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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article32284566" target="_blank"&gt;http://nla.gov.au/nla.news-article32284566&lt;/a&gt;</text>
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                <text>Building a Cathedral. Progress at St. Mary's.</text>
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                <text>â€œSt Maryâ€™s Cathedralâ€, â€œSt. Maryâ€™s churchâ€, Cathedral, church, Catholicism, â€œGothic architectureâ€, â€œEast Perthâ€, rebuilding, â€œCavanagh - architectâ€, masons, stonemasons, craftsmen, "guild journeymanâ€, stonework, stone, stained-glass, windows,  â€œmedieval village cathedralsâ€, transepts, sanctuary, sacristy, â€œlady chapelâ€</text>
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                <text>In this newspaper article from The West Australian, the author describes progress on the building of the eastern part of St. Maryâ€™s Cathedral in East Perth in June, 1929. He describes the Gothic design of the architecture as a particularly English style dating from the period 1370-1550, characterised by â€œa perpendicularity given it by the extensions of the chief mullions in the windows on to the arches and the addition of horizontal bars or transoms to divide the long lightsâ€. The style is also notable, the article suggests, for its â€œgreat window spacesâ€. In the second half of the article, the author likens the intricate stonework of the 25 masons employed to work on the cathedral to that of guild journeymen building village cathedrals in the middle ages.</text>
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                <text>National Library of Australia&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article32284566" target="_blank"&gt;http://nla.gov.au/nla.news-article32284566&lt;/a&gt;&lt;a href="http://nla.gov.au/nla.news-article32284539" target="_blank"&gt;&lt;br /&gt;&lt;/a&gt;</text>
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                <text>Saturday, 1 June 1929, p.7.</text>
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                <text>The West Australian</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Newspaper Article:&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article38950206" target="_blank"&gt;http://nla.gov.au/nla.news-article38950206&lt;/a&gt;</text>
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                <text>Bulk Handling: Passage of Bill</text>
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                <text>amendments, Assembly, Bill, Bulk Handling Bill, clause 20, constitutional government, council, government, â€œGovernment Gazetteâ€, Governor, Houses of Parliament, Kingâ€™s representative, Legislative Assembly, Legislative Council, Ministerial Bench, Mr Ferguson, Mr Johnson, Mr Latham â€“ Leader of the Opposition, Mr Sleeman, Mr Troy â€“ Minister for Lands, Opposition, Order-in-Council, parliament, State Parliament, WA, Western Australia, Western Australian State Parliament, wheat, wheat handling</text>
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                <text>In 1935, a disagreement arose in the WA State Parliament over the implications of proposed amendments to the Bulk Handling Bill. In particular, concern was raised by Mr Latham, the Leader of the Opposition, that an amendment to Clause 20 would invest the Governor with the authority to change its terms and conditions, and would essentially give the Kingâ€™s representative an unprecedented power to vary legislation after it was passed by the two Houses of Parliament. In response to a rebuttal by Mr Troy that the Kingâ€™s representative would only act on the advice of his ministers, this newspaper article cites Mr Latham as saying the Minister must have known he was misleading his members, adding that â€œHe proposed to change the whole system of constitutional government. He was going back to the medieval days of 400 years beforeâ€. The amendment was eventually agreed to by a majority vote, and the Bill was passed.</text>
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                <text>National Library of Australia&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article38950206" target="_blank"&gt;http://nla.gov.au/nla.news-article38950206&lt;/a&gt;</text>
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                <text>26 December 1935, p. 51.</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.youtube.com/user/burdikenknight/videos"&gt;http://www.youtube.com/user/burdikenknight/videos&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Burdiken Medieval Knights</text>
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                <text>Armour, broadsword, Burdiken Medieval Knights, Burdiken Knightâ€™s channel, castle, costume, demonstration, education, film, game, helmet, Home Hill, Home Hill Crown Hotel Markets, knight, living history, performance, Qld, Queensland, re-enactment, shield, sword, Warhammer, website, YouTube.</text>
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                <text>&lt;p&gt;Burdiken Medieval Knights are a living history/re-enactment group based in the Queensland town of Home Hill on the Burdekin River. The group have a channel on YouTube that features a series of films, including broadsword lessons and demonstrations, and a Warhammer game. The re-enactor is dressed in a medieval-style sleeveless tunic in some of the films, and the banner for the channel features a knight in armour and a helmet looking at a castle. Burdiken Medieval Knights perform a demonstration each month at the Home Hill Crown Hotel Markets.&lt;/p&gt;&#13;
&lt;p&gt;For their YouTube channel see &lt;a href="http://www.youtube.com/user/burdikenknight/videos"&gt;http://www.youtube.com/user/burdikenknight/videos&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>November 22, 2011</text>
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                <text>&lt;p&gt;This advertisement for the Burnie-Wynyard Medieval Festival appears on the Discover Tasmania website.&lt;br /&gt;The festival was presented by The Order of the Dragon&amp;rsquo;s Realm Inc and was the first open combat swordsmanship and jousting competition held in Tasmania, with both single and melee combat events. The family friendly event was held in Wynyard on September 14-16, 2012, and also featured dancing and birds or prey. The poster depicts a flying fire-breathing dragon attacking a knight in armour holding a lance and shield and riding a horse.&lt;/p&gt;&#13;
&lt;p&gt;For the advertisement see&lt;br /&gt;http://www.discovertasmania.com/event/burniewynyardmedievalfestival&lt;/p&gt;&#13;
&lt;p&gt;For an ABC news report on the event see http://ausmed.arts.uwa.edu.au/items/show/1055&lt;/p&gt;</text>
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              <text>Newspaper Article&lt;br /&gt;&lt;a href="http://nla.gov.au/nla.news-article39111383" target="_blank"&gt;&lt;span lang="EN"&gt;http://nla.gov.au/nla.news-article39111383&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Responding to an enquiry about an unusual plant specimen found in Cunderdin in the Wheatbelt region of Western Australian, the author of this article identifies the burrs and leaves as part of a Caltrop plant. The Caltrop plant was so named, it explains, because of its likeness to the spiky metal balls that were sown into the ground during medieval warfare to cripple the enemy. The Battle of Bannockburn in 1314 is cited as an example where caltrops were successfully used as weapons by Robert the Bruceâ€™s Scottish army to debilitate their opponents, the English army of Edward II.</text>
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                <text>A view of the stained-glass lancet windows and stone buttresses on the southern wall of Christ Church, Claremont in Western Australia. Christ Church is an Anglican Church that was designed by Perth architect J. J. Talbot Hobbs and built in a Gothic Revival style. The foundation stone was laid on 10 September 1892, and the original church building (consisting of the Sanctuary and the eastern four bays of the nave) was completed in February 1893. The nave was extended in 1901, and in 1909 two aisles were added. Further extensions took place in 1938 when the vestry, porch and square bell tower at the western end were completed under the supervision of architect T. W. L. Powell. At this time, the coloured lead-light rose window was also added to the western wall. The single and coupled lancet windows are characteristic of gothic architecture, as are the protruding stone buttresses and the decorative stone tracery of the blind arches, the roses above the door and the acanthus leaves at the ends of the hood mouldings. </text>
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                <text>McEwan, Joanne</text>
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                <text>No Copyright</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;Black painted curved metal shield designed as a wall plaque, with the heraldic crest of Oxford University. The crest features an open book bearing the motto 'Dominus illuminatio mea' , with two crowns above the book and one below. The top of the shield has a semi-circular section soldered to it, to which is attached a black painted metal inverted 'V', folded over a metal ring, which allows it to be displayed on a wall. &lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt; &lt;/span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39641&lt;/a&gt;&lt;/cite&gt; &lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;span&gt;Summary from Australian War Memorial website:&lt;br /&gt;This object was collected from Charles Bean's study at his home 'Clifton' in Collaroy, NSW. Bean is perhaps best remembered for the official histories of Australia in the First World War, of which he wrote six volumes and edited the remainder. Before this, however, he was Australia's official correspondent to the war. He was also the driving force behind the establishment of the Australian War Memorial. &lt;br /&gt; &lt;br /&gt; Charles Edwin Woodrow Bean was born on 18 November 1879 at Bathurst, New South Wales. His family moved to England when he was ten. He completed his education there, eventually studying classics and law at Oxford. Bean returned to Australia in 1904 and was admitted to the New South Wales Bar. &lt;br /&gt; &lt;br /&gt; Having dabbled in journalism, Bean joined the Sydney Morning Herald as a junior reporter in January 1908. He published several books before being posted to London in 1910. In 1913 he returned to Sydney as the Herald's leader writer. When the First World War began, Bean won an Australian Journalists Association ballot and became official correspondent to the AIF. He accompanied the first convoy to Egypt, landed at Gallipoli on 25 April 1915 and began to make his name as a tireless, thorough and brave correspondent. He was wounded in August but remained on Gallipoli for most of the campaign, leaving just a few days before the last troops. &lt;br /&gt; &lt;br /&gt; He then reported on the Australians on the Western Front where his admiration of the AIF crystallised into a desire to create a permanent memorial to their sacrifice and achievements. In addition to his journalism, Bean filled hundreds of diaries and notebooks, all with a view to writing a history of the AIF when the war ended. In addition he organised the collection of battlefield relics from AIF soldiers on the Western Front through the formation of the Australian War Records Section. In early 1919 he led a historical mission to Gallipoli to collect relics for the Memorial, obtain Turkish accounts of the campaign and report on the condition of war graves. &lt;br /&gt; &lt;br /&gt; On his return to Australia Bean and his staff moved into Tuggeranong homestead, south of Canberra, to work on the official history. In 1921 he married Ethel (Effie) Young, a nursing sister at the Queanbeyan hospital whom he first met when she visited Tuggeranong to play tennis. They later moved to Sydney, where he continued to write at Victoria Barracks. When he began, Bean imagined that the history would take five years to write; in the event it took 23 years, and the final volume did not appear until 1942. &lt;br /&gt; &lt;br /&gt; Besides his written work, Bean worked tirelessly on creating the Australian War Memorial in Canberra. He was present when the building opened on 11 November 1941 and became Chairman of the Memorial's board in 1952. He maintained a close association with the institution for the rest of his life. &lt;br /&gt; &lt;br /&gt; During the Second World War, Bean liaised between the Chiefs of Staff and the press for the Department of Information. He became Chairman of the Commonwealth Archives Committee and was instrumental in creating the Commonwealth Archives. Between 1947 and 1958 he was Chairman of the Promotion Appeals Board of the Australian Broadcasting Commission. He also continued to write, producing a history of Australia's independent schools and finally a book on two senior AIF figures, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White. Bean received a number of honorary degrees and declined a knighthood. Bean, one of the most admired Australians of his generation, died after a long illness in Concord Repatriation Hospital in 1968. &lt;br /&gt; &lt;br /&gt; Much of the material from Bean's study was originally housed in his Tuggeranong Homestead office where he began writing the official histories. When the family moved it was transferred to his homes in Sydney. Effie continued to use the study after her husband's death. The study was dismantled after her death in July 1991 and transferred to the Australian War Memorial.&amp;nbsp;&lt;br /&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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