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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Congregational Church, Richmond, Tasmania
Subject
The topic of the resource
Buttress, Congregational Church, Gothic, Gothic Revival, lancet window, pointed arch, porch, Richmond, Tas, Tasmania, tracery.
Description
An account of the resource
This Congregational Church is in the town of Richmond, Tasmania. It was built in 1873 after the previous church, built in 1844, was damaged in a storm. The sandstone building is in the Gothic Revival style with buttresses, and a pointed arch doorway and lancet windows accentuated by the use of moulding. The congregation of the Richmond church decided to remain independent when most other Congregational Churches became part of the Uniting Church in 1977.
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 5, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
2xDigital Photograph
buttress
Congregational Church
Gothic
Gothic Revival
lancet window
pointed arch
porch
Richmond
Tas
Tasmania
tracery.
-
https://ausmed.arts.uwa.edu.au/files/original/0c7c73e3871ffadc31c9c4cc53eff66b.JPG
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Convict Church tower, Port Arthur, Tasmania
Subject
The topic of the resource
George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempiere, pointed arch, Port Arthur, spire, steeple, Tas, Tasmania, tower.
Description
An account of the resource
<p>The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour. The church opened in 1837 and was never consecrated as it was used by different denominations during the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style and features a prominent tower with crenellation, pointed arch doorways, lancet windows, and corner spires.</p>
<p>For the rest of the church see <a href="http://ausmed.arts.uwa.edu.au/items/show/1134">http://ausmed.arts.uwa.edu.au/items/show/1134</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 7, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
convict
Convict Church
crenellation
George Arthur
Gothic
Gothic Revival
Henry Laing
lancet window
pointed arch
Port Arthur
spire
steeple
Tas
Tasmania
Thomas Lempriere
tower.
-
https://ausmed.arts.uwa.edu.au/files/original/0257752b32f8196e44ec8370d94c3e45.jpg
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Convict Church, Port Arthur, Tasmania
Subject
The topic of the resource
George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempriere, pointed arch, Point Puer, Port Arthur, spire, steeple, Tas, Tasmania, tower.
Description
An account of the resource
<p>The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour, with some of the decorative stonework and pews done by the boys at the nearby Point Puer Juvenile Establishment. The church opened in 1837 and was never consecrated as it was used by different denominations for the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style, with a tower with crenellation, pointed arch windows and doorways, lancet windows, and numerous spires.</p>
<p>For the church tower see <a href="http://ausmed.arts.uwa.edu.au/items/show/1136">http://ausmed.arts.uwa.edu.au/items/show/1136</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
October 7, 2012
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
3xDigital Photograph
convict
Convict Church
crenellation
George Arthur
Gothic
Gothic Revival
Henry Laing
lancet window
Point Puer
pointed arch
Port Arthur
spire
steeple
Tas
Tasmania
Thomas Lempriere
tower.
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Digital Photograph; JPEG
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coop’s Shot Tower, Melbourne, Victoria
Subject
The topic of the resource
Coop’s Shot Tower, crenel, Melbourne, Melbourne Central, parapet, shot tower, Vic, Victoria, tower, turret
Description
An account of the resource
<p>Coop’s Shot Tower was completed in 1890 by the Coop family and it operated (making lead shot) until 1960. In 1991 it was incorporated into the Melbourne Central shopping complex in central Melbourne under a conical glass roof. The 50 metre high brick shot tower has been made to look like a medieval tower, with crenelated parapet at the top and a small corner turret. There is also a blind cenellation design in the centre of the tower.</p>
<p>For the Victorian Heritage Database entry see <a href="http://vhd.heritage.vic.gov.au/vhd/heritagevic%23detail_places;768">http://vhd.heritage.vic.gov.au/vhd/heritagevic#detail_places;768</a></p>
Creator
An entity primarily responsible for making the resource
McLeod, Shane
Date
A point or period of time associated with an event in the lifecycle of the resource
10 February 2013
Rights
Information about rights held in and over the resource
No Copyright
Format
The file format, physical medium, or dimensions of the resource
Digital Photograph; JPEG
Coop’s Shot Tower
crenel
Melbourne
Melbourne Central
parapet
shot tower
tower
turret
Vic
Victoria
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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3
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375
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444
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Still Image
A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cord-making at the SCA College Challenge - St. Basil vs. St. Lazarus
Subject
The topic of the resource
Society for Creative Anachronism, SCA, Kingdom of Lochac, recreation, re-creation, tourney, tournament, Saint Basil, Saint Lazarus, medieval women, fashion, art, craft, finger braiding, medieval craft, cord, cord-making, Murdoch University, University of Western Australia, UWA
Description
An account of the resource
Two girls in twelfth and thirteenth century dress making cord on lucets at the Society for Creative Anachronism's College Challenge between St. Basil (UWA) and St. Lazarus (Murdoch University). The event was held on the UWA campus on the 19th December 2010.<br /><br /><br /> About the Society for Creative Anachronism and the Kingdom of Lochac (the Australian and New Zealand regional branch of the SCA): <br /> <br /><br /> <strong>The Society for Creative Anachronism</strong> is an international organisation which focuses on the study and 're-creation' of Medieval and Early Modern cultures and their histories before the seventeenth century. As the prime example of a 'living history' group, members of the SCA aim to re-create the past through applying elements of historical knowledge to a practical engagement with Medieval and Early Modern crafts, martial arts, science, metalwork and cooking (for example). The Society was created by graduates of the University of Berkley in California in the 1960s and has since branched out to include 19 kingdoms, with over 30,000 members in locations across the globe.<br /> <br /> <strong>The Kingdom of Lochac</strong> is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. <br /> <br /> Information regarding <strong>the College of St. Basil the Great </strong>can be found at <a href="http://lochac.sca.org/basil/index.php?page=home">http://lochac.sca.org/basil/index.php?page=home</a>
Creator
An entity primarily responsible for making the resource
McEwan, Joanne
Publisher
An entity responsible for making the resource available
McEwan, Joanne
Date
A point or period of time associated with an event in the lifecycle of the resource
19/12/2010
Contributor
An entity responsible for making contributions to the resource
The Society for Creative Anachronism
Rights
Information about rights held in and over the resource
Image made available with the permission of the participants
art
cord
cord-making
craft
fashion
finger braiding
Kingdom of Lochac
medieval craft
medieval women
Murdoch University
re-creation
recreation
Saint Basil
Saint Lazarus
SCA
Society for Creative Anachronism
tournament
tourney
University of Western Australia
UWA
-
https://ausmed.arts.uwa.edu.au/files/original/coronation-fashions_western-mail_3-september-1936_p38_4104f482a8.pdf
13f95e142acffbb353abfac96cdb5fab
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism at the Foundations
Description
An account of the resource
This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.
Document
A resource containing textual data. Note that facsimiles or images of texts are still of the genre text.
Original Format
If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data
Newspaper Article<br /><a href="http://nla.gov.au/nla.news-article50058351" target="_blank">http://nla.gov.au/nla.news-article50058351</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Coronation Fashions
Subject
The topic of the resource
ceremony, ceremonial dress, coronation, coronet, court dress, dress-making, dress regulations, Earl Marshal, ermine, fashion, King Edward VIII, King George VI, kirtle, medieval coronations, fashion, robe, tiara, Westminster Abbey, medieval style
Description
An account of the resource
This article from the Western Mail points to the mounting anticipation regarding dress regulations in the lead-up to King Edward VIII’s coronation, which was expected to take place in May 1937. Questions had clearly started to circulate about whether traditional ceremonial robes and coronets would remain the standard of attire, or whether a simpler form of State dress would be adopted. The article speculates that the regulations, which would be announced by the Earl Marshal, would likely differ from those issued twenty-five years earlier for the coronation of George V in 1911, where ceremonial robes were worn over full court dress and peeresses wore both coronets and tiaras. In particular, the robes and kirtles of the peeresses are singled out as garments whose ‘fate is in the balance’, as well as quantities of ermine, which had already been acquired in a number of cases with the expectation that it would be used to line ceremonial robes. The article adds that there was medieval precedent for varying the coronation robes should Edward VIII choose to do so, as coronets had only been standard attire for barons and baronesses since the coronation of Charles II in 1661, and robes since James II’s coronation in 1685.<br /> <br /> In fact, this coronation never took place. It was scheduled for the 12 May 1937, but Edward VIII abdicated the throne on 11 December 1936 in order to marry Mrs Wallis Simpson. He is one of very few English monarchs not to have been crowned at Westminster Abbey since 1066. His brother George VI replaced him on the throne, and ruled as the King of Britain, Ireland and British dominions beyond the seas from 1936-1952. For more on Edward VIII and his abdication, see H. C. G. Matthew, ‘Edward VIII [later Prince Edward, duke of Windsor] (1894–1972)’, Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2009 [<a href="http://www.oxforddnb.com/view/article/31061" target="_blank">http://www.oxforddnb.com/view/article/31061</a>, accessed 13 Dec 2010].
Creator
An entity primarily responsible for making the resource
Anon.
Source
A related resource from which the described resource is derived
National Library of Australia
Publisher
An entity responsible for making the resource available
The Western Mail
Date
A point or period of time associated with an event in the lifecycle of the resource
3 September, 1936, p. 38.
Rights
Information about rights held in and over the resource
The Western Mail
Format
The file format, physical medium, or dimensions of the resource
Newspaper Article
ceremonial dress
ceremony
coronation
coronet
court dress
dress regulations
dress-making
Earl Marshal
ermine
fashion
King Edward VIII
King George VI
kirtle
medieval coronations
medieval style
robe
tiara
Westminster Abbey.
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
URL
<span><a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42148" target="_blank"><span style="color: #0000ff;">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42148</span></a></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Corpus Christi at Manly
Subject
The topic of the resource
Catholic, Catholicism, celebration, Christ, Corpus Christi, crowd, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques Panteléon, Juliana of Liège (1193-1258), laity, Latin Rite, Legion of Mary, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ceremony, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veil, veneration, vision
Description
An account of the resource
A photograph taken by photographer Ted Hood of the crowd gathered at the Corpus Christi Mass in Manly, New South Wales, in 1934. The group of veiled women in white dress most likely represent the Legion of Mary, an association of Catholic laity who make a commitment to serve the Church by encouraging spiritual work and promoting mercy, in imitation of Mary. The Legion of Mary was founded in Dublin in 1921.
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or ‘Blessed Sacrament’) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of Liège (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of Liège, Hugh of St-Cher and Jacques Panteléon, then the Archdeacon of Liège. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques Panteléon became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office.
Creator
An entity primarily responsible for making the resource
Hood, Ted
Source
A related resource from which the described resource is derived
State Library of New South Wales
Publisher
An entity responsible for making the resource available
State Library of New South Wales
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Rights
Information about rights held in and over the resource
State Library of New South Wales
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Catholic
Catholicism
celebration
Christ
Corpus Christi
crowd
Eucharist
feast day
feast of Corpus Christi
Hugh of St-Cher
Jacques Panteléon
Juliana of Liège (1193-1258)
laity
Latin Rite
Legion of Mary
Manly
Mass
medieval ritual
mystic
mysticism
New South Wales
NSW
nun
Papal Bull
Pope Urban IV
procession
religious ceremony
Robert de Thorete (d.1246)
sacrament
St Juliana
Sydney
Ted Hood (1911-2000)
Transiturus de hoc mundo
veil
veneration
vision
-
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Medievalism on the Streets
Description
An account of the resource
This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.
Hyperlink
Title, URL, Description or annotation.
URL
<span><a href="http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42162" target="_blank"><span style="color: #0000ff;">http://acms.sl.nsw.gov.au/item/itemLarge.aspx?itemID=42162</span></a></span>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Corpus Christi at Manly: Children in the Procession
Subject
The topic of the resource
Catholic, Catholicism, celebration, children, Christ, Corpus Christi, crowd, Eucharist, feast day, feast of Corpus Christi, Hugh of St-Cher, Jacques Panteléon, Juliana of Liège (1193-1258), laity, Latin Rite, Manly, Mass, medieval ritual, mystic, mysticism, New South Wales, NSW, nun, Papal Bull, Pope Urban IV, procession, religious ceremony, Robert de Thorete (d.1246), sacrament, St Juliana, Sydney, Ted Hood (1911-2000),Transiturus de hoc mundo, veneration, vision
Description
An account of the resource
A photograph taken by photographer Ted Hood of children participating in the Corpus Christi procession at Manly, New South Wales, in 1934.
Corpus Christi is an annual feast day observed by the Catholic Church on the Thursday following Trinity Sunday. It celebrates the Eucharist (or ‘Blessed Sacrament’) as the blood and body of Christ, and is often followed by a procession. Corpus Christi was established as a feast day in the thirteenth century after revelations by a Belgian nun, Juliana of Liège (St Juliana), that she had experienced repeated visions of Christ and had been instructed to petition for a feast day to celebrate the sacrament. Juliana disclosed her visions to Robert de Thorete, the Bishop of Liège, Hugh of St-Cher and Jacques Panteléon, then the Archdeacon of Liège. Robert de Thorete used his power as a bishop (with the authority to order a feast in his diocese) to convene a synod in 1246 and order the celebration of Corpus Christi to be observed the following year. In 1261, Jacques Panteléon became Pope Urban IV. In 1264 he published a Papal Bull, Transiturus de hoc mundo , in which he ordered the annual celebration of Corpus Christi and the granting of indulgences to the faithful for their attendance at Mass and at the Office.
Creator
An entity primarily responsible for making the resource
Hood, Ted
Source
A related resource from which the described resource is derived
State Library of New South Wales
Publisher
An entity responsible for making the resource available
State Library of New South Wales
Date
A point or period of time associated with an event in the lifecycle of the resource
1934
Rights
Information about rights held in and over the resource
State Library of New South Wales
Format
The file format, physical medium, or dimensions of the resource
Hyperlink
Language
A language of the resource
English
Catholic
Catholicism
celebration
children
Christ
Corpus Christi
crowd
Eucharist
feast day
feast of Corpus Christi
Hugh of St-Cher
Jacques Panteléon
Juliana of Liège (1193-1258)
laity
Latin Rite
Manly
Mass
medieval ritual
mystic
mysticism
New South Wales
NSW
nun
Papal Bull
Pope Urban IV
procession
religious ceremony
Robert de Thorete (d.1246)
sacrament
St Juliana
Sydney
Ted Hood (1911-2000)
Transiturus de hoc mundo
veneration
vision