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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;This elaborate altar is in the Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The altar is in the sanctuary designed by Alexander North (1858-1945) and built in 1886. The altar is topped by a spire and is in the Gothic style, with prominent decorated pointed arches, columns, and finials. Behind the altar are the two stained glass east windows, both of which consist of two lancet windows and tracery, with additional glass above.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1202"&gt;http://ausmed.arts.uwa.edu.au/items/show/1202&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. It is in the Gothic Revival style with a square tower topped by a spire, lancet windows with tracery and stained glass, buttresses, and pointed arch doorways.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1204"&gt;http://ausmed.arts.uwa.edu.au/items/show/1204&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the altar see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1207"&gt;http://ausmed.arts.uwa.edu.au/items/show/1207&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The Catholic Church of the Apostles is in the Tasmanian city of Launceston. The foundation stone was laid in 1864 by Tasmania&amp;rsquo;s first catholic Bishop, Robert William Willson (1794-1866). The foundation stone for the tower and spire were laid by Cardinal Patrick Francis Moran (1830-1911), Archbishop of Sydney, in 1889. The main church building was completed in 1866 and is made of dolerite with freestone dressing. Alexander North (1858-1945) designed the Sanctuary which was built in 1886. The decorated interior has a number of features common in Gothic and Gothic Revival churches including lancet windows with tracery and stained glass, columns supporting pointed arches with molding, and a large west window (between the pipe organs) with tracery and stained glass made up of four smaller lancet windows.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;The Catholic Church of the Holy Cross in the small rural Western Australian town of Morawa was built to the design of Monsignor John Cyril Hawes. The stone church features bell turret, dome, and Gothic pointed arches. Writing for the &lt;em&gt;Cathedral Chronicle&lt;/em&gt;, Hawes said that the design was inspired by 13&lt;sup&gt;th&lt;/sup&gt; century churches in the Sienna area of Tuscany in Italy. This was in part due to the similarity in climate.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Citadel Medieval Society is a living history group based in Queensland. The group were founded seventeen years ago and focus on two time periods and locations: the port of La Rochelle, France, in c. 1370 during the Hundred Years War; and the German warrior-monks the Livonian Brothers of the Sword (also known as the Sword Brethren or Schwertzbruder) who took part in the Livonian Crusade and operated in modern-day Estonia from 1202-1236, when they became the Livonian Order within the Teutonic Order. The group focus on combat (although other activities such as music and craft are practiced) and appear in full costume, and with weapons and tents, at various events. They are also available for hire.&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Baptist City Church in the Tasmanian city of Launceston was built as Christ Church Congregational Church between 1883 and 1885. The brick and cement building was designed by Melbourne architects Grainger &amp;amp; D&amp;rsquo;Ebro. It is in the Gothic style and features buttresses, pointed arches on the windows and entrances, tracery on the central windows, a square tower with corner turrets and topped by a spire, lancet windows, and many small pinnacles. The building was purchased by the Baptist Church in 1983.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.citybaptistchurch.net/somehist.htm"&gt;http://www.citybaptistchurch.net/somehist.htm&lt;/a&gt;&lt;/p&gt;</text>
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                <text>A view of The University of Western Australiaâ€™s Claremont Campus. The Claremont Campus building was constructed in 1901 and originally housed the Claremont Teacherâ€™s College. It was then home to the Western Australian College of Advanced Education from 1981 and was a campus of Edith Cowan University before being purchased by The University of Western Australia in 2004.&#13;
&#13;
At the roof of the faÃ§ade and along the top of the oriel window, crenellation has been used for decorative effect. Crenellation was an architectural feature commonly employed in medieval castles and military structures. Cut into parapets, it provided both openings through which weapons could be fired (the embrasures) and raised sections of stone to protect from oncoming fire and obscure visibility (the merlons). The depressed arch around the main door and rectangular hood moulding is also characteristic of late gothic architecture of the fifteenth century.</text>
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                <text>McEwan, Joanne</text>
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