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                <text>Images of a memorial cross for William Marmion in ring-headed â€˜Celticâ€™ style. The cross was designed by C.L. Oldham and J.H. Eales and sculpted by P.G. Porcelli and V. Reilly. The Marmion Memorial was unveiled in 1902 and is located opposite the Basilica of St. Patrickâ€™s in what was formally known as Mayorâ€™s Park. Free-standing ring-headed high crosses were common in medieval Ireland, and also occur in Scotland, the Isle of Man, Wales, Cornwall, and northern England.</text>
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                <text>Image of a memorial cross for William Marmion in ring-headed â€˜Celticâ€™ style. The cross was designed by C.L. Oldham and J.H. Eales and sculpted by P.G. Porcelli and V. Reilly. The Marmion Memorial was unveiled in 1902 and is located opposite the Basilica of St. Patrickâ€™s in what was formally known as Mayorâ€™s Park. Free-standing ring-headed high crosses were common in medieval Ireland, and also occur in Scotland, the Isle of Man, Wales, Cornwall, and northern England.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Centennial International Exhibition Parade</text>
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                <text>centennial, Centennial International Exhibition, Collins Street, crowd, exhibition, floats, float, industry, international exhibition, Melbourne, parade, procession, showcase, parades, processions, street parade, trade banners, banner, banners, Victoria, World Fair, Samuel Calvert, engravings, engraving</text>
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                <text>&lt;p&gt;An illustration of a street parade in Collins Street, Melbourne, drawn from the perspective of the Treasury Buildings. Crowds of spectators line the street to watch as a procession of horse-drawn floats and trade banners are paraded along Collins Street as part of the Centennial International Exhibition. The Exhibition was held at the Royal Exhibition Building in Carlton Gardens in 1888.Trade banners have a medieval predecessor in the banners used by guilds (an association of craftsmen in the same trade), with each guild having a banner to show their trade. Some historians consider trade unions to be the successors of medieval guilds.&lt;/p&gt;&#13;
&lt;p&gt;For an example of recreation guild banners from 1909 in York see &lt;a href="http://www.theyorkcompany.co.uk/find_out_more/page020104.php" target="_blank"&gt;http://www.theyorkcompany.co.uk/find_out_more/page020104.php&lt;/a&gt;&lt;/p&gt;</text>
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                <text>15 August 1888, p. 148.</text>
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&#13;
The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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&#13;
About Kryal Castle:&#13;
Kryal Castle is a tourist attraction located 8km from Ballarat in Victoria. Described as â€˜Australiaâ€™s unique medieval castleâ€™, Kryal Castle can also be hired for weddings, conferences, functions, and special events. It was built in 1972 and opened in 1974 by Keith Ryall. Its medieval architectural features include crenellation, a moat, and a defended gate with flanking towers, drawbridge and a porticullis.  </text>
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                <text>A close up photograph of the chalkboard at the Balingup Medieval Carnivale. The chalkboard advertised the programme for the day, including events on the combat arena. The illustration features a running dragon, perhaps attacking the man on the horse. Balingup Medieval Carnival was first held in the town of Balingup, in the south-west of WA, in 1998 and takes place each year on the fourth weekend of August.  </text>
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          <element elementId="42">
            <name>Format</name>
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            <name>Subject</name>
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                <text>A digital photograph of the chalkboard at the Balingup Medieval Carnivale. The chalkboard advertised the programme for the day and featured some nice medieval illustrations. Balingup Medieval Carnival was first held in the town of Balingup, in the south-west of WA, in 1998 and takes place each year on the fourth weekend of August.  </text>
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        <name>Balingup Medieval Carnivale</name>
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        <name>chalk board</name>
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        <name>Shire of Donnybrook-Balingup</name>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Chalmers Presbyterian Church, Launceston, Tasmania</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>arched windows, bell tower, Thomas Chalmers, Chalmers Free Church, Church of Scotland, William Henry Clayton, Florid Gothic, Free Kirkers, Gothic, Gothic Revival, Launceston, Presbyterian, Tas, Tasmania</text>
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                <text>&lt;p&gt;One of two photographs of the former Chalmers Presbyterian Church in Launceston. The church was built in Gothic Revival style in 1859 (the first service was in January 1860) and was designed by architect William Henry Clayton (1823-1877). It was named after Thomas Chalmers, the founder of the Free Church movement in Scotland following the 1843 Great Disruption of the Church of Scotland. His followers were known as Free Kirkers. The church became a Presbyterian church in 1896 and was deconsecrated in 1981 and it can now be hired as a hall. This photograph shows the flamboyant Gothic Revival style, sometimes referred to as Florid Gothic,&amp;nbsp;of the front of Chalmers church, with a ornate bell tower and numerous arched windows.&lt;/p&gt;&#13;
&lt;p&gt;For more on the Presbyterian Church in Tasmania see &lt;a href="http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm" target="_blank"&gt;http://www.utas.edu.au/library/companion_to_tasmanian_history/P/Presbyterian.htm&lt;/a&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>Dorey, Margaret</text>
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            <description>Information about rights held in and over the resource</description>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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