32 8 1266 https://ausmed.arts.uwa.edu.au/files/original/76b3b53300f63788c89d32e8bf69c473.pdf 3c27cc242c10e4f1e28b117aba3b4861 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Medieval Manor House Subject The topic of the resource accommodation, aviary, buttery, chapel, children, dining-room, enemies, fifteenth century, fortification, gardens, great hall, hall, housing, kitchen, Lord, Lord of the Manor, Manor, manor-house, medieval housing, medieval social relations, pantry, residence, tower, tunnel Description An account of the resource In this article from a regular children’s column in the Sunday Times called “The Girls and Boys Club”, a standard and idealised description of medieval manor houses is provided. According to the author, a fifteenth-century manor house was a grand residence that featured a great hall, a huge kitchen with adjoining pantry and buttery, a large dining-room, a private chapel, an aviary, a tower, courtyards and beautifully landscaped gardens. It was presided over by a lord and is described as a ‘little town’ because it housed hundreds of people. An interesting but unexplained comment towards the end of the article also suggests that manor houses had underground tunnels because in the ‘bad old days’ of the medieval period, the Lord of the manor ‘was likely to make enemies almost overnight, through no fault of his own’. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Sunday Times Date A point or period of time associated with an event in the lifecycle of the resource 6 October 1935 Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English accommodation aviary buttery chapel children dining-room enemies fifteenth century fortification gardens Great Hall hall housing kitchen Lord Lord of the Manor Manor manor-house medieval housing medieval social relations pantry residence tower tunnel https://ausmed.arts.uwa.edu.au/files/original/a5221b1d497c58f3b35643f90e26fbb3.jpg 5d01a0cec1c9d04d41849edd6febd995 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1296 Width 776 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bell Turret, St John the Evangelist Anglican, Fremantle, Western Australia Subject The topic of the resource Anglican, Anglican Church, arch, architect, architecture, bell, bell turret, church, church architecture, church building, Evangelicalism, Fremantle, gothic architecture, J. J. Harwood & Son, King’s Square, lancet arch, lancet window, limestone, neo-gothic, gothic, gothic building, building, gothic revival, quatrefoil, W. Smith, Western Australia, window Description An account of the resource A view of the bell turret at St John the Evangelist Anglican Church in Fremantle, Western Australia. It was added to the existing church structure, c.1906. In England, bell turrets were often added to parish churches that did not have adjoining bell towers by the twelfth century. See Hubert Pragnell, The Styles of English Architecture, London: B. T. Batsford Ltd, 1984, p.258. Located in King’s Square in the centre of Fremantle, St John the Evangelist Anglican Church is a neo-gothic building that was designed by W. Smith and constructed by J. J. Harwood and Son. The foundation stone was laid in 1878 and the building was consecrated in 1882. The church replaced an older building that had served the Anglican congregation in Fremantle since 1843, and which was demolished soon after the completion of St John’s. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church arch architect architecture bell bell turret building Church church architecture church building Evangelicalism Fremantle Gothic gothic architecture Gothic building Gothic Revival J. J. Harwood & Son King’s Square lancet arch lancet window limestone neo-Gothic quatrefoil W. Smith Western Australia window https://ausmed.arts.uwa.edu.au/files/original/d5b704d563a5dcb94605329d49deb46d.jpg 840e919e47782a88b4619a675c845002 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1296 Width 864 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bell Turret, St John the Evangelist Anglican, Fremantle, WA Subject The topic of the resource Anglican, Anglican Church, arch, architect, architecture, bell, bell turret, church, church architecture, church building, Evangelicalism, Fremantle, gothic architecture, J. J. Harwood & Son, King’s Square, lancet arch, lancet window, limestone, neo-gothic, gothic, gothic building, building, gothic revival, quatrefoil, W. Smith, Western Australia, window Description An account of the resource A view of the bell turret at St John the Evangelist Anglican Church in Fremantle, Western Australia. It was added to the existing church structure, c.1906. In England, bell turrets were often added to parish churches that did not have adjoining bell towers by the twelfth century. See Hubert Pragnell, The Styles of English Architecture, London: B. T. Batsford Ltd, 1984, p.258. Located in King’s Square in the centre of Fremantle, St John the Evangelist Anglican Church is a neo-gothic building that was designed by W. Smith and constructed by J. J. Harwood and Son. The foundation stone was laid in 1878 and the building was consecrated in 1882. The church replaced an older building that had served the Anglican congregation in Fremantle since 1843, and which was demolished soon after the completion of St John’s. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church arch architect architecture bell bell turret building Church church architecture church building Evangelicalism Fremantle Gothic gothic architecture Gothic building Gothic Revival J. J. Harwood & Son King’s Square lancet arch lancet window limestone neo-Gothic quatrefoil W. Smith Western Australia window https://ausmed.arts.uwa.edu.au/files/original/2072f8be2f9c53ac085d7b5674251593.pdf d00844bc9985c0acc0430477c514503c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Review, newspaper article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hunchback of Notre Dame, film, 1925 - review Subject The topic of the resource Victor Hugo, Notre-Dame de Paris, gothic revival architecture, gothic, gothic revival, neo-gothic, The Hunchback of Notre Dame, Quasimodo, medieval right of sanctuary, bell-ringing, religious fanaticism, gypsies, Esmeralda, Catholics in Australia, influential novel, novel, novels Description An account of the resource Victor Hugo’s novel, Notre-Dame de Paris, anglicised to ‘The Hunchback of Notre Dame’ explores a number of themes: the role of religious fanaticism in medieval theology, passion and, for Hugo, old versus new Paris. France’s most famous medieval cathedral is the ‘star’ of the show and functions as a backdrop for and focus of the story. The cathedral is portrayed as a place of political and criminal sanctuary (Westminster Church in fourteenth-century London) and a symbol of all that is decaying in Paris. The novel mobilized interest in the cathedral to such an extent that a restoration project followed shortly after. It strengthened a worldwide interest in gothic revival architecture. The review in the West Australian suggests that ‘religious offence’ occurs in the novel but has been ironed out in the film. Whether this offence is anti-Catholic rhetoric or sensitivity to Catholic sentiment in Australia is speculative. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Date A point or period of time associated with an event in the lifecycle of the resource 1925 Rights Information about rights held in and over the resource Public Domain National Library of Australia Format The file format, physical medium, or dimensions of the resource Review of Film Launch Language A language of the resource English bell-ringing Catholics in Australia Esmeralda Gothic Gothic Revival gothic revival architecture gypsies influential novel medieval right of sanctuary neo-Gothic Notre-Dame de Paris novel novels Quasimodo religious fanaticism The Hunchback of Notre Dame Victor Hugo https://ausmed.arts.uwa.edu.au/files/original/17dd3c68627e4805bf90a1668314344a.jpg ebb4ea577615a505754436daf7a5e559 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 529 Width 700 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Geelong Trades Hall Front View ‘Labor Omnia Vincit’ Subject The topic of the resource Labor, Labor Omnia vincit, Knights of Labor, labour, labourer, knight, knights, work, working class, Geelong Trades Hall Building, Latin mottoes, union, unionism, Trade Union, Trade Unionism, trade, unions Description An account of the resource ‘Labor Omnia Vincit’ (work conquers everything) is a historically significant slogan associated with the American and English labour movements. It was also the motto of the Knights of Labour, a group started in the 1860s in America. The Knights of Labor had members in Australia in the late nineteenth century. Geelong (Vic.) Trades Hall adopted the slogan as its motto and inscribed it on their building. A large number of Australian schools have also taken the slogan as their school code. Creator An entity primarily responsible for making the resource Unknown Source A related resource from which the described resource is derived <!--StartFragment--> <p class="MsoNormal" style="line-height: normal;"><span style="font-family: Helvetica; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;" lang="EN-US"><a href="http://intranet.ballaratsc.vic.edu.au/Learning/ImageBank/images/vic/geelong/7080_17.jpg">http://intranet.ballaratsc.vic.edu.au/Learning/ImageBank/images/vic/geelong/7080_17.jpg</a></span></p> <!--EndFragment--> Date A point or period of time associated with an event in the lifecycle of the resource Unknown Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Photograph Geelong Trades Hall Building knight knights Knights of Labor Labor Labor Omnia vincit labour labourer Latin mottoes trade Trade Union trade unionism union unionism unions work working class https://ausmed.arts.uwa.edu.au/files/original/4e2aab8ef5b8799852b365ab03965289.pdf 37611c7eb05c9f17d2d9c08b9917ef87 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <p>PDF; Newspaper Article</p> <p><!--StartFragment--> <p class="MsoNormal" style="line-height: normal;"><strong><span style="font-family: Helvetica; mso-fareast-font-family: &quot;Times New Roman&quot;; font-weight: normal; mso-bidi-font-weight: bold;"><a href="http://nla.gov.au/nla.news-article17947734"><strong>http://nla.gov.au/nla.news-article17947734</strong></a></span></strong><strong><span style="font-family: Helvetica; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-ansi-language: EN-US;" lang="EN-US"></span></strong></p> <!--EndFragment--></p> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource SMH Thurs 19 July 1945 Welcome Banquet in London Guildhall for Australian Sailors Subject The topic of the resource Guildhall ceremonies, medieval banquet hall, Old and New worlds, brave hosts, heroic guests, war victory, street march, HMAS Australia, Australian navy, ‘young bronzed sailors’ myth, ruined medieval buildings, Waltzing Matilda on London streets, WWII, Second World War, Trafalgar Square, Admiralty Arch, military, navy, stained–glass windows, monuments, war, post-war celebrations Description An account of the resource At the end of World War II, Australian sailors of the vessel HMAS AUSTRALIA are depicted as heroic warriors (young and bronzed) who are privileged to march the medieval streets of Old London to dine and mingle with the Admiralty in the bombed London Guildhall. The backdrop of broken medieval stained-glass windows, shattered monuments and the temporary tin Hall roof highlights British pride in their Old World heritage but invokes powerful metaphors of victory amid ruins with the assistance of the New World, Australia. Creator An entity primarily responsible for making the resource Staff Correspondent Sydney Morning Herald reporting from London Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available Sydney Morning Herald Date A point or period of time associated with an event in the lifecycle of the resource 18 July 1945 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource PDF, Newspaper Article Language A language of the resource English ‘young bronzed sailors’ myth Admiralty Arch Australian Navy brave hosts Guildhall ceremonies heroic guests HMAS Australia medieval banquet hall military monuments navy Old and New worlds post-war celebrations ruined medieval buildings Second World War stained–glass windows street march Trafalgar Square Waltzing Matilda on London streets war war victory WWII https://ausmed.arts.uwa.edu.au/files/original/06b5a0b25fcbd62b9e6850d67d9c21df.jpg 742ee442815fcff7ee0fd4ba06c577ec Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 865 Width 824 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Rose Window, St John the Evangelist Anglican, Fremantle, Western Australia Subject The topic of the resource Anglican, Anglican Church, architect, architecture, church, church architecture, church building, Evangelicalism, Fremantle, gothic architecture, J. J. Harwood & Son, King’s Square, limestone, gothic, gothic building, gothic revival, neo-gothic, rose window, stained glass window, stone tracery, W. Smith, Western Australia, window Description An account of the resource A view of the rose window on the western façade of St John the Evangelist Anglican Church in Fremantle, Western Australia. Rose windows were popular decorative features in Romanesque and especially Gothic church architecture by the thirteenth century in England and Europe. Located in King’s Square in the centre of Fremantle, St John the Evangelist Anglican Church is a neo-gothic limestone church that was designed by W. Smith and constructed by J. J. Harwood and Son. The foundation stone was laid in 1878 and the building was consecrated in 1882. The church replaced an older building that had served the Anglican congregation in Fremantle since 1843. Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 4 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph Anglican Anglican church architect architecture Church church architecture church building Evangelicalism Fremantle Gothic gothic architecture Gothic building Gothic Revival J. J. Harwood & Son King’s Square limestone neo-Gothic rose window stained glass window stone tracery W. Smith Western Australia window https://ausmed.arts.uwa.edu.au/files/original/c81c8ca5333b0e4dcb8e47573eb4f06c.pdf 1577fd1defdfcd1af775d2a12e324f9d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as children’s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chaucer’s Portrait Gallery Subject The topic of the resource Chaucer, Englishness, Great poets, companionship, English, novel, novels, literature, literary device Description An account of the resource G.H. suggests that the English novel is indebted to Chaucer’s literary device of throwing together people from assorted social grades to interact. The writer notes that few people read Chaucer for pleasure but if they did master Middle English they would agree that Chaucer was the greatest depicter of social types that English literature has produced. Chaucer’s interest in human nature is his most important quality. Humour and humanity are also characteristics of Englishness, the author remarks. The article finishes with a quote from Dryden: ‘Here is God’s plenty.’ [HH] Creator An entity primarily responsible for making the resource G.H. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Argus Date A point or period of time associated with an event in the lifecycle of the resource 21 September 1940 Rights Information about rights held in and over the resource Public Domain Format The file format, physical medium, or dimensions of the resource Newspaper Article Language A language of the resource English Chaucer companionship English Englishness Great poets literary device literature novel novels