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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;Part one: &lt;a href="https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b" target="_blank"&gt;https://www.fringeworld.com.au/program/event/bbf12545-38c2-410f-9755-134f19d1a91b&lt;/a&gt;/&lt;/p&gt;&#13;
&lt;p&gt;Part Two: &lt;a href="https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/" target="_blank"&gt;https://www.fringeworld.com.au/program/event/feb24d25-d5e9-4c88-9db2-ef17e46a307c/&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>â€˜The Canterbury Tales: Part Oneâ€™ &amp; â€˜The Canterbury Tales: Part Twoâ€™, Perth Fringe Festival 2013</text>
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                <text>Canterbury Cathedral, carpenter, comedy, court, death, drama, flood, flour miller, Fringe Festival, Geoffrey Chaucer (c.1343-1400), King Arthur, knight, KNUTS, maiden, medieval literature, medieval poetry, Medieval Romance, modern adaptation, old hag, performance, Perth, pilgrim, pilgrimage, Science Fiction, shrine, space, Stephen Lee, Stephen Quinn, &lt;em&gt;The Canterbury Tales&lt;/em&gt;, &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Wife of Bath&amp;rsquo;s Tale&amp;rsquo;, Thomas Becket, Victorian Melodrama, villain, vulcan, WA, Western, Western Australia.</text>
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                <text>&lt;p&gt;This production by theatre company KNUTS is a modern adaptation of Geoffrey Chaucer&amp;rsquo;s &lt;em&gt;The Canterbury Tales&lt;/em&gt; in two parts. Adapted by Stephen Quinn and directed by Stephen Lee, it transposes stories from Chaucer&amp;rsquo;s original text into a variety of different genres, ranging from Western to silent film, Victorian melodrama and a Shakespearean version of a Medieval Romance. Part One includes renditions of &amp;lsquo;The Pardoner&amp;rsquo;s Tale&amp;rsquo;, &amp;lsquo;The Miller&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Reeve&amp;rsquo;s Tale&amp;rsquo;, and Part Two &amp;lsquo;The Franklin&amp;rsquo;s Tale&amp;rsquo;, The Wife of Bath&amp;rsquo;s Tale&amp;rsquo; and &amp;lsquo;The Merchant&amp;rsquo;s Tale&amp;rsquo;. This production featured as part of the Perth Fringe Festival in 2013, where &amp;lsquo;The Canterbury Tales: Part One&amp;rsquo; was performed from 7 February to 13 February and &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; was performed the following week from 14 February to 19 February 2013. A positive review of &amp;lsquo;The Canterbury Tales: Part Two&amp;rsquo; from &lt;em&gt;The West Australian&lt;/em&gt; can be read at: &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/" target="_blank"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/16159623/review-the-canterbury-tales-part-two/&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;In Chaucer&amp;rsquo;s original &lt;em&gt;The Canterbury Tales&lt;/em&gt;, written in the late fourteenth century, the narrator joins a group of 29 pilgrims who are about to set out on a journey from Southwark to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. He proposes that each member of the group tell two stories to entertain them on their journey, and proceeds to record each of these &amp;lsquo;tales&amp;rsquo;. The teller of the best story was to be rewarded with a free meal at the expense of the rest of the group.&lt;/p&gt;</text>
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                <text>Written by Geoffrey Chaucer&#13;
Adapted by Stephen Quinn&#13;
Directed by Stephen Lee&#13;
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            <description>A related resource from which the described resource is derived</description>
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                <text>FringeWorld Festival Website (&lt;a href="https://www.fringeworld.com.au/home/" target="_blank"&gt;https://www.fringeworld.com.au/home/&lt;/a&gt;)</text>
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                <text>Part One: 7 February 2013 - 13 February 2013&#13;
Part Two: 14 February 2013 â€“ 19 February 2013&#13;
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            <description>Information about rights held in and over the resource</description>
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                <text>Fringe Festival &amp; KNUTS Theatre Company</text>
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                <text>Performance in different genres, including Western, carry on film, silent movie, science fiction, â€˜mock Shakespeareâ€™, Victorian melodrama.</text>
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        <name>â€˜The Franklinâ€™s Taleâ€™</name>
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        <name>Geoffrey Chaucer (c.1343-1400)</name>
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        <name>Stephen Quinn</name>
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        <name>The Canterbury Tales</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Digital Photograph; JPEG</text>
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            <description>A name given to the resource</description>
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                <text>(Former) Mortuary Station, Regent St, Sydney</text>
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                <text>James Barnet, Byzantine, capital, cemetery, Chippendale, column, funeral, Gothic, Gothic Revival, lancet window, Moorish, Mortuary Station, moulding, New South Wales, NSW, pointed arch, railway, Regent Street Railway Station, Rookwood Cemetery, sculpture, spire, Sydney, Venetian Gothic.</text>
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                <text>The former Mortuary Station is located behind Sydneyâ€™s Central Station in the inner-city suburb of Chippendale on Regent Street, after which it was renamed. The station was designed by James Barnet and completed in 1869. It was part of the Rookwood Cemetery railway line, whereby special funeral trains transported bodies from the city centre to the cemetery for burial. The station is in the Gothic Revival style, in particular the 14th-century Venetian Gothic, and was deliberately designed to appear like a church (Indeed, one of the former stations on the line was dismantled and rebuilt in Canberra where it is now a church). The Venetian Gothic style combined elements from Gothic, Byzantine, and Moorish architecture. Mortuary Station features columns topped with decorated capitals, small lancet windows, pointed arches, a pointed-arch ticket window, decorated chimney, a spire, and bas-relief sculpture including a foliage motif and cherubs&#13;
.&#13;
The Rookwood line was officially closed in 1948 but the renamed Regent Street Railway Station is still sometimes used for special events.  &#13;
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            <description>An entity primarily responsible for making the resource</description>
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                <text>McLeod, Shane</text>
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                <text>December 17, 2012</text>
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                <text>No Copyright</text>
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                <text>Sideview of St. Brigid's Church, Northbridge</text>
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                <text>Federation Gothic, Gothic, architecture, St. Brigid, Saint Brigid, St. Brigid, Church, Roman Catholic, Catholic, Catholicism, Northbridge, Perth, Fitzgerald Street, WA, Western Australia, arched windows, bay windows, heritage</text>
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                <text>An image of St. Brigid's Catholic Church on Fitzgerald Street in Northbridge, Perth. &#13;
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The church is built in Federation Gothic style with a hammer-beamed trussed roof and leadlight panel bay windows with gold arches.&#13;
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St. Brigid's is heritage-listed and is currently being rennovated.</text>
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                <text>Greek Orthodox Church, West Perth</text>
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                <text>An image of the Greek Orthodox Church located on the corner of Charles and Carr Streets in West Perth. The church possesses typical Orthodox/Byzantine architectural features, including a dome (symbolising the heavens) on top of a square church building (symbolising the earth). </text>
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