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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of a record found in a York secondhand store featuring the soundtrack to the popular 1967 film "Camelot." An example of the popularity, commerciality and timelessness of Arthurian legends, the film was a box office hit in the West. The film was a screen adaptation of the 1960 musical of the same name by Alan Jay Lerner. It starred Richard Harris as King Arthur, Vanessa Redgrave as Guinevere and Franco Nero as Lancelot. For more information about the film, consult &lt;a href="http://www.imdb.com/title/tt0061439/"&gt;http://www.imdb.com/title/tt0061439/. &lt;/a&gt;&lt;br /&gt;</text>
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                <text>&amp;ldquo;Crowd outside the Hoyts Century Theatre at the Preview of Camelot, Sydney,&amp;rdquo; &lt;em&gt;Medievalism in Australian Cultural Memory&lt;/em&gt;, accessed November 28, 2011, &lt;a href="../../../items/show/26"&gt;http://ausmed.arts.uwa.edu.au/items/show/26 &lt;/a&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>An image of a statue of Saint Mary inside St. Patrick's Catholic Church in the town of York, Western Australia. &#13;
&#13;
About St. Patrick's Church:&#13;
&#13;
The foundation stone of St. Patrick's Catholic Church was laid on St. Patrick's Day in 1875, with the building being completed in 1886. It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.&#13;
&#13;
The design of the church is typical of the Gothic revival style with its spire, tall arches, vaulted ceiling, rose windows and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries. </text>
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