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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St. Andrew's Presbyterian Church, Skipton, Victoria - Side View</text>
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                <text>Saint Andrew, St. Andrew, St Andrew, saint, saints, Presbyterian, church, VIC, Victoria, Skipton, Gothic Revival, Gothic, Gothic architecture, architecture, bluestone, Davidson and Henderson, architects, tower, spire</text>
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                <text>&lt;p&gt;St Andrew's Presbyterian Church, Skipton, was designed by architects Davidson and Henderson of Geelong and built in 1871-2. The bluestone building is in the Gothic Revival style and features pointed arch windows and a square bell tower with a gargoyle on each corner. The ears of the gargoyles suggest that they may be based on kangaroos.&lt;/p&gt;&#13;
&lt;p&gt;For more on the church see &lt;a href="http://vhd.heritage.vic.gov.au/places/result_detail/1024?print=true" target="_blank"&gt;http://vhd.heritage.vic.gov.au/places/result_detail/1024?print=true&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Collins, John T.</text>
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                <text>State Library of Victoria</text>
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                <text>1966-1976</text>
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                <text>State Library of Victoria</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Livery Buttons Leading Families of New South Wales </text>
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                <text>NSW, New South Wales, Medieval Allegiance, crests, heraldry, livery, James McEvoy, clothing imports, clothing</text>
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                <text>Livery and its insignia were integral to medieval culture; their bestowal and wearing marked allegiance and identification to particular lords, factions or beliefs. As late as the early fifteenth century, regular livery awards at Christmas or Easter or livery rewards for good service were still part of the Kingâ€™s rituals towards his retainers or, in the case of the hybrid wage system around 1400, his government clerks. This advertisement in the early colonial journal (some 60 years after settlement) offers to import buttons with crests from England to anyone who believes their family name is associated with a heraldic tradition.&#13;
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                <text>Colonial literary journal and weekly miscellany of useful information&#13;
vol. 1. 32 1845, p. 79&#13;
James McEvoy, Albert House, Pitt Street</text>
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                <text>National Library of Australia</text>
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                <text>1845</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Expired</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Establishing the Commonwealth Culture: A Distinctly Australian Event</text>
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                <text>Federation procession, Federation parade, 1901, Federation, procession, processions, parades, parade, unity, nationhood, national identity, identity, nationalism, nationalist, Australia, Australian, Australian national identity, Australian culture, egalitarian, culture, egalitarianism, Trade Unionism, unions, unionism, Trade Union, labourer, labourers, labour, working class, Ancient Order of Druids, Oddfellows, Irish, Irish National Foresters</text>
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                <text>This article written by the Australian Broadcasting Commission in 2010 displays a collection of primary source materials pertaining to the Australian Federation Parade in Sydney in 1901. Of particular interest are the groups of people present at/participating in the parade. E.g. the Oddfellows, the Ancient Order of Druids, the Irish National Foresters, mounted police, a squadron of Lancers, the Australian Holy Catholic Guild, trade unionists bearing an 'Eight Hour' banner.&lt;br /&gt;&lt;br /&gt;Also of interest is the poem extracted from the Left-wing Melbourne newspaper, &lt;em&gt;The Tocsin&lt;/em&gt;, which, through the use of medieval imagery, laments the end of Victorian economic autonomy.&lt;br /&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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                <text>Compiled by the Australian Broadcasting Commision</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>ABC Australia</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16311">
                <text>Australian Broadcasting Commission, 2010</text>
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            <description>A language of the resource</description>
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        <name>federation</name>
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        <name>Federation parade</name>
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        <name>Federation procession</name>
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        <name>identity</name>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Rivals&amp;rsquo;, &lt;em&gt;The Bulletin&lt;/em&gt;, 14 July 1900</text>
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                <text>absent lovers, Boer War, chivalry, courtly love, Creeve Roe, favour, gift, heroism, Isabel, knight, maiden, marriage, romance, Sir Comfort, Sir Valour, soldier, valour, veldt, Victor Daley (1858-1905). </text>
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                <text>&amp;lsquo;Rivals&amp;rsquo; is an interesting attempt by medievalist writer Victor Daley to transform what must have been a fairly commonplace incident at that time into something more than it seems. The poem describes a young man, Sir Valour, taking leave of his sweetheart (&amp;ldquo;My Lady Fair&amp;rdquo;), and going off to fight in the Boer War. The leave-taking is transformed into a medieval tale, a deliberately romantic historicization of the present (Louise D&amp;rsquo;Arcens, &lt;em&gt;Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910,&lt;/em&gt; Turnhout, Brepols, 2011, p.110), whereby the couple pledge true love and the lady presents him with a token of her favour, before he sets out for foreign lands. In her knight&amp;rsquo;s protracted absence, Sir Comfort, an older and much wealthier man, slyly wins the favours of &amp;ldquo;Sweet Isabel,&amp;rdquo; and marries her. This turnaround is presumably hastened by the giving of a number of beautiful and very costly items: &amp;ldquo;Some simple rubies, strings of pearls / And diamonds for [her] hair.&amp;rdquo; Here Creeve Roe contrasts the stark unpleasant realities of the war with quasi-medieval &amp;lsquo;courtly&amp;rsquo; values. The final scene, when the young man dies &amp;ldquo;in lands remote,&amp;rdquo; with Isabel&amp;rsquo;s name upon his lips, is one of shattered dreams and misplaced expectations.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&amp;lsquo;Chivalry&amp;rsquo;,&lt;em&gt; The Bulletin,&lt;/em&gt; 15 September 1904</text>
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                <text>chivalry, Creeve Roe, death of chivalry, debate, Petrarch, romance, â€˜Romanceâ€™, sonnet, tradition, Victor Daley (1858-1905). </text>
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                <text>At the time Victor Daley composed this poem, a debate had erupted over whether chivalry and romance, at least within the Australian context, were dead. That was certainly the argument put forward in an earlier poem, &amp;lsquo;Romance&amp;rsquo; by L. D., which was published in &lt;em&gt;The Bulletin&lt;/em&gt; in 1885. In December 1902 Victor Daley wrote his own explanation (See Louise D&amp;rsquo;Arcens,&lt;em&gt; Old Songs in the Timeless Land: Medievalism in Australian Literature 1840-1910,&lt;/em&gt; Turnhout, Brepols, 2011, p.139), beginning: &amp;ldquo;They say that fair Romance is dead, and in her cold grave lying low.&amp;rdquo; Nearly two years later, in September 1904 and writing under the pseudonym Creeve Roe, Daley penned this more credible hypothesis for the continued survival of chivalry and romance. Although in this later poem the medieval content is limited to a fleeting reference to the elaborate sonnets of Petrarch (d. 1374) and the veneer of archaic-sounding expressions, it is prefaced with an explanation that ties it to the debate over the death of chivalry and romance. In Daley&amp;rsquo;s previous poem &amp;lsquo;Romance&amp;rsquo; (1902), we find more explicit Arthurian references to &amp;ldquo;Gold Gudrun, and Guinevere,&amp;rdquo; and &amp;ldquo;Merlin wise,&amp;rdquo; and &amp;ldquo;Castle Perilous, beyond the dark Enchanted Wood.&amp;rdquo; While Daley&amp;rsquo;s poem &amp;lsquo;Romance&amp;rsquo; underlines the continued existence of romantic sensibilities despite the fact that, as a rapidly developing country, Australia was dominated by Mammon and Machinery (See D&amp;rsquo;Arcens, p.139), the light-hearted Creeve Roe poem offers a more practical and mischievous solution. The surest way, says the poet, for the continuance of chivalrous behaviour in an Australian setting, is for women to live up to the impossible standards imposed on them by tradition and the whimsy of men.</text>
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                <text>Creeve Roe (Victor Daley)</text>
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                <text>&lt;em&gt;The Bulletin&lt;/em&gt;</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>15 September 1904, p.15</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public Domain</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;</text>
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                <text>The Crimson Cog</text>
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                <text>Baltic Sea, cog, The Crimson Cog, Germany, Hanseatic League, LÃ¼beck, merchant, New South Wales, North Sea, NSW, re-enactment, ship, trade, website.</text>
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                <text>&lt;p&gt;The Crimson Cog are a historical re-enactment group in New South Wales. They focus on the Hanseatic League in the years 1250-1300, particularly the city of L&amp;uuml;beck in northern Germany. The Hanseatic League were a confederation of merchant guilds and towns who dominated trade in the Baltic and North Seas from the thirteenth to sixteenth centuries. The Cog was a cargo ship used by the League.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://crimsoncog.wix.com/crimson-cog"&gt;http://crimsoncog.wix.com/crimson-cog&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Wix.com</text>
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                <text>Crimson Cog</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://crossroads.org.au/"&gt;http://crossroads.org.au/&lt;/a&gt;</text>
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                <text>Crossroads Medieval Village</text>
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                <text>Crossroads Medieval Village, co-operative, village, sustainability, ecologically sustainable, pre-industrial, craft, crafts, artisan, artisans, blacksmith, blacksmithing, embroidery, Medieval activities, Yass, New South Wales, NSW</text>
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                <text>A link to the website for the Crossroads Medieval Village Project. The project is aimed at building "an ecologically sustainable community, with excellent facilities for medieval activities." Located on a property in Yass, New South Wales, the aim of the creators of this project is to establish a Medieval village that fosters traditional arts and skills, and provides workshops and camping facilities to community groups and the public.</text>
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                <text>http://crossroads.org.au/</text>
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                <text>Accessed 24/05/2012</text>
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