48 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <a href="http://hdl.handle.net/10462/deriv/112714">http://hdl.handle.net/10462/deriv/112714</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Float in the St. Patrick's Day Procession, Warwick, ca. 1910 Subject The topic of the resource St Patrick, Saint Patrick, St. Patrick, St. Patrick's Day, saints, saint, Irish, Ireland, Irish national identity, national identity, nationalism, identity, parades, processions, parade, procession, float, banner, banners, horse-drawn vehicle, politics, political, radical politics, Robert Emmet, Erin Go Bragh, Ireland forever, Queensland Description An account of the resource Image of a St. Patrick's Day float bearing a banner advocating Irish nationalist sentiments. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived John Oxley Library, State Library of Queensland Publisher An entity responsible for making the resource available John Oxley Library, State Library of Queensland Date A point or period of time associated with an event in the lifecycle of the resource ca. 1910 Rights Information about rights held in and over the resource John Oxley Library, State Library of Queensland Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English banner banners Erin Go Bragh float horse-drawn horse-drawn vehicle identity Ireland Ireland forever Irish Irish national identity national identity nationalism parade parades political politics procession processions Queensland radical politics Robert Emmet saint Saint Patrick saints St Patrick St. Patrick St. Patrick's Day https://ausmed.arts.uwa.edu.au/files/original/38106eece07ceebb5ebe2308f1ad922d.jpg b412a70243f6320b7c7846c277c27b79 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 622 Width 933 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Gothic Window: Brunswick Uniting Church, Victoria Subject The topic of the resource Arch, architecture, Brunswick, buttress, Charles Webb (1821-1898), church, church building, decorated gothic window, Evander McIver, gable, gothic architecture, gothic revival, lancet arch, lancet window, neo-gothic, Presbyterian church, quoin, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A close-up view of the decorated gothic window and bold corner quoins on the west facade of the Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the same site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church was constructed in 1865 to the design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church, featured here, was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the corners and buttresses. Both structures were originally built as Presbyterian churches. Creator An entity primarily responsible for making the resource McEwan, Susan Date A point or period of time associated with an event in the lifecycle of the resource May 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architecture Brunswick buttress Charles Webb (1821-1898) Church church building decorated gothic window Evander McIver gable gothic architecture Gothic Revival lancet arch lancet window neo-Gothic Presbyterian Church quoin spire tower tracery Vic Victoria Victorian Gothic https://ausmed.arts.uwa.edu.au/files/original/41f0249d31dd3295a98402748525b813.jpg 952f204063ff4403e65f0f83ddf2dd02 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 977 Width 733 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Stonework, Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource A close-up image of decorative stonework at the entrance to Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and stone-carved decorations such as the quatrefoil patterns above the doors, the crenellation effect and the two lion statues bearing heraldic shields seen here. The construction of the Hall was funded by a donation of £50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a ‘great hall’, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/3e981cf6cb5078c074626516c3b13708.jpg 0b37da1a4d62a9ceae7b9ebd728d7563 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 427 https://ausmed.arts.uwa.edu.au/files/original/7ee1b9663558b057eb6ee298cfdb9b47.jpg 953a3ccebbc68aa0787d133c34368485 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 377 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorative Stonework, Christ Church, Claremont, Western Australia Subject The topic of the resource Anglican, Anglican church, arch, architect, architecture, bell tower, blind arch, buttress, church, church building, Church of England, Claremont, Cottesloe limestone, gable, gothic architecture, Gothic Revival style, J. J. Talbot Hobbs, lancet arch, lancet windows, lead-light windows, limestone, masonry, neo-gothic, rose window, stained glass, T. W. L. Powell, tower, tracery, Western Australia Description An account of the resource A close-up view of the decorative stonework on the western wall of Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 04 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church arch architect architecture bell tower blind arch buttress Church church building Church of England Claremont Cottesloe limestone gable gothic architecture Gothic Revival style J. J. Talbot Hobbs lancet arch lancet windows lead-light windows limestone masonry neo-Gothic rose window stained glass T. W. L. Powell tower tracery Western Australia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Engraving featured in The Illustrated Australian News URL <span style="font-family: tahoma; font-size: x-small;"><a href="http://trove.nla.gov.au/work/12652134" target="_blank">http://trove.nla.gov.au/work/12652134</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Design for the Town Hall, Brunswick Subject The topic of the resource architecture, architect, gothic, gothic architecture, gothic revival, neo-gothic, gothic building, gothic buildings, Brunswick, town hall, Brunswick town hall, Melbourne, Samuel Calvert, engraving, The Illustrated Australian News, VIC, Victoria Description An account of the resource This engraving by Samuel Calvert appeared in The Illustrated Australian News on June 23, 1888. It shows the neo-gothic design for the Town Hall in the Melbourne suburb of Brunswick. Creator An entity primarily responsible for making the resource Calvert, Samuel Source A related resource from which the described resource is derived The Illustrated Australian News Publisher An entity responsible for making the resource available The Illustrated Australian News Date A point or period of time associated with an event in the lifecycle of the resource 23 June 1888 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Engraving [orig.]; Hyperlink architect architecture Brunswick Brunswick town hall engraving Gothic gothic architecture Gothic building gothic buildings Gothic Revival Melbourne neo-Gothic Samuel Calvert The Illustrated Australian News Town Hall Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <p><a href="http://www.flickr.com/photos/34094515@N00/2472389765/">http://www.flickr.com/photos/34094515@N00/2472389765/</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of a mounted Knight’s leg at Ironfest Subject The topic of the resource armor, armour, body armour, caparison, combat, Full Tilt, greave, heraldry, horse, ‘Ironfest,’ joust, jousting, kneecup, knight, Lithgow, New South Wales, NSW, plate armour, poleyns, re-enactment, reenactment, Richard Taylor Description An account of the resource This close-up image of a mounted knight’s leg was taken at Ironfest in 2008 by the photographer Richard Taylor. It reveals a blend of contemporary customs and traditional workmanship, for modern re-enactments of jousting require utmost mobility with as little weight as possible. The horse, rather than being burdened by plate armour, is heavily padded and covered with an ornamental cloth trapper (or caparison) displaying the riders heraldry. The knight wears plates known as greaves to cover the legs, and rounded poleyns (c. 1350s) to protect the knees. The soft leather shoes are spurred, but not otherwise protected, which is unusual. However, this knight will not be required to dismount and fight on foot, so comfort probably took precedence over veracity in this instance. Creator An entity primarily responsible for making the resource Taylor, Richard Date A point or period of time associated with an event in the lifecycle of the resource 26 April 2008 Rights Information about rights held in and over the resource © Richard Taylor. Some rights reserved dicktay2000 Format The file format, physical medium, or dimensions of the resource Hyperlink ‘Ironfest ’ joust Armor Armour body armour caparison combat Full Tilt greave heraldry horse jousting kneecup knight Lithgow New South Wales NSW plate armour poleyns re-enactment reenactment Richard Taylor https://ausmed.arts.uwa.edu.au/files/original/e0034a6413563a14a4c5c4e40394ad42.jpg 948c00ca4d047775929201e0bd71a139 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 737 Width 553 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of Stone Tracery: Entrance Porch, Mitchell Building, The University of Adelaide Subject The topic of the resource Adelaide, architecture, blind tracery, carving, entrance, foliage pattern, gothic architecture, Gothic Revival, hood moulding, lancet arch, neo-gothic, porch, quatrefoil, SA, South Australia, The University of Adelaide, tracery, trefoil, university, university buildings, William McMinn (1844-1884), William Mitchell (1861-1962) Description An account of the resource A detail of the decorative stone tracery surrounding the lancet archways leading into the entrance porch at the Mitchell Building, The University of Adelaide. This is an example of blind tracery (because it is applied to the stone wall and no glass or openings are present), which consists of trefoil and quatrefoil shapes that each contain a carved foliage pattern. About the Mitchell Building: The Mitchell Building was designed by South Australian architect Willliam McMinn in the Victorian Academic Gothic style. It was completed between 1879 and 1881, and officially opened in 1882. The Mitchell Building was the first building on the North Terrace campus of The University of Adelaide and originally housed all of the university disciplines. It was named the Mitchell Building in 1961 in honour of Sir William Mitchell, who was Vice-Chancellor of the university from 1916-1942 and Chancellor from 1942-1948. Today it is used as an administrative hub. The Mitchell Building’s neo-gothic features include its steeply gabled roof, lancet windows, decorative stone tracery and the roof fleche/spire. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 5 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide architecture blind tracery carving entrance foliage pattern gothic architecture Gothic Revival hood moulding lancet arch neo-Gothic porch quatrefoil SA South Australia The University of Adelaide tracery trefoil university university buildings William McMinn (1844-1884) William Mitchell (1861-1962) https://ausmed.arts.uwa.edu.au/files/original/8ce771c76ab03736acad9dd43257ef88.jpg 03c8098e615cb1250a2518e0be981cc4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 691 Width 922 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Detail of Tympanum, St Peter’s Cathedral, Adelaide Subject The topic of the resource Adelaide, Anglican, Anglicanism, architecture, archivolt, Augustus Short (1802-1883), cathedral, church, church building, diocese of Adelaide, doorway, ecclesiastical building, Edward John Woods (1839-1916), gothic, gothic revival architecture, neo-gothic, North Adelaide, tympanum, SA, South Australia, St Peter, St Peter’s Cathedral, stone, tracery, Victorian Gothic style, William Butterfield (1814-1900) Description An account of the resource <p>A close-up view <span style="font-family: Calibri; font-size: small;">of the decorative blind tracery </span>on the tympanum of the main entrance doorway at St Peter&rsquo;s Cathedral in Adelaide, South Australia. <span style="font-family: Calibri; font-size: small;">Ornate and detailed tracery was a common feature of gothic architecture.</span></p> <p>About St Peter&rsquo;s Cathedral:</p> <p>St Peter&rsquo;s is an Anglican Cathedral located in North Adelaide. Plans for the Victorian Gothic style Cathedral, designed by English architect William Butterfield, were brought to South Australia by the first bishop of the Anglican diocese of Adelaide, Augustus Short, in 1848. They were enlarged and implemented by local architect Edward John Woods. The foundation stone of the Cathedral was laid on St Peter&rsquo;s Day (29 June) in 1869, and building proceeded in five stages. The first section was completed in 1877, when the Cathedral officially opened for services. The nave was completed in 1901, the towers in 1902, the Lady Chapel in 1904 and the front steps in 1911. Restoration work on the Cathedral began in the 1990s. For more information, see: <a href="http://www.stpeters-cathedral.org.au/web/arch" target="_blank"><span style="color: #0000ff;">http://www.stpeters-cathedral.org.au/web/arch</span></a>.&nbsp;</p> Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide Anglican Anglicanism architecture archivolt Augustus Short (1802-1883) Cathedral Church church building diocese of Adelaide doorway ecclesiastical building Edward John Woods (1839-1916) Gothic gothic revival architecture neo-Gothic North Adelaide SA South Australia St Peter St Peter’s Cathedral stone tracery tympanum Victorian Gothic style William Butterfield (1814-1900)