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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval"&gt;http://www.redbubble.com/people/wdonaldson/art/7206159-the-warrior?c=62571-medieval&lt;/a&gt;</text>
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                <text>â€˜The Warriorâ€™</text>
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                <text>Adelaide Hills, Anglo-Saxons, arms, armor, armour, axe, Battle of Hastings, Bayeux Tapestry, chain mail, chainmail, francisca, Franks, gloves, Gumeracha Medieval Fair, knife, long knife, medieval fair, mitons, Normans, re-enactment, reenactment, SA, seax, South Australia, throwing axe, Wendi Donaldson</text>
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                <text>This photo, taken by photographer Wendi Donaldson at the Gumeracha Medieval Fair in South Australia in May 2011, provides a unique glimpse of a â€˜livingâ€™ early medieval warrior (who could be from almost anywhere in Europe). It depicts a participant at the Fair wearing chain-mail gloves, known as mitons, and a â€˜Normanâ€™ style helmet complete with the distinctive nasal bar which was designed to protect the face from injury. He carries a francisca throwing axe, which is a weapon that was developed by the Franks but also used by early Anglo-Saxons, in one hand and a second weapon that is not clear but that is probably a long knife known as a seax (given the sheath tied to his belt) in the other. Great care is taken by festival organisers and participants alike to ensure that costumes and weapons are within the recognised parameters of the era; however, this warrior does mix early medieval chronologies. For example, both Anglo-Saxons and Normans are depicted wearing this style of helmet in the Bayeaux Tapestry at the Battle of Hastings in 1066, but no-one in the Tapestry has chain-mail gloves. &#13;
The Gumeracha Medieval Fair is an annual event sponsored by the Adelaide Hills Council. The Fair features a host of re-enactment groups from around the world, including handcraft stallholders, wandering musicians and entertainers. This is just one of several interesting medieval events held throughout the country at different times of the year. &#13;
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                <text>Donaldson, Wendi</text>
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                <text>Â© All images copyright Wendi Donaldson 2011</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows</text>
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                <text>An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. </text>
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                <text>Dorey, Margaret</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of Â£50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a â€˜great hallâ€™, which is used for ceremonies and large functions such as graduations, examinations and public lectures. </text>
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&lt;p&gt;&amp;nbsp;&lt;/p&gt;&#13;
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                <text>Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style</text>
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                <text>A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows.&#13;
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About Christ Church:&#13;
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Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The buildingâ€™s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches.&#13;
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For more on Christ Church, North Adelaide, see E. J. R. Morgan &amp; S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105.</text>
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            <name>Creator</name>
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              <elementText elementTextId="10339">
                <text>Dorey, Margaret</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>3 July 2011</text>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="10341">
                <text>No Copyright</text>
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              <elementText elementTextId="10342">
                <text>&lt;p&gt;Dorey,Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, &lt;a href="../../../items/show/476" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/476&lt;/a&gt;&lt;br /&gt; &lt;br /&gt;Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, &lt;a href="../../../items/show/475" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/items/show/475&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;Dorey, Margaret, "Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #479, &lt;a href="../../../items/show/479"&gt;http://ausmed.arts.uwa.edu.au/items/show/479&lt;/a&gt;&lt;br /&gt; &lt;br /&gt; Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, &lt;a href="../../../items/show/480"&gt;http://ausmed.arts.uwa.edu.au/items/show/480&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Digital Photograph; JPEG</text>
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        <name>Bishop Augustus Short (1802-1883)</name>
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