4 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data plaster cast reinforced with fibre, watercolour wash and pencil grid marks Physical Dimensions The actual physical size of the original image. Overall: 30.5 x 29.5 x 17.5 cm URL <a href="http://cas.awm.gov.au/item/ART93418?image=2">http://cas.awm.gov.au/item/ART93418?image=2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opossum Gargoyle Subject The topic of the resource animal, cast, Commemorative Courtyard, gargoyle, medieval architecture, memorial, Melbourne, model, opossum, ornamentation, plaster cast, Ray Ewers, sandstone, war, war memorial, water, William Leslie Bowles. Description An account of the resource This plaster model for a gargoyle depicts the face of an opossum. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. This plaster cast has a hole in the mouth of the opossum for a spout. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace. Creator An entity primarily responsible for making the resource Bowles, William Leslie (Artist); Ewers, Raymond Boultwood (Cast by) Source A related resource from which the described resource is derived Australian War Memorial Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource 1939 Rights Information about rights held in and over the resource Australian War Memorial Format The file format, physical medium, or dimensions of the resource Hyperlink to photograph Type The nature or genre of the resource Photograph cast Commemorative Courtyard gargoyle medieval architecture Melbourne memorial opossum plaster cast plaster model Ray Ewers sandstone sculptor sculpture war war memorial water William Leslie Bowles Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data plaster cast reinforced with fibre, watercolour wash and pencil grid marks Physical Dimensions The actual physical size of the original image. Overall: 30.0 x 30.0 x 18.0 cm URL <a href="http://cas.awm.gov.au/item/ART90767?image=2">http://cas.awm.gov.au/item/ART90767?image=2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Koala Gargoyle Subject The topic of the resource animal, Australian animal, Australian War Memorial, cast, Commemorative Courtyard, gargoyle, koala, medieval architecture, Melbourne, model, ornamentation, plaster cast, Raymond Ewers, sandstone, sculpture, William Leslie Bowles, war, war memorial, water. Description An account of the resource This plaster model for a gargoyle depicts the head of a koala. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace. Creator An entity primarily responsible for making the resource Bowles, Leslie (Artist); Ewers, Raymond Boultwood (Cast by) Source A related resource from which the described resource is derived Australian War Memorial Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource 1939 Rights Information about rights held in and over the resource Australian War Memorial Format The file format, physical medium, or dimensions of the resource Hyperlink Type The nature or genre of the resource Photograph animal Australian Australian War Memorial Commemorative Courtyard gargoyle koala leslie bowles medieval architecture Melbourne memorial plaster cast plaster model raymond ewers sandstone sculptor sculpture war war memorial water Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.ms-ms4568">http://nla.gov.au/nla.ms-ms4568</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Journal of Arthur Bowes Smyth Subject The topic of the resource Arthur Bowes Smyth (1750-1790), convicts, drawing, early Australian journal, emblem, emblems, First Fleet, fleur-de-lys, fleur-de-lis, heraldic, heraldic badge, heraldic shield, heraldry, journal, Lady Penrhyn, manuscript, manuscript annotation, manuscript tracery text, personal writing, sketch, surgeon, transportation, travel. Description An account of the resource A scanned copy of the journal of Arthur Bowes Smyth held by the National Library of Australia. Smyth was the surgeon responsible for the women convicts on the Lady Penrhyn in the First Fleet, from 22 March 1787 – 8 August 1789. The journal contains a number of sketches, doodles and drawings of English emblems, some of which are medieval. For example, the drawings of fleur-de-lys. The second last page also contains a detailed image of a heraldic shield, redolent of medieval manuscript annotation. Creator An entity primarily responsible for making the resource Smyth, Arthur Bowes Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1787 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Hyperlink Arthur Bowes Smyth convicts drawing early Australian journal emblem emblems First Fleet fleur-de-lis fleur-de-lys heraldic heraldic badge heraldic shield heraldry journal Lady Penrhyn manuscript manuscript annotation manuscript tracery text personal writing sketch surgeon transportation travel Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.ms-ms4568-s288" target="_blank">http://nla.gov.au/nla.ms-ms4568-s288</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Journal of Arthur Bowes Smyth, March 22, 1787- August 8, 1790: Part 287. Subject The topic of the resource Arthur Bowes Smyth (1750-1790), convicts, drawing, early Australian journal, emblem, emblems, First Fleet, fleur-de-lys, fleur-de-lis, heraldic, heraldic badge, heraldic shield, heraldry, journal, Lady Penrhyn, manuscript, manuscript annotation, manuscript tracery text, personal writing, sketch, surgeon, transportation, travel. Description An account of the resource A drawing of a heraldic shield redolent of medieval manuscript annotation found on the second last page of the Journal of Arthur Bowes Smyth. Smyth (1750-1790) was the surgeon responsible for the women convicts on the Lady Penrhyn in the First Fleet, from 22 March 1787 – 8 August 1789. His journal contains a number of sketches, doodles and drawings of English emblems, some of which - like this heraldic shield - are medieval. Creator An entity primarily responsible for making the resource Smyth, Arthur Bowes Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.ms-ms4568-s288" target="_blank">http://nla.gov.au/nla.ms-ms4568-s288</a> Date A point or period of time associated with an event in the lifecycle of the resource 1790 "Arthur Bowes Smyth" "heraldic badge "heraldic crest" convict diary drawing emblem emblems First Fleet heraldic heraldic shield heraldry journal Lady Penrhyn manuscript manuscript annotation sketch surgeon transportation travel https://ausmed.arts.uwa.edu.au/files/original/dbde125989edcef635b2833e4818a5f4.pdf dc5ba8e1758614a7f66fef0c3fc68146 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Gargoyles of Melbourne: Quaint and Curious Carvings by John Russell Parry," in The Argus Subject The topic of the resource carving, gargoyle, gargoyles, Gothic, Gothic architecture, John Russell Parry, Latin, Melbourne, Old French, sculpture, The Argus, VIC, Victoria Description An account of the resource A lengthy illustrated article by John Russell Parry about gargoyles in Melbourne that appeared in the Melbourne newspaper The Argus on August 10, 1929. The article provides the etymology of 'gargoyle', derived from Latin via Old French, and explains that a gargoyle must have a water spout, and that many of the carvings that the public thought were gargoyles were merely decorative. True gargoyles in Melbourne are said to exist at St Paul's Cathedral, St Patrick's Cathedral, Tower House, the E.S. and A. Bank Building, and the Church of the Immaculate Conception in Hawthorn. The article also has information on carvings in Melbourne which are not true gargoyles, and some interesting information on medieval gargoyles in France, including at Notre Dame in Paris. Gargoyles are a common feature of Gothic architecture. Creator An entity primarily responsible for making the resource Parry, John Russell Source A related resource from which the described resource is derived National Library of Australia: <a href="National%20Library%20of%20Australia:%20http://nla.gov.au/nla.news-article4028660" target="_blank">http://nla.gov.au/nla.news-article4028660</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 10 August 1929 Contributor An entity responsible for making contributions to the resource <br id="tinymce" class="mceContentBody " /> Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper article carving gargoyle gargoyles Gothic gothic architecture John Russell Parry Latin Melbourne Old French sculptor sculpture The Argus Vic Victoria https://ausmed.arts.uwa.edu.au/files/original/f2ce0f2f0401c4fbd9f1dcfd469b4259.pdf 2301406818dd25c18f24ba6191caf902 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Halberd or Nulla Nulla? Amusing Mistake in Leeds," in The Argus. Subject The topic of the resource Aboriginal weapon, Aboriginal, halberd, Indigenous, Indigenous weaponry, insignia, Joseph Lyons, medieval weaponry, Nulla nulla, Prime Minister, warfare, weapon, weaponry Description An account of the resource This newspaper article from The Argus in 1935 reports on an amusing incident during a visit by Australian Prime Minister Joseph Lyons to Manchester, UK. Lyons was asked to pose with a medieval halberd for a photograph, which was mistakenly thought to be an Indigenous Australian weapon. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.news-article12248881" target="_blank">http://nla.gov.au/nla.news-article12248881</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 15 June 1935, p.24 Contributor An entity responsible for making contributions to the resource National Library of Australia Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English aboriginal Aboriginal weapon Australian Prine Minister halberd Indigenous weaponry insignia Joseph Lyons medieval weaponry nulla nulla weapon https://ausmed.arts.uwa.edu.au/files/original/751e949a1da76b7b136d004d88a12f0f.pdf 7c3b8728fc2a992120bf6693eb5cd3b8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "New Bishop Consecrated at Brilliant Ceremony," in The Argus. Subject The topic of the resource Anglican, Anglicanism, Ballarat, Ballarat diocese, Bishop of Ballarat, Bishop William Herbert Johnson, cassocks, cathedral, ceremony, choir, Christ Church Cathedral, Church of England, clergy, consecration, cross, crozier, Litany, medieval scenes, oath, procession, St Paul’s Cathedral, surplices, Vestments, Victoria, VIC. Description An account of the resource This illustrated article from The Argus provides an account of a ceremony in St Paul’s Cathedral (Melbourne) to mark the consecration of William Herbert Johnson as the Bishop of Ballarat in 1936. It describes the procession - consisting of the cross-bearer, the cathedral choir, priests from the Diocese of Ballarat, 100 clergy from the Diocese of Melbourne and a number of other Bishops and their attendants - from the Chapter House into the Cathedral, followed by details of the sermon, preached by Bishop Stephen, the oath, the Litany, the donning of Episcopal vestments and the consecration. The ‘stained glass, light gleaming on cross and crozier, the scarlet, black and white of episcopal vestments, and the sombre purples, whites and blacks of cassocks and surplices’, the author claims, ‘gave a richly medieval air to St Paul’s Cathedral’. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived National Library of Australia: <a href="http://nla.gov.au/nla.news-article11930833" target="_blank">http://nla.gov.au/nla.news-article11930833</a> Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 29 October 1936 Rights Information about rights held in and over the resource National Library of Australia "medieval ceremony Anglican Anglicanism Ballarat Ballarat diocese Bishop of Ballarat Bishop William Herbert Johnson cassocks Cathedral ceremony choir Christ Church Cathedral Church of England clergy consecration cross crozier Litany medieval scenes oath procession St Paul’s Cathedral surplices vestments VIC. Victoria https://ausmed.arts.uwa.edu.au/files/original/ab45977e2117b8f5435d54b63064432d.pdf 4ba8560491d7522f7a42bb6258365879 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Yellow Benches for Jews: Berlin's Latest Act," in <em>The Argus</em>. Subject The topic of the resource Nazis, Nazi, Nazism, World War II, WWII, World War Two, war, warfare, medieval yellow, Anti-Semitism, The Argus, Berlin, Canon law, discrimination, Pope Innocent III, Fourth Lateran Council, Germany, Jew, Melbourne, Muslim, VIC, Victoria Description An account of the resource <div dir="ltr"><span style="font-family: tahoma; font-size: x-small;">An article on page 11 of the Melbourne newspaper The Argus in September 1937. The article reports on two benches in Berlin in Nazi Germany being painted yellow for use by Jews. The article says that the decision recalled an edict in the medieval period that forced&nbsp;Jews to wear 'a distinguishing yellow garb'. The edict mentioned probably refers to Canon 68 issued at the&nbsp;Fourth Lateran Council in 1215 called by Pope Innocent III. The Canon stated that Jews and Muslims of both sexes living in Christian lands had to be distinguished from Christians by wearing different dress, and that they should not appear in public in the last three days of Holy Week and Passion Sunday. The aim was to stop&nbsp;members of the different religions having sexual relations without&nbsp;realising the gravity of the situation. Implementation and policing of the Canon varied throughout Europe, but in some countries the wearing&nbsp;of a yellow star was introduced. A yellow star was not introduced in Nazi Europe until the Second World War.</span></div> <div dir="ltr">&nbsp;</div> <div dir="ltr"><span style="font-family: tahoma; font-size: x-small;">For the text of the Canons of the Fourth Lateran Council see <a href="http://www.fordham.edu/halsall/basis/lateran4.asp" target="_blank">http://www.fordham.edu/halsall/basis/lateran4.asp</a></span></div> Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived The Argus Date A point or period of time associated with an event in the lifecycle of the resource 17 September 1937 Rights Information about rights held in and over the resource National Library of Australia Format The file format, physical medium, or dimensions of the resource Newspaper Article Anti-Semitism Berlin Canon law discrimination Fourth Lateran Council Germany Jew Melbourne Muslim Nazis Pope Innocent III The Argus