50 8 1266 https://ausmed.arts.uwa.edu.au/files/original/910c5fd5b9612705ebf4cd6452394074.jpg 720dad48a8d9142c8017461f2f2d7abc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 747 Width 995 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptist Tabernacle church, Perth, Tasmania Subject The topic of the resource Baptist, Baptist Tabernacle, church, dome, octagonal, cruciform, cruciform design, George Fagg, William Gibson, Perth, Tas, Tasmania Description An account of the resource One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the classically inspired front entrance of the church. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Baptist Baptist Tabernacle Church cruciform cruciform design dome George Fagg octagonal Perth Tas Tasmania William Gibson https://ausmed.arts.uwa.edu.au/files/original/a9e410d8ba462d7e402f4cfb7ac138be.jpg 0bd84f9d6db9ae7b3298e102024c73ca Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Baptist Tabernacle Church, Perth, Tasmania Subject The topic of the resource Baptist, Baptist Tabernacle, church, dome, octagonal, cruciform, cruciform design, George Fagg, William Gibson, Perth, Tas, Tasmania Description An account of the resource One of three photographs of the Baptist Tabernacle church in Clarence Street, Perth, Tasmania. The church was designed by English architect George Fagg and built in 1889 by William Gibson. The church is said to have Indian influence, but Byzantine influence can also be discerned. In particular, the church is octagonal, unlike the cruciform design of most west European churches. This photograph shows the classically inspired front entrance of the church. Creator An entity primarily responsible for making the resource Dorey, Margaret Source A related resource from which the described resource is derived 30 November 2011 Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Baptist Baptist Tabernacle Church cruciform cruciform design dome George Fagg octagonal Perth Tas Tasmania William Gibson https://ausmed.arts.uwa.edu.au/files/original/53cc416c90cd85bd84befa6b0b2976d0.jpg d20c5fe68dd61a6168b79e788df320a4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 922 Width 692 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chalmers Presbyterian Church, Launceston, Tasmania Subject The topic of the resource arched windows, bell tower, Thomas Chalmers, Chalmers Free Church, Church of Scotland, William Henry Clayton, Florid Gothic, Free Kirkers, Gothic, Gothic Revival, Launceston, Presbyterian, Tas, Tasmania Description An account of the resource <p>One of two photographs of the former Chalmers Presbyterian Church in Launceston. The church was built in Gothic Revival style in 1859 (the first service was in January 1860) and was designed by architect William Henry Clayton (1823-1877). It was named after Thomas Chalmers, the founder of the Free Church movement in Scotland following the 1843 Great Disruption of the Church of Scotland. His followers were known as Free Kirkers. The church became a Presbyterian church in 1896 and was deconsecrated in 1981 and it can now be hired as a hall. This photograph shows the flamboyant Gothic Revival style, sometimes referred to as Florid Gothic,&nbsp;of the front of Chalmers church, with a ornate bell tower and numerous arched windows.</p> <p>For more on the Presbyterian Church in Tasmania see <a href="http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm" target="_blank">http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm</a>&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows bell tower Chalmers Free Church Church of Scotland Florid Gothic Free Kirkers Gothic Gothic Revival Launceston Presbyterian Tas Tasmania Thomas Chalmers William Henry Clayton https://ausmed.arts.uwa.edu.au/files/original/5f6439d8a0243d9ce5db1b55b4d2e23f.jpg c957f006162c2f62068e603fcd249aed Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 983 Width 738 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Knight Letterbox, Perth, Tasmania Subject The topic of the resource castle, helmet, knight, knights, letterbox, Perth, quiver, Tas, Tasmania, armour, metalwork, domestic Description An account of the resource One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows the letterbox in the guise of an armoured knight. The knight has a helmet, full body armour, and wears a quiver (arrow holder) to hold newspapers. Letters are placed in a slot in the knight’s chest. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Armour castle domestic helmet knight knights letterbox metalwork Perth quiver Tas Tasmania https://ausmed.arts.uwa.edu.au/files/original/b5eea173dee8b161a124f721e0febda2.jpg 29c50a1201abe0b7208985c6b5c96ace Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Masks, Chalmers Presbyterian Church, Launceston, Tasmania Subject The topic of the resource bell tower, Thomas Chalmers, Chalmers Free Church, Church of Scotland, William Henry Clayton, Free Kirkers, Gothic, Gothic Revival, Launceston, masks, Presbyterian, Tas, Tasmania, Presbyterian, arched windows Description An account of the resource <p>One of two photographs of the former Chalmers Presbyterian Church in Launceston. The church was built in Gothic Revival style in 1859 (the first service was in January 1860) and was designed by architect William Henry Clayton (1823-1877). It was named after Thomas Chalmers, the founder of the Free Church movement in Scotland following the 1843 Great Disruption of the Church of Scotland. His followers were known as Free Kirkers. The church became a Presbyterian church in 1896 and was deconsecrated in 1981 and it can now be hired as a hall. This photograph shows face masks around the bell tower. Despite the flamboyantly Gothic style of the tower, the masks may be inspired by similar ones from the Classical period, and are quite different from the gargoyles which one would expect to find on a Gothic church.</p> For more on the Presbyterian Church in Tasmania see <a href="http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm" target="_blank">http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm</a> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows bell tower Chalmers Free Church Church of Scotland Free Kirkers Gothic Gothic Revival Launceston masks Presbyterian Tas Tasmania Thomas Chalmers William Henry Clayton https://ausmed.arts.uwa.edu.au/files/original/2b79f4d2daac6a6e50a2c3a5616901a8.jpg aa60b5a8e4343eb76dd9308891f9a69c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 599 Width 799 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jack and the Beanstalk House, East Devonport Subject The topic of the resource arched windows, arch, architecture, domestic, domestic architecture, East Devonport, folktale, folk, Jack and the Beanstalk, Gothic, Gothic Revival, Tas, Tasmania Description An account of the resource <p>One of three photographs of a house in East Devonport built in the Gothic Revival architectural style. Gothic features of the house include the arched windows and steeped pitch of the roof. Gothic architecture was the dominant style in much of Europe from the twelfth to sixteenth centuries.</p> <p>For Jack climbing a beanstalk see <a href="http://ausmed.arts.uwa.edu.au/items/show/759">http://ausmed.arts.uwa.edu.au/items/show/759</a>.</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 December 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/759">http://ausmed.arts.uwa.edu.au/items/show/759</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arched windows architecture domestic domestic architecture East Devonport folk folktale Gothic Gothic Revival Jack and the Beanstalk Tas Tasmania https://ausmed.arts.uwa.edu.au/files/original/ec7731687f815723178eb3614a9f6a75.jpg 325c23bf59f5ae510328c96c100c3b32 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 860 Width 645 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Domestic Castle, Perth, Tasmania Subject The topic of the resource battlements, castle, crenellation, dragon, house, residence, domestic, Perth, Tas, Tasmania, windmill Description An account of the resource One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows the castle/house, which inexplicably also has a windmill coming out of its centre. The domestic brick house features extensive crenellation, an arched arcade/verandah, and a dragon looking over the top corner of the building. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 30 November 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG battlements castle crenellation domestic dragon house Perth residence Tas Tasmania windmill https://ausmed.arts.uwa.edu.au/files/original/103d99d6cace263dd8f0332fa18cb853.jpg 56adfec80c709abdca8844a4247bac9b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 738 Width 983 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pilgrim Uniting Church Gargoyle, Launceston Subject The topic of the resource arched windows, Crouch and Wilson, gargoyle, Gothic, Launceston, Methodist, Pilgrim Uniting Church, spire, stucco, Tas, Tasmania, tower, traceried window, Uniting Church Description An account of the resource One of two photographs of the Pilgrim Uniting Church in Launceston. The church was designed by Melbourne firm Crouch and Wilson and was built in 1866-1868 as a Methodist church. The brick church is in the Gothic style with arched windows, a prominent tower topped by a spire, and a large traceried window. The church also has white stucco decorations, including four animal heads (probably gargoyles) around the tower, one of which can be seen in this photograph. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 2 December 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arched windows Crouch and Wilson gargoyle Gothic Launceston Methodist Pilgrim Uniting Church spire stucco Tas Tasmania tower traceried window Uniting Church