35 8 1266 https://ausmed.arts.uwa.edu.au/files/original/a4d5b08610807d5d8f87bd6af41a7233.jpg 73fda78deae736d3461e13d268cdfc58 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 736 Width 982 https://ausmed.arts.uwa.edu.au/files/original/6766a76fe4e31ec17aef258f39e016fb.jpg 6ef457f6628905f665b6011690932725 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 472 Width 873 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data 2 x Digital Photographs Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource St George Slaying the Dragon, London Court, Perth Subject The topic of the resource animation, Arcade, architecture, Bernard Evans, Claude de Bernales, clock, clockwork, dragon, Elizabethan, Hay Street, Inter-War Old English style, knight, London Court, Perth, retail, shops, St George, Saint George, saint, St George’s Terrace, sword, Tudor, Western Australia, WA Description An account of the resource Images of ‘St George slaying the Dragon’ at London Court in Western Australia. Located in a window above the clock at the St George’s Terrace entrance to London Court, 'St George slaying the Dragon' is a feature consisting of animated figures that move in time with the clock. A figurine of St George brandishing a sword chases a dragon around a circuit when the clock chimes each quarter of an hour. At the chiming of the full hour, St George catches up to the dragon and beheads him. London Court is a retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. The building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. It was completed in 1937. London Court is distinctive for its Inter-War Old English style of architecture. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 12 March 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photographs Animation arcade architecture Bernard Evans Claude de Bernales clock clockwork dragon Elizabethan Hay Street Inter-War Old English style knight London Court Perth retail saint Saint George shops St George St George’s Terrace sword Tudor WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/45885bf0fde0828494199207751518bb.pdf 60b6ce8b2695c20bb080a4a54be5ae97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource London Court Subject The topic of the resource arcade, arcades, architecture, Bernard Evans, bypass, Claude de Bernales, clock, cobblestones, dragon, Elizabethan, Hay Street, horse, horseback, Inter-War, Old English style, joust, jousting, knight, lance, London Court, “medieval monstrosity”, pageantry, Perth, Plaza Arcade, retail, shops, St George, Saint George, St George’s Terrace, tournament, tourney, Tudor, WA, Western Australia Description An account of the resource This article from the Western Argus provides details of two clocks that were to be installed in London Court. After noting the accuracy of the clocks, which were designed to lose no more than a thousandth of a second per hour, the author provides a description of the mechanised features that would accompany them. One would (and does) show “St George unmounted and brandishing a stainless steel sword chasing a dragon around a circuit each quarter of an hour” and beheading him on the hour, while the other would show four knights jousting. London Court is otherwise described by the author as a “medieval monstrosity”, standing in stark contrast to the modern architecture of the surrounding area. London Court is a retail shopping arcade that runs between St George’s Terrace and Hay Street in the centre of Perth. Completed in 1937, the building was commissioned by WA entrepreneur Claude de Bernales and designed by Melbourne based architect Bernard Evans. London Court is distinctive for its Inter-War Old English style of architecture. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived <strong></strong><span style="font-size: 10pt; color: black;">National Library of Australia, </span><span style="font-size: 10pt; color: black;"><a href="http://nla.gov.au/nla.news-article34959101" target="_blank">http://nla.gov.au/nla.news-article34959101</a></span> Publisher An entity responsible for making the resource available Western Argus Date A point or period of time associated with an event in the lifecycle of the resource 19 October 1937, p. 18 Rights Information about rights held in and over the resource Western Argus Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English “medieval monstrosity” arcade arcades architecture Bernard Evans bypass Claude de Bernales clock cobblestones dragon Elizabethan Hay Street horse horseback Inter-War joust jousting knight lance London Court Old English style pageantry Perth Plaza Arcade retail Saint George shops St George St George’s Terrace tournament tourney Tudor WA Western Australia https://ausmed.arts.uwa.edu.au/files/original/0994077ed4224d6c09caf1fabef10ab1.jpg e5a8fd421dabef6b259f93b74286728c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 662 Width 883 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Exhibition Building, Melbourne, Victoria Subject The topic of the resource arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, Florence Cathedral, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair Description An account of the resource Image of the Royal Exhibition Building and Carlton Gardens in Melbourne, Victoria. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (‘Rundbogenstil’). The dome specifically was modelled on Brunelleschi’s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004. The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 27 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph https://ausmed.arts.uwa.edu.au/files/original/a83945794d7c12f1affc3a5c401be031.pdf 26c777deac24f2fc572140703e54cfa6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tristram and Iseult. A Long Narrative Poem. Subject The topic of the resource Arthur, Arthurian, Arthurian legend, Arthurian romance, legend, romance, Celtic legend, Cornwall, Edwin Arlington Robinson (1869-1935), Iseult, Isolde, Isolt, knight, ‘Lancelot’, Mark, medieval poetry, ‘Merlin’, narrative poem, Norman poem, Pictish king, poem, poetry, review, trilogy, Tristan, Tristram, ‘Tristram and Iseult’, Tristran, Tristrem, Yseult Description An account of the resource This article from the Western Mail offers a positive review of Edwin Arlington Robinson’s long narrative poem ‘Tristram’, published in 1927. Following poems titled ‘Merlin’ in 1917 and ‘Lancelot’ in 1920, this poem is the third instalment in a trilogy by Robinson based on Arthurian legends. ‘Tristram’ is a retelling, in blank verse, of Béroul’s late twelfth-century medieval romance ‘Tristram and Iseult’. The story of Tristram and Iseult is a tale of adulterous love between a Cornish Knight and the Irish bride of his uncle, King Mark. Robinson was awarded a Pulitzer prize for his ‘Tristram’ in 1928. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Western Mail Date A point or period of time associated with an event in the lifecycle of the resource 4 August 1927, p. 8 Rights Information about rights held in and over the resource The Western Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English ‘Lancelot’ ‘Merlin’ ‘Tristram and Iseult’ Arthur Arthurian Arthurian legend Arthurian romance Celtic legend Cornwall Edwin Arlington Robinson (1869-1935) Iseult Isolde Isolt knight legend mark medieval poetry narrative poem Norman poem Pictish king poem poetry review romance trilogy Tristan Tristram Tristran Tristrem Yseult https://ausmed.arts.uwa.edu.au/files/original/cecf7101fe4f906f73cfff6a12d23869.jpg 72c43bcaaa60a3eeda7050d693b9068f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1022 Width 766 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Royal Exhibition Building, Melbourne, Victoria Subject The topic of the resource arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, Florence Cathedral, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair Description An account of the resource Photograph of the Royal Exhibition Building and Carlton Gardens in Melbourne, Victoria. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (‘Rundbogenstil’). The dome specifically was modelled on Brunelleschi’s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004. The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 27 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architecture Brunelleschi building Carlton Gardens centennial Centennial International Exhibition dome exhibition exhibition building Florence Cathedral Great Hall industry international exhibition Italian influence Joseph Reed (c.1823-1890) Melbourne rounded arches Royal Exhibition Building Rundbogenstil style semi-circular arches showcase Victoria World Fair https://ausmed.arts.uwa.edu.au/files/original/d1fde74ec2df278db39296852349553f.jpg 78b6098f096c53b4eb530952ae5b0435 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 766 Width 865 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Royal Exhibition Building, Melbourne Subject The topic of the resource arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, Florence Cathedral, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair Description An account of the resource Image of the Royal Exhibition Building and Carlton Gardens in Melbourne, Victoria. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (‘Rundbogenstil’). The dome specifically was modelled on Brunelleschi’s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004. The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 27 April 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architecture Brunelleschi building Carlton Gardens centennial Centennial International Exhibition dome exhibition exhibition building Florence Cathedral Great Hall industry international exhibition Italian influence Joseph Reed (c.1823-1890) Melbourne rounded arches Royal Exhibition Building Rundbogenstil style semi-circular arches showcase Victoria World Fair https://ausmed.arts.uwa.edu.au/files/original/a6943c7aa33514ab56eac917e9c641b7.jpg 9970d062b858b5d64d74e7a3d63b8021 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 480 Width 626 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Saint Patrick's Basilica, Fremantle Subject The topic of the resource Saint Patrick, saint, saints, St. Patrick, St Patrick, arch, architecture, architect, basilica, blind arch, blind tracery, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, flying buttress, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tower, tracery, tympanum, Vatican, Western Australia, WA, window Description An account of the resource St Patrick’s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. Examples of its gothic features are the large decorated window above the main door, the tall vertical towers flanking the entrance, the pointed archways, the flying buttresses, and the ornate tracery decorating the windows, towers and tympanum. St Patrick’s was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrick’s with the status of a minor basilica in 1994. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architect architecture Basilica blind arch blind tracery buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window lead-light windows limestone masonry Michael Cavanagh minor basilica missionaries mullion neo-Gothic Oblates of Mary Immaculate quatrefoil saint Saint Patrick saints St Patrick St. Patrick stained glass windows Sydney freestone Thomas Ryan OMI tower tracery tympanum Vatican WA Western Australia window https://ausmed.arts.uwa.edu.au/files/original/98c329e0371763b32ce8224d50ec48f7.JPG c3a184927569320488f51f3d43f1571d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 871 Width 653 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The interior of St Patrick's Basilica, Fremantle, featuring a hammer-beam ceiling Subject The topic of the resource Saint Patrick, St. Patrick, St Patrick, saint, saints, arch, hammer-beam, ceiling, hammer-beam ceiling, architecture, architect, basilica, blind arch, blind tracery, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, flying buttress, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tower, tracery, tympanum, Vatican, Western Australia, WA, window Description An account of the resource arch, architecture, architect, basilica, blind arch, blind tracery, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, Fremantle, flying buttress, gothic architecture, gothic revival, lancet window, lancet arch, lead-light windows, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, mullion, neo-gothic, Oblates of Mary Immaculate, quatrefoil, stained glass windows, Sydney freestone, Thomas Ryan OMI, tower, tracery, tympanum, Vatican, Western Australia, WA Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 17 May 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch architect architecture Basilica blind arch blind tracery buttress Catholic Catholic Church Church church building Federation Gothic Style flying buttress Fremantle gothic architecture Gothic Revival lancet arch lancet window lead-light windows limestone masonry Michael Cavanagh minor basilica missionaries mullion neo-Gothic Oblates of Mary Immaculate quatrefoil saint Saint Patrick saints St Patrick St. Patrick stained glass windows Sydney freestone Thomas Ryan OMI tower tracery tympanum Vatican WA Western Australia window