37 8 1266 https://ausmed.arts.uwa.edu.au/files/original/fefc68220deec3df17fe6235c3af97ce.jpg 739daf90c08ac09282ade94800a45bf9 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 427 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Winthrop Hall, The University of Western Australia Subject The topic of the resource architect, architecture, bell tower, benefactor, bequest, campanile, clock tower, Conrad Sayce, Crawley, Hackett Hall, Italian influence, Mediterranean style, “Renaissance” style, Rodney Alsop, Romanesque style, Sir John Winthrop Hackett (1848-1916), The University of Western Australia, tower, university buildings, Western Australia, Winthrop Hall Description An account of the resource A view of Winthrop Hall and the clock tower at the University of Western Australia. They are built in an Italian or Mediterranean Romanesque style, typified by rounded arches, arcading, thick walls (they are 9ft thick) and the large square campanile tower. When asked about the style of the design, the architect described it variously as “Renaissance”, and as being of Italian ancestry, but notably “anglicised and adapted to the local conditions” (See Western Mail, 21 April 1932, pp.14: http://nla.gov.au/nla.news-article38891565). There was at first, as historian Fred Alexander noted, some concern over “the wisdom of preferring a boldly Mediterranean or Spanish type of architecture to the more familiar neo-gothic style generally favoured by academic authorities”, but these concerns faded as the buildings began to take shape and by the time Winthrop Hall was officially opened on 13 April 1932, it was highly praised as a fitting commemoration to its founder (See Fred Alexander, Campus at Crawley: A Narrative and Critical Appreciation of the First Fifty Years of The University of Western Australia, F.W. Cheshire, Melbourne, 1963, p.136). Winthrop Hall was designed by Melbourne architects Rodney Alsop and Conrad Sayce, whose joint entry won an architectural competition held by the University Senate in 1927. The impetus for the competition was a large bequest left by the University’s first Chancellor, Sir John Winthrop Hackett, who had died in 1916. Alsop, the senior of the pair, was employed as the lead architect and they began the project of building Winthrop Hall and the Hackett Buildings together. However, they fell out in the process and Sayce left before the buildings were completed. One of the points on which they disagreed was Alsop’s replacement of the clock tower in the original design with the Italian Campanile style tower that stands today (See R. J. Ferguson, Crawley Campus: The Planning and Architecture of The University of Western Australia, University of Western Australia Press, Perth, 1993). Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 3 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph “Renaissance” style architect architecture bell tower benefactor bequest campanile clock tower Conrad Sayce Crawley Hackett Hall Italian influence Mediterranean style Rodney Alsop Romanesque style Sir John Winthrop Hackett (1848-1916) The University of Western Australia tower university buildings Western Australia Winthrop Hall https://ausmed.arts.uwa.edu.au/files/original/cf4a2e153ccaf5c81e311bfbcb5e8903.pdf 4655fa6793c4088072e44a969ff1aabc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <p>Newspaper Article</p> <p><br /> National Library of Australia, <a href="http://nla.gov.au/nla.news-article47314286" target="_blank">http://nla.gov.au/nla.news-article47314286</a></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Voice and Violin Subject The topic of the resource folk, folk singer, folk-singers, sing, singer, singers, Gustav Hoist (1874-1934), harmonic, Kylie Club, Lorna McKean, medieval religious poems, music, Mozart, Nora Coalstad, orchestra, performance, sonata, singing, solo, soprano, Tartini Vaughan Hanly, violin, violinist, vocals, voice Description An account of the resource This article from The West Australian details a performance, by Miss Lorna McKean and Mr Vaughan Hanly, of Gustav Hoist’s four songs for voice and solo violin at the Kylie Club. The performance was unusual, it suggests, because modern audiences were unaccustomed to hearing music performed without the backing of a harmonic keyboard or orchestra. The wording of the songs are noted to be medieval religious poems. Creator An entity primarily responsible for making the resource "Fidelio" Source A related resource from which the described resource is derived <br /> National Library of Australia, <a href="http://nla.gov.au/nla.news-article47314286" target="_blank">http://nla.gov.au/nla.news-article47314286</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 18 March 1941, p. 3. Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English folk folk singer folk-singers Gustav Hoist (1874-1934) harmonic Kylie Club Lorna McKean medieval religious poems Mozart music Nora Coalstad orchestra performance sing singer singers singing solo sonata soprano Tartini Vaughan Hanly violin violinist vocals voice https://ausmed.arts.uwa.edu.au/files/original/76cd2467304de30a0b1ee39345c30dd3.jpg 53562997026e6a73dce49c2347ee879c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 3648 Width 2736 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court, Perth, Western Australia Subject The topic of the resource Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis retail, shops, St George, St George cross, St George’s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia Description An account of the resource Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a ‘Ye Olde English Fayre’. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields – many bearing the St George cross – and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arcade architecture Bernard Evans bypass Claude de Bernales clock cobblestones corbels Elizabethan gable gargoyles Hay Street heraldic shield horse Inter-War Old English style iron gate jettying knight leadlight windows London Court oriel window pageantry Perth portcullis retail shops St George St George cross St George’s Terrace timber panelling tourney Tudor WA weather vanes Western Australia https://ausmed.arts.uwa.edu.au/files/original/b286298bbd3879f9aa94d0a65e167d3c.jpg 6a39cfd1eb48acc80a9fc8e6d37e7483 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 889 Width 593 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court, Perth - Hay Street End Subject The topic of the resource Arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis retail, shops, St George, St George cross, St George’s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia Description An account of the resource Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a ‘Ye Olde English Fayre’. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields – many bearing the St George cross – and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph https://ausmed.arts.uwa.edu.au/files/original/002d88114cef4e7b162612f626bf4a68.jpg cb6a294debf0143d625459b427d2fd82 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 778 Width 484 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Great Helms at the Perth Medieval Fayre Subject The topic of the resource apparel, armament, armour, battle, garment, Great Helm, handcrafted, handmade armour, helmet, knight, metalwork, medieval armour, medieval craft, Perth, Perth Medieval Fayre, protective clothing, re-creation, recreation, soldier, surcoat, tunic, WA, WAMA, warfare, weaponry, Western Australia, Western Australian Medieval Alliance Description An account of the resource Image of a recreationist knight wearing a ‘Great Helm’ style helmet at the Perth Medieval Fayre. The Great Helm is a cylindrical helmet that encloses the entire head, with a flat top and eye slits for vision. It was adopted as the predominant style of helmet worn by knights in the early thirteenth century, replacing earlier ‘norman’ styles that offered only a nasal bar to protect the face from injury. The Perth Medieval Fayre is organised by the Western Australian Medieval Alliance (WAMA). In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 19 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Apparel armament Armour battle garment Great Helm handcrafted handmade armour helmet knight medieval armour medieval craft metalwork Perth Perth Medieval Fayre protective clothing re-creation recreation soldier surcoat tunic WA WAMA warfare weaponry Western Australia Western Australian Medieval Alliance https://ausmed.arts.uwa.edu.au/files/original/986bbed117c03084e9f2990d8ac905a8.jpg c80fe31a6fc549f24e2cf12eb1d73cb3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 690 Width 919 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court, Perth, Western Australia Subject The topic of the resource arcade, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, corbels, Elizabethan, gable, gargoyles, Hay Street, heraldic shield, horse, Inter-War Old English style, iron gate, jettying, knight, leadlight windows, London Court, oriel window, pageantry, Perth, portcullis retail, shops, St George, St George cross, St George’s Terrace, timber panelling, tourney, Tudor, WA, weather vanes, Western Australia Description An account of the resource Image of London Court in Perth, Western Australia. London Court is an open air retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned in 1936 by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937, when the arcade was opened with a ‘Ye Olde English Fayre’. London Court is distinctive for its Inter-War Old English style of architecture. At each end of the arcade is a three-storey entrance with a Tudor facade, a large wrought iron gate, heraldic shields – many bearing the St George cross – and an oriel window containing a large, decorative clock. Inside the narrow arcade, the Tudor facade continues with extensive half-timbering and timber-panelling on the walls, gabled roofs, leadlight windows and corbelled window boxes. Hand-carvings, gargoyles and crests also adorn the walls, and a number of weather vanes can be seen on the roof. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph https://ausmed.arts.uwa.edu.au/files/original/28f274b5414e7a80b5da06d6483fad54.jpg 0a61ddd2c0e6bb7e3d434b37c1bb996a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 640 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ceiling of St. Mary's Cathedral, East Perth, Western Australia Subject The topic of the resource architecture, cathedral, Catholic, Catholicism, ceiling, gothic, gothic revival, neo-gothic, Perth, Saint Mary, St. Mary, vaulted ceiling, Western australia, WA Description An account of the resource Beautiful, arched, gothic style ceiling at St. Mary's Cathedral, East Perth. About St Mary’s Roman Catholic Cathedral: St Mary’s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA. It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end. Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanagh’s grand design. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architecture Cathedral Catholic Catholicism ceiling Church Gothic Gothic building Gothic Revival neo-Gothic Perth Saint Mary St. Mary vaulted ceiling WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/185bb4c121f740b8219dea7cf7972e1d.jpg 80252842b459769b1219c59ba653f02b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 336 Width 448 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arched Ceiling and High Windows at St. Mary's Cathedral, East Perth, Western Australia Subject The topic of the resource architecture, cathedral, Catholic, Catholicism, ceiling, church, ecclesiastical building, gothic, gothic revival, lancet window, neo-gothic, Perth, Saint Mary, St. Mary, vaulted ceiling, WA, Western Australia Description An account of the resource An image depicting the interior of St. Mary's Cathdral in East Perth with its gothic arches and high windows. About St Mary’s Roman Catholic Cathedral: St Mary’s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA. It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end. Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanagh’s grand design. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architect architecture Cathedral Catholic Catholicism ceiling Church ecclesiastical building Gothic Gothic building Gothic Revival lancet window neo-Gothic Perth saint Saint Mary saints St. Mary vaulted ceiling WA Western Australia window windows