardinal Richelieu (1585-1642)</name>
      </tag>
      <tag tagId="2862">
        <name>Day of the Dupes (1630)</name>
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      <tag tagId="1165">
        <name>drama</name>
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        <name>duel</name>
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        <name>fiction</name>
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      <tag tagId="2123">
        <name>film</name>
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      <tag tagId="2864">
        <name>Gil de Berault</name>
      </tag>
      <tag tagId="2865">
        <name>Grand Theatre</name>
      </tag>
      <tag tagId="2866">
        <name>Henri de Cocheforet</name>
      </tag>
      <tag tagId="2867">
        <name>historical fiction</name>
      </tag>
      <tag tagId="2868">
        <name>honour</name>
      </tag>
      <tag tagId="2869">
        <name>Huguenot</name>
      </tag>
      <tag tagId="2870">
        <name>John Charles Thomas (1889-1960)</name>
      </tag>
      <tag tagId="251">
        <name>literature</name>
      </tag>
      <tag tagId="2871">
        <name>Louis XIII</name>
      </tag>
      <tag tagId="2872">
        <name>Mademoiselle de Cocheforet</name>
      </tag>
      <tag tagId="2874">
        <name>movie</name>
      </tag>
      <tag tagId="485">
        <name>novel</name>
      </tag>
      <tag tagId="2875">
        <name>Robert B. Mantell</name>
      </tag>
      <tag tagId="2876">
        <name>screen Stanley J. Weyman (1855-1928)</name>
      </tag>
      <tag tagId="838">
        <name>WA</name>
      </tag>
      <tag tagId="73">
        <name>Western Australia</name>
      </tag>
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  </item>
  <item itemId="434" public="1" featured="1">
    <fileContainer>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/a92ab398549e5711ce78f791abe39157.JPG</src>
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
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              <element elementId="74">
                <name>Bit Depth</name>
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                <name>Channels</name>
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                    <text>738</text>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="9384">
              <text>Digital Photograph; JPEG</text>
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      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Camelot Castle Sign</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="9377">
                <text>Adelaide hills, arcading, arches, Arthurian, battlements, Camelot, castle, castellation, hotel, hotels, accommodation, chapel, wedding, weddings, motel, restaurant, crenellation, recreation, towers, SA, South Australia, tourism, Arthur, Arthurian</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;&amp;lsquo;Camelot Castle&amp;rsquo; in  the Adelaide Hills. The building has functioned  as a hotel and wedding venue since 1972 and is described on their  website as a &amp;lsquo;medieval themed complex&amp;rsquo;, and &amp;lsquo;a medieval Castle in the  heart of South Australia&amp;rsquo;. The 3000 square metre building is named after  the fictitious castle of King Arthur and has many  features which one would expect of a castle &amp;ndash; towers, crenellation,  pointed arched windows and arcading, a chapel and a suit of armour  (although the armour is from the 17&lt;sup&gt;th&lt;/sup&gt; century).&lt;/span&gt;&lt;/p&gt;&#13;
&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;More information is available at &lt;a href="http://www.camelotcastlesa.com.au/" target="_blank"&gt;http://www.camelotcastlesa.com.au&lt;/a&gt;&lt;/span&gt;</text>
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              </elementText>
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          <element elementId="47">
            <name>Rights</name>
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            <elementTextContainer>
              <elementText elementTextId="9381">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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                <text>&lt;p&gt;McLeod, Shane, photos by Margaret Dorey, "Camelot Castle, in the  Adelaide Hills," in Medievalism in Australian Cultural Memory, Item  #436, &lt;a href="../../../items/show/436"&gt;http://ausmed.arts.uwa.edu.au/items/show/436&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; McLeod, Shane, photos by Margaret Dorey, "Camelot Castle, A Motel and  Restaurant in the Adelaide Hills," in Medievalism in Australian Cultural  Memory, Item #435, &lt;a href="../../../items/show/435"&gt;http://ausmed.arts.uwa.edu.au/items/show/435&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;br /&gt; McLeod, Shane, photos by Margaret Dorey, "Camelot Castle, Adelaide  Hills," in Medievalism in Australian Cultural Memory, Item #432, &lt;a href="../../../items/show/432"&gt;http://ausmed.arts.uwa.edu.au/items/show/432&lt;/a&gt;&lt;/p&gt;</text>
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      <tag tagId="885">
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      <tag tagId="127">
        <name>wedding</name>
      </tag>
      <tag tagId="1357">
        <name>weddings</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
