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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>This photograph shows a shop fitting in a popular department store. The ends of the aisles are made to look like part of a medieval castle or wall, complete with crenellation and mock windows and stonework. The choice of red as the colour suggests a link to fantasy.  </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Gothic Revival, Victorian Romanesque, Gothic, Carpenter Gothic, architecture, architect, church, churches, pipe organ, organ, Walsingham Shrine, Anglican, Anglicanism, Christianity, Christian, religion, religious, Newcastle Street, York, Western Australia, WA, Perth, Holy Trinity, Saint George, St. George, flag, turret, lancet window, lancet windows</text>
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                <text>An image of the Holy Trinity Church in York, Western Australia. Completed in 1854 and consecrated in 1858, the Holy Trinity Church possesses features which are characteristic of the Victorian Romanesque, Carpenter Gothic and Gothic Revival architectural styles. Throughout the nineteenth century in the United Kingdom, Australia and America, the Gothic manifested itself in a variety of architectural forms. Based on, yet distinct from, British nineteenth-century medievalism, Australian medievalist buildings appropriated elements of medievalist design in ways which suited the Australian climate, materials and unique colonial settings.&#13;
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The most obvious evocation of the medieval in the design of the church as is noticeable in this image is the castle turret. The simplicity of the church's design (both structurally and aesthetically) is typical of the Carpenter Gothic style, known for its pointed arches, towers and steep gables, as well as light-frame construction. </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Castle Zayee, Hobart - Exterior</text>
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                <text>Asian cuisine, castle, Castle Zayee, coat of arms, crenellation, heraldry, Hobart, restaurant, shield, sword, Tas, Tasmania, tower</text>
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                <text>Castle Zayee is an Asian restaurant in Lenah Valley, Hobart. The brick exterior has been built to look like a very solid castle, with low towers topped with crenellation. The medieval theme is carried through to the interior, where the walls are covered in mock shields sporting coats-of-arms, and decorative swords.</text>
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                <text>Dorey, Margaret</text>
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                <text>This derelict castle building in the Perth suburb of Dog Swamp used to be part of The Land of Make Believe display centre. It was created by the brick and roofing tile company Wunderlich and featured small buildings based on fairytales. The castle was known as Old King Coleâ€™s Castle, named after the figure in the British folk song/nursery rhyme. The small brick castle is reached by crossing a moat and has an arched entrance, crenellation, a tower, and balistraria (arrowslits).</text>
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                <text>One of three photographs of domestic roof-top adornments in Lyttleton Street, East Launceston. This one features a cat. Situated on the edge of the roof over-looking the street, it is possible that the cat was in part inspired by the gargoyles that adorn many medieval gothic churches. Although a cat may not seem particularly medieval, especially in comparison to the dragon and sea serpent on other Lyttleton Street roofs, domesticated animals were sometimes portrayed as gargoyles on medieval churches. For example, the fifteenth-century gothic Notre Dame church in Noyers-sur-Serein, Burgundy, France, includes a gargoyle in the shape of a dog.  </text>
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                <text>Dorey, Margaret</text>
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                <text>2 December 2011</text>
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