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                <text>Christ Church is in the centre of the Tasmanian town of Longford and was designed by Launceston-based architect Robert de Little. The Anglican church was built between 1839 and 1844, with the crenellation on the tower added in 1960 (the tower was previously topped by a pitched roof). The building is in the Gothic Revival style and features buttresses, lancet windows, clock mouldings, blind windows, arched entrances, and an imposing square clock and bell tower with a crenelated parapet. </text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32971917" target="_blank"&gt;http://nla.gov.au/nla.news-article32971917&lt;/a&gt;</text>
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                <text>Christmas Pudding. Its Medieval Origin.</text>
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                <text>In this newspaper article, the author traces the origin of Christmas pudding to the popular medieval dish of â€œplum porridgeâ€, a savoury dish combining mixed meats, fruits and spices. It suggests that this traditional medieval dish was forbidden during the seventeenth century as heathenish and papistical, but regained its popularity after the restoration of Charles II. Finally, the article suggests that the firm, round, brandy covered dessert now known as a Christmas pudding was a Victorian invention, although this conception sometimes imaginatively imposed into pictures of medieval gatherings. </text>
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                <text>Image of a font in St Georgeâ€™s Cathedral, Perth. The font was sculpted in Donnybrook stone in 1930 by Herbert Parry, son of Bishop Parry. The font has eight facets, one of which features the intertwined initials I.H.S., a common medieval abbreviation, or Christogram, for Jesus taken from the first three letters of his name in Greek.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>This church hall is adjacent to St Markâ€™s Anglican Church in the northern Tasmanian town of Deloraine. The brick building includes corner buttresses ending in towers at the front of the hall and the porch. The concrete tower gives the impression of having a crenelated parapet.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;1x digitised black &amp;amp; white photographic print&lt;/p&gt;&#13;
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                <text>Anglican, Anglican Church, arch, architect, architecture, church, church architecture, church building, Evangelicalism, Christian, Christianity, Fremantle, gable, gothic architecture, gothic, gothic revival, Izzy Orloff (1891-1983), J. J. Harwood &amp; Son, Kingâ€™s Square, lancet arch, lancet window, limestone, neo-gothic, quatrefoil, tracery, trefoil, W. Smith, WA, Western Australia</text>
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                <text>A black and white photograph of St John the Evangelist Anglican Church in Fremantle taken by renowned WA photographer Izzy Orloff in the 1920s. St John the Evangelist is a neo-gothic Church located in the centre of Fremantle. It was designed by W. Smith and constructed from limestone by J. J. Harwood and Son. The church was consecrated in 1882 and an older church that had served the Anglican congregation in Fremantle since 1843 was demolished. A number of the churchâ€™s gothic features are visible in the photograph, including its rose window, steep gable, entry porch, lancet windows and stone buttresses. A bell turret was added to the church in c.1906 and is also just visible above the trees.</text>
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                <text>Izzy Orloff collection; BA1059/1284, State Library of Western Australia, online media reference 012529D.</text>
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                <text>State Library of Western Australia</text>
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