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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Francis Xavier Church in Geraldton, Western Australia, designed by Monsignor John Cyril Hawes, has a mixture of Romanesque and Spanish mission style architecture. The first stone was laid in 1916, but following the death of Bishop Kelly the cathedral was not completed until 1938 due to a lack of funds and lack of enthusiasm from Kellyâ€™s replacement, Bishop Ryan.&#13;
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The cathedral is an interesting mix of styles. The twin towers at the front are similar to the Spanish mission style architecture (eg. The Mission Church of Santa Barbara in California), the central doorway is French Romanesque, the dome has echoes of Brunelleschiâ€™s cupola in Florence, and the cone-roofed tower at the rear is similar to those found on French Renaissance chÃ¢teaux. The interior features Romanesque columns, timbered ceiling, and zebra striping on the walls and arches.&#13;
&#13;
For more information on Monsignor John Cyril Hawes, see A. G. Evans, 'Hawes, John Cyril (1876-1956)', Australian Dictionary of Biography, Volume 9, Melbourne University Press, 1983, pp.229-230; John J. Taylor, Between Devotion and Design: The Architecture of John Cyril Hawes 1876-1956, (University of Western Australia Press, Perth, 2001).</text>
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                <text>This photograph shows an example of medieval-inspired domestic architecture on Darley Road, in the Sydney suburb of Manly. The house is a non-functional modern example of the fortified houses that were built in Europe during the medieval period. The Darley Road house has crenellation above a bay window, as well as on two small square towers, giving the impression of the house being a small castle. </text>
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                <text>One of four photographs of a castle-like building on the Midland Highway in Perth, Tasmania. This one shows the castle/house, which inexplicably also has a windmill coming out of its centre. The domestic brick house features extensive crenellation, an arched arcade/verandah, and a dragon looking over the top corner of the building. </text>
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                <text>Dorey, Margaret</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Adelaide, architecture, battlement, castle, crenel, crenellation, decoration, defence, domestic architecture, domestic, home, house, residence, embrasure, fortification, machiolation, medieval warfare, merlon, military structure, rampart, SA, South Australia, Unley Park</text>
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                <text>A photograph of domestic architecture in Unley Park, South Australia, featuring crenellation and false machiolation. Crenellation is an architectural feature that was commonly employed in the design of medieval castles and military structures. Cut into the parapets, crenels created alternating openings through which weapons could be fired (embrasures) and raised sections of stone (merlons) to protect shooters from oncoming fire and obscure their visibility. Machiolations were created when the parapet protruded out from the castle wall and holes were cut into the floor. Also a defensive measure, machiolation allowed occupants to fire down on the enemy, and also track their movements. Here, however, these features have been incorporated simply for their decorative effect.</text>
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                <text>Dorey, Margaret</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>No Copyright</text>
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                <text>Door with Lead-light Panels, Earlsferry House, Guildford</text>
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                <text>gothic, gothic revival, nineteenth century, nineteenth-century, 19th century, Victorian, architecture, turret, Swan River, Perth, Guildford, WA, Western Australia, hotel, bed, breakfast, accommodation, heritage, tourism, window, windows, leadlight, lead light, arch, arched, arches</text>
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                <text>Image of the entrance to heritage-listed Earlsferry House  Bed and  Breakfast on  the  Swan River in Guildford,  Western Australia.  The  building is of  typical  late nineteenth century  style, embodying   elements of the  Victorian  gothic with its turret,  arches, and arched   leadlight windows.&#13;
&lt;p&gt;For more information on Earlsferry House, see &lt;a href="http://www.earlsferry.com.au/"&gt;http://www.earlsferry.com.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;To view a photo gallery of Earlsferry, see &lt;a href="http://www.earlsferry.com.au/slides/slides.htm"&gt;http://www.earlsferry.com.au/slides/slides.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Photographs taken with the permission of Jane Bowen and Martin Jaine</text>
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                <text>&lt;p&gt;Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #452, &lt;a href="../../../items/show/452"&gt;http://ausmed.arts.uwa.edu.au/items/show/452&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, on the Swan River  in Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #451, &lt;a href="../../../items/show/451"&gt;http://ausmed.arts.uwa.edu.au/items/show/451&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Lead-light Windows, Earlsferry Bed &amp;amp; Breakfast in  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #450, &lt;a href="../../../items/show/450"&gt;http://ausmed.arts.uwa.edu.au/items/show/450&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford - Front  Room," in Medievalism in Australian Cultural Memory, Item #448, &lt;a href="../../../items/show/448"&gt;http://ausmed.arts.uwa.edu.au/items/show/448&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Carter, Bree, "Great Door with Leadlight Panels, Earlsferry House,  Guildford, Western Australia," in Medievalism in Australian Cultural  Memory, Item #446, &lt;a href="../../../items/show/446"&gt;http://ausmed.arts.uwa.edu.au/items/show/446&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Vaulted Ceiling in Earlsferry House, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #445, &lt;a href="../../../items/show/445"&gt;http://ausmed.arts.uwa.edu.au/items/show/445&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House, Guildford, Western Australia," in Medievalism in Australian Cultural Memory, Item #443, &lt;a href="../../../items/show/443"&gt;http://ausmed.arts.uwa.edu.au/items/show/443&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Carter, Bree, "Earlsferry House Bed &amp;amp; Breakfast, Guildford, Western  Australia," in Medievalism in Australian Cultural Memory, Item #440, &lt;a href="../../../items/show/440"&gt;http://ausmed.arts.uwa.edu.au/items/show/440&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;A close-up of the detailed stonework surrounding a doorway at St Peter&amp;rsquo;s Cathedral in Adelaide, South Australia. Construction of this Victorian Gothic style Cathedral began in 1869. Its gothic features include lancet arches, blind arcading and decorative stone tracery.&lt;/p&gt;&#13;
&lt;p&gt;About St Peter&amp;rsquo;s Cathedral:&lt;/p&gt;&#13;
&lt;p&gt;St Peter&amp;rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&amp;rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: &lt;a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.stpeters-cathedral.org.au/web/arch&lt;/span&gt;&lt;/a&gt;.&amp;nbsp;&lt;/p&gt;</text>
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                <text>The Melbourne Safe Deposit building is part of what is known as the ANZ Gothic Bank complex and is located on Queen Street in Melbourne, Victoria. The building was designed by William Pitt (1855-1918) in 1890 for the Stock Exchange of Melbourne Co. Ltd. The elaborately decorated seven storey brick building is in the Gothic Revival style and features pointed arch windows and doorways, heraldic shields, lancet windows with tracery, numerous columns with decorated capitals, pointed finials, bas-relief sculpture, a statue of a lion holding a shield in the centre of the third floor, and two winged creatures similar to gargoyles in the centre of the fourth floor.</text>
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