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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span&gt;&lt;a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42150" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42150&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Crowd of Veiled Women, Corpus Christi at Manly</text>
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                <text>Catholic, Catholicism, celebration, Christ, Corpus Christi, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques PantelÃ©on, Juliana of LiÃ¨ge (1193-1258), laity, Latin Rite, Legion of Mary, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ritual, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veil, veneration, vision</text>
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                <text>A photograph taken by photographer Ted Hood during the Corpus Christi Mass at Manly, New South Wales, in 1934. The picture shows a group of veiled women kneeling in the crowd. They are (less noticeably) also interspersed with men, and this group most likely represents the Legion of Mary, an association of Catholic laity who make a commitment to serve the Church by encouraging spiritual work and promoting mercy, in imitation of Mary. The Legion of Mary was founded in Dublin in 1921.&#13;
&#13;
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or â€˜Blessed Sacramentâ€™) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of LiÃ¨ge (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of LiÃ¨ge, Hugh of St-Cher and Jacques PantelÃ©on, then the Archdeacon of LiÃ¨ge. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques PantelÃ©on became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office. </text>
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                <text>State Library of New South Wales</text>
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                <text>1934</text>
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                <text>State Library of New South Wales</text>
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        <name>Jacques PantelÃ©on</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>1 negative : acetate, b&amp;w</text>
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              <text>12 x 9.4 cm.  </text>
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              <text>&lt;a href="http://nla.gov.au/nla.pic-an24431208"&gt;http://nla.gov.au/nla.pic-an24431208&lt;/a&gt;</text>
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                <text>Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney</text>
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            <description>The topic of the resource</description>
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                <text>Alan Jay Lerner, Arthur, Arthurian, Arthuriana, Camelot, chivalric, chivalry, cinema, entertainment, film, Franco Nero, Guinevere, Hoyts Century Theatre, King Arthur, knight, knighthood, Lancelot, movie, New South Wales, NSW, popular culture, Richard Harris, Round Table, Sydney, theatre, Vanessa Redgrave</text>
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                <text>In this black and white photograph by J. A. Mulligan, a crowd gathers outside the Hoyts Century Theatre in Sydney on 20 December 1967 to attend a preview of the film Camelot. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. Based on Arthurian legend, the plot tells the story of Arthurâ€™s marriage to Guinevere, his establishment of the Round Table, the love triangle that ensued between Arthur, Guinevere and Lancelot and the rescue of Guinevere by Lancelot when she was sentenced to death for her adultery. The film starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. </text>
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                <text>Mulligan, J.A.</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>20 December, 1967</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>National Library of Australia</text>
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        <name>chivalric</name>
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        <name>film</name>
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        <name>Franco Nero</name>
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        <name>Guinevere</name>
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        <name>Hoyts Century Theatre</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J"&gt;http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J&lt;/a&gt;</text>
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                <text>Crunch time: making money from a medieval extreme sport</text>
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                <text>Armour, Bathurst, battle, entertainment, Full Tilt, helmet, jousting, knights, lance, My Small Business, New South Wales, NSW, shield, sport, sword, The Sydney Morning Herald, tournament, war, Rod Walker, David Wilson</text>
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                <text>&lt;p&gt;This online newspaper article by David Wilson appeared in the My Small Business section of The Sydney Morning Herald. The article features an interview with Rod Walker about his business Full Tilt. The Bathurst-based business run fully costumed jousting demonstrations. Jousting became a popular form of entertainment during the High Middle Ages, allowing knights to practice their combat skills.&lt;/p&gt;&#13;
&lt;p&gt;For the article see &lt;a href="http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J%20"&gt;http://www.smh.com.au/small-business/startup/crunch-time-making-money-from-a-medieval-extreme-sport-20120518-1yu9c.html#ixzz1vexO5m4J &lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the company see &lt;a href="http://www.jousting.com.au/"&gt;http://www.jousting.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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              <elementText elementTextId="20742">
                <text>Wilson, David</text>
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              <elementText elementTextId="20743">
                <text>The Sydney Morning Herald</text>
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              <elementText elementTextId="20744">
                <text>The Sydney Morning Herald</text>
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                <text>May 18, 2012</text>
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                <text>McLeod, Shane</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="20747">
                <text>The Sydney Morning Herald, David Wilson</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>The Crystal Palace at Luna Palace overlooking the harbour in Sydney is a functions venue. It has been built to look like a medieval castle, featuring crenellation, arched windows, and spires. At night the castle is illuminated, creating a Crystal Palace. Luna Park opened in 1935.</text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Nina Levy&amp;rsquo;s review of Graeme Murphy&amp;rsquo;s production of Sergei Prokofiev&amp;rsquo;s Romeo and Juliet by the Australian Ballet appeared in the online version of The West Australian newspaper on October 12, 2012. It includes a photograph by Jeff Busby. Although the review is positive overall, Levy criticises the &amp;lsquo;variety of locations in time and place&amp;rsquo;. These include &amp;lsquo;medieval-looking vaulted rooms&amp;rsquo; which presumably had vaulted ceilings. Ribbed vaulting was a characteristic feature of Gothic architecture of the twelfth to sixteenth centuries. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;The review is available at &lt;a href="http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/"&gt;http://au.news.yahoo.com/thewest/entertainment/a/-/entertainment/15107553/dance-review-romeo-and-juliet/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The West Australian; Nina Levy</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>&lt;p&gt;Danelaw Medieval Fighting Society are a New South Wales re-enactment group who own The Danelaw, a 120 acre property in a pine forest between Sydney and Canberra that is used by re-enactment groups. The property includes a fort, axe- and knife-throwing areas, a tournament ring, as well as trebuchet&amp;rsquo;s, a type of catapult used in siege warfare from the twelfth century. The Danelaw Medieval Fighting Society were formed in the mid-1980s by James Adams as the Medieval Martial Arts Association of Southern Sydney. They adopted the current name in 2002. Members re-enact warfare methods with authentic costumes and weapons from throughout the medieval period, including such groups as Anglo-Saxons, Celts, Crusaders, Normans, Saracens, and the knights of the High Middle Ages. The property is named after the Danelaw of England, that part of England conquered and settled by the Vikings in the second half of the ninth century, and where aspects of &amp;lsquo;Danish&amp;rsquo; law were used.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.danelaw.org.au/home.htm"&gt;http://www.danelaw.org.au/home.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Danelaw Medieval Fighting Society Inc</text>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This window display was in an Elizabeth Street, Sydney, window of the David Jones department store. It shows a medieval-style castle topped with a crenelated parapet being guarded by mice carrying spears and wearing helmets. A lion wearing a crown and a cloak (the king) is standing in the doorway. David Jones banners also hang from the castle. The mistletoe above the doorway indicates that this was a Christmas window display.</text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>18 December 2012</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18440822/00010009/1-10.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18440822/00010009/1-10.pdf&lt;/a&gt; &lt;/p&gt;</text>
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                <text>A miscellaneous piece titled 'The Deaths of Great Men' remarks how 'deeply interesting' it is to ponder the death-bed scene of those geniuses who are immortalized by their fame. Hallet, the great physiologist, died taking his pulse, it is said. Petrarch died leaning on a book and Chaucer died writing a ballad titled 'A Ballad made by Geoffrey Chaucer on his death-bed, lying in great anguish.' We can see where this opinion piece is going! Pope, Godfrey Kneller,  Bishop Newton, Nelson, Lord Chesterfield, Sir Thomas More all enjoy similar treatment.</text>
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