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                <text>Costumed revellers parading down Fremantleâ€™s cappuccino strip in Western Australia during the 2011 Fremantle Carnevale parade.&#13;
Carnevale is a traditional community festival that temporarily promotes disorder and frivolity using masquerade, cross-dressing, music, dance and the popular or ritualised ridicule of authority figures. In the medieval period, it came to be strongly associated with the Catholic period of Lent. Carnevale was thereafter regarded as a time for festivity and light-hearted jest beginning with the Feast of the Epiphany and lasting until Shrove Tuesday, when the church bells would toll to signal the beginning of Lent.</text>
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                <text>A photograph of the King and Queen of the Balingup Medieval Carnivale. The royal couple, accompanied by members of their court and guards, took part in the parade each day and then sat in state in the royal tent in the combat arena. </text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. This photograph shows the front and side of the building.&lt;/p&gt;&#13;
&lt;p&gt;For the rear and interior of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/id/1098" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/id/1098&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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&lt;p&gt;Carr Villa Memorial Park is the largest cemetery in the Tasmanian city of Launceston. It features an impressive Entrance Chapel built in 1938 in the Gothic Revival style. The red brick building has pointed arch doorways and windows, buttresses, and blind lancet windows above the large front and rear pointed arch entrances. It is topped by a square tower and spire. These photographs shows the rear of the building and the vaulted timber ceiling. As can be seen in the photograph of the rear, the building acts as a large entrance through which funeral processions can pass.&lt;/p&gt;&#13;
&lt;p&gt;For the front and side of the building see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1092&lt;/a&gt;&lt;/p&gt;&#13;
&lt;/div&gt;&#13;
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1092" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1092&lt;/a&gt;</text>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Pearl Anderson, bird box, Cameo Alpacas and Garden Art, castle, column, crenellation, Deloraine, drawbridge, Elod Gunther, parapet, pointed arch, spire, Tas, Tasmania, tower, Woodbridge.</text>
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                <text>&lt;p&gt;This wooden bird box was created by Cameo Alpacas and Garden Art, a company run by Pearl Anderson and Elod Gunther and based in Woodbridge in southern Tasmania. The bird box is a recreation of a medieval castle, complete with corner towers with crenelated parapets, with the walls between the towers also having crenellation. The pointed arch entrance to the castle includes a possible representation of a bridge or drawbridge, which the bird could sit on. The photograph was taken at the Tasmanian Craft fair held in the town of Deloraine.&lt;/p&gt;&#13;
&lt;p&gt;For more of their creations see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1185"&gt;http://ausmed.arts.uwa.edu.au/items/show/1185&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1181"&gt;http://ausmed.arts.uwa.edu.au/items/show/1181&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1181"&gt;http://ausmed.arts.uwa.edu.au/items/show/1181&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1185"&gt;http://ausmed.arts.uwa.edu.au/items/show/1185&lt;/a&gt;&lt;/p&gt;&#13;
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