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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article: &lt;a href="http://nla.gov.au/nla.news-article49052406" target="_blank"&gt;http://nla.gov.au/nla.news-article49052406&lt;/a&gt;</text>
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                <text>Commoners Invoked Magna Carta</text>
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                <text>In this article rebutting criticisms levelled at the Australian Government for its decision to purchase an inspeximus copy (1297) of Magna Carta in 1952, the author begins by reminding readers that the important medieval document would be placed on display in the National Library, where it could be viewed by members of the public. He goes on to explain the significance of Magna Carta, stating that it did not function merely to protect the rights of barons as was often thought, but also those of â€˜the Church, merchants, cities, towns and boroughsâ€™. Additionally, he continues, it set up a judicial and administrative system and established precedents to guarantee the liberty of all subjects. Examples are then provided to support the authorâ€™s claim that medieval people recognised the wider remit of Magna Carta, including that of a villein who invoked the Charter to sue a Prior and a tenantâ€™s widow who invoked it against an Earl.</text>
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                <text>The West Australian</text>
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                <text>13 September 1952, p 2.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;br /&gt; &lt;a href="http://www.ea.com/the-sims-medieval" target="_blank"&gt;http://www.ea.com/the-sims-medieval&lt;/a&gt;</text>
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                <text>In SIMS Medieval, the latest instalment of the virtual reality SIMS computer game series, players control a number of different heroes and characters ranging from kings and queens to knights, merchants, priests and blacksmiths. They send these characters on quests to earn points, and use these points to build a medieval kingdom. They can then â€˜negotiate treaties, conduct trade or declare war on surrounding kingdomsâ€™.</text>
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                <text>March 2011</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;A view of the chapel interior at St Gertrude&amp;rsquo;s College, New Norcia. St  Gertrude was a thirteenth-century Benedictine nun and mystic in Helfta,  Germany. She entered the convent aged only 5 and was entrusted by the  Abbess, Gertrude of Hackerborn, to the care of St Mechtilde. In her  mid-twenties, Gertrude began having mystical visions and dedicated the  remainder of her life to the study and teaching of the scriptures and  theology. In the painting on the domed ceiling, she can be seen  ascending to Heaven to meet Jesus.&lt;/p&gt;&#13;
&lt;p&gt;About New Norcia:&lt;br /&gt; New Norcia is a monastic town located 132 km north of Perth in Western  Australia. The town is owned and run by a community of Benedictine monks  and houses one of only three Benedictine monasteries (for men) in  Australia. At its height the monastery housed approximately 80 monks,  but currently there are only seven in residence. The Benedictines are  part of a religious order within the Catholic Church known as the Order  of St Benedict (OSB). Benedictines live in small, largely autonomous  communities and base their way of life on the Rule of St Benedict, which  prioritises a balance of prayer and work and calls for promises of  stability, obedience and a conversion of life. The first Benedictine  community was established in the sixth-century in Italy by St Benedict  of Nursia (c.480-547).&lt;br /&gt; Originally intended as a mission to evangelise and educate the  indigenous peoples of the Victoria Plains, the site at New Norcia was  founded in 1847 by two Spanish Benedictine missionaries, Dom Jos&amp;eacute; Benito  Serra and Dom Rosendo Salvado. Serra&amp;rsquo;s involvement in the missionary  activities at new Norcia decreased following his appointment as  Co-adjutor Bishop of Perth in 1849, while Salvado (1814-1900) committed  himself wholly to developing the mission and leading the monastic  community. He subsequently became the key figure in the first 50 years  of New Norcia&amp;rsquo;s history. He made numerous fundraising trips to Europe,  which provided him with the means to purchase books, vestments, artwork  and equipment for the community and also to oversee the construction of  new buildings. He died in Rome in 1900 and his body was returned to New  Norcia. Under Salvado&amp;rsquo;s successor, Bishop Fulgentius Torres (1861-1914),  New Norcia became more like a traditional monastic settlement. An  increased focus on education and artistic pursuits led to the  establishment of two schools and improvements to many of the town&amp;rsquo;s  buildings. St Gertrude&amp;rsquo;s opened in 1908 and originally functioned as a  convent boarding school for girls. It was staffed by Josephite sisters,  the first of whom were to New Norcia by Mary Mackillop at the request of  Bishop Fulgentius Torres. The school closed in 1991 and is now used  primarily as a venue for school camps. For more information on New  Norcia, see the New Norcia Benedictine Community website: &lt;a href="http://newnorcia.wa.edu.au/" target="_blank"&gt;http://newnorcia.wa.edu.au/&lt;/a&gt;.&lt;/p&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Australian Trained Nurses Association tableau, Florence Nightingale, Florence Nightingale Memorial Committee, Sydney Town Hall, Sydney, dreams, history of Nursing,Goddess of Health, Hygeia, health, goddess, medieval nuns as nurses, nurses, medical, nun, nuns, medieval nuns, medieval nun, profession, 1951 Federation Jubilee Celebration, celebration</text>
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                <text>The â€˜Hold High the Lampâ€™ cavalcade was presented at the Sydney Opera House as part of the 1951 Federation Jubilee Celebration. Some 200 nurses and actors took part in an elaborate pageant that told the story of nursing from its earliest beginnings to the present day. Costumes ranged from Eastern robes of 1000 years ago, Crusader and Knights of St. John frocks, to the crisp uniforms of the twentieth century. One of the highlights was the&#13;
unaccompanied singing of the Royal Newcastle Hospital nurses dressed as twelfth-century nuns.</text>
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                <text>The Sydney Morning Herald (NSW : 1842-1954), Thursday 1 November 1951, p. 1.</text>
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                <text>1 November 1951</text>
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              <elementText elementTextId="7845">
                <text>The Sydney Morning Herald</text>
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                <text>Newspaper Image</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Images of replica medieval helmets for sale at the Perth Medieval Fayre. An assortment of different styles are displayed, ranging from early â€˜normanâ€™ style helmets that offered only a nasal bar to protect the face from injury, to post-thirteenth-century variations on the Great Helm with moveable grilles, an armet helm, a fourteenth-century barbuta style helmet and a bascinet.&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                <text>National Savings Week was a movement instituted in Great Britain in 1916 to raise funds to counteract government deficits. The emblem of the Movement was, at first, the Swastika but that was replaced with a figure that appears to be St. George slaying the dragon. This occurred before the start of World War II because the Swastika was adopted by the Nazis. The Movement consisted of local groups and was especially helpful during World War II. Australia had a War Savings Week from 1940 under the Menzies Government so the Australian reportage of the English movement in 1949 suggested the idea retained its currency.</text>
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                <text>Images of replica medieval helmets for sale at the Perth Medieval Fayre. An assortment of different styles are displayed, ranging from early â€˜normanâ€™ style helmets that offered only a nasal bar to protect the face from injury, to post-thirteenth-century variations on the Great Helm with moveable grilles, an armet helm, a fourteenth-century barbuta style helmet and a bascinet.&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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            <description>Information about rights held in and over the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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&lt;p&gt;http://nla.gov.au/nla.news-article17134200&lt;/p&gt;</text>
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not as competitive as men, and that women are invading the traditional and non-negotiable spaces of menâ€™s sport. The precedent for womenâ€™s involvement in sport is cited as the medieval fashion of aristocratic women playing bowls, as quoted from Shakespeareâ€™s Richard II. Samuel Pepys also was supposed to have â€˜played at bowlsâ€™ with his wife.</text>
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