32 8 1266 https://ausmed.arts.uwa.edu.au/files/original/c81016ffd48be3322551b7ab32b76f38.JPG e07405640492668335d2b72c1e3041f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/98b1b09f16e0ac98d9fe9c49d9bc0eb3.JPG bf084c5fc87dcc2dd7693aed832538e4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/1dce4cbf2a1bde219e61557c319bc491.JPG 28d2c84173d92080f432ed224ad316d4 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph;JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Boer War Memorial, Launceston, Tasmania Subject The topic of the resource Arched window, blind arcading, Boer War, Boer War Memorial, Gothic, heraldry, kite shield, Launceston, lion, lion passant, memorial, monument, niche, Norman, pointed arch, sculpture, shield, statue, Tas, Tasmania, war memorial, Sylvanus Wilmot. Description An account of the resource This memorial commemorating troops from Northern Tasmania who participated in the Boer War, referred to as the 'War in South Africa' on the monument, was erected in 1904. It can be found in City Park in the city of Launceston and was made by the local stonemason Sylvanus Wilmot. The memorial is inspired by medieval ecclesiastical Gothic architecture, and features a pointed arched ‘window’, blind arcading, and statues. There are four niches that in a Gothic church would usually contain statues of saints, but here they instead contain statues of soldiers. The statue of a woman on top of the memorial holds a wreath and a kite, or Norman, shield. The heraldic shield features a lion in the passant position. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 26, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph arched window blind arcading Boer War Boer War Memorial Gothic heraldry kite shield Launceston lion lion passant memorial monument niche Norman pointed arch sculpture shield statue Sylvanus Wilmot Tas Tasmania war memorial. https://ausmed.arts.uwa.edu.au/files/original/6130cddf3bc68b72720a23aa61fa4f04.jpg c42549d4fcbb15012398c60f7b2104bb Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 999 Width 709 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall at the University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of £50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a ‘great hall’, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/99e7a53096151493ac12732703134f9a.jpg ec0e85aafd03d1363abfea133f876556 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 991 Width 703 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of £50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a ‘great hall’, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows https://ausmed.arts.uwa.edu.au/files/original/fbabc0505a1811f15cba12c0dcea1662.jpg f1aefa068188e5475d450ab6ac203ce2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 968 Width 725 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bonython Hall, The University of Adelaide Subject The topic of the resource Adelaide, arch, arches, architecture, arrow-slit, blind arch, ceremonial hall, ceremony, crenellation, gable, graduation, great hall, hall, heraldic shield, heraldry, lancet arch, limestone, lion, neo-gothic, perpendicular style, quatrefoil, Sir John Langdon Bonython (1848-1939), tower, tracery, The University of Adelaide, university, university buildings, window, windows Description An account of the resource An image of Bonython Hall at The University of Adelaide in South Australia. Bonython Hall is a neo-gothic building that was constructed from Murray Bridge limestone between 1933 and 1936. The entrance facing North Terrace features three large lancet-arched doorways, a late-gothic perpendicular style window and intricate stone-carved decorations including blind arcading on the gable, the quatrefoil patterns above the doors and the two lion statues bearing heraldic shields. It is flanked by two large octagonal towers that are also decorated with carved heraldic shields, arrow-slit windows and crenellation. The construction of the Hall was funded by a donation of £50,000 from Sir John Langdon Bonython, who was a prominent South Australian benefactor and a member of The University of Adelaide Council from 1916 until his death in 1939. The building houses a ‘great hall’, which is used for ceremonies and large functions such as graduations, examinations and public lectures. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Adelaide arch arches architecture arrow-slit blind arch ceremonial hall ceremony crenellation gable graduation Great Hall hall heraldic shield heraldry lancet arch limestone lion neo-Gothic perpendicular style quatrefoil Sir John Langdon Bonython (1848-1939) The University of Adelaide tower tracery university university buildings window windows Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <p>To view this image,</p> <p>1.&nbsp; go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a></p> <span><span style="color: #000000; font-family: Tahoma; font-size: x-small;"><a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank"><span style="color: #0000ff;"><span style="color: #000000; font-family: Tahoma; font-size: x-small;">2.&nbsp;&nbsp; search by artist or title. </span><br /></span></a></span></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bouguereau’s Virgin and Child Subject The topic of the resource art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905) Description An account of the resource This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The child’s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Mary’s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child. Creator An entity primarily responsible for making the resource Bourguereau, William Adolphe Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1888 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink; Oil on Canvas, 176 x 102.8 cm art artwork child Christ Child crucifixion devotional devotional art gaze halo icon infant Jesus Madonna Mary nostalgia religion religious religious art SA South Australia virgin Virgin Mary William Adolphe Bouguereau (1825-1905) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <a href="http://cas.awm.gov.au/item/REL32963.002">http://cas.awm.gov.au/item/REL32963.002</a><br /><br />Award; military heraldry<br />Silver; Silver gilt; Enamel URL <a href="http://cas.awm.gov.au/item/REL32963.002">http://cas.awm.gov.au/item/REL32963.002</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Breast Star of Knight Commander of the Order of the British Empire : Sir Thomas Daly Subject The topic of the resource regalia, heraldry, award, awards, Thomas Joseph Daly, knights, knight, knighthood, military, military heraldry, heraldic badge, badge, heraldry, WWII, World War Two, World War II, Second World War Description An account of the resource Thomas Joseph Daly, the son of First World War veteran Lieutenant Colonel Thomas Daly, was born in Ballarat in March 1913. He attended the Royal Military College (RMC), Duntroon from 1930 to 1934 and was commissioned into 4 Light Horse Regiment. He served with the British Army in India in 1938, and on the outbreak of war enlisted in the Second Australian Imperial Force. He was appointed adjutant of 2/10 Infantry Battalion and later promoted to brigade major of 18 Brigade, serving in the Tobruk and North African campaigns. After attending Staff School at Haifa in 1942 he was promoted to lieutenant colonel and appointed senior staff officer to 5 Australian Division. He served in New Guinea and Australia until he was appointed commanding officer of 2/10 Battalion, leading them in the Balikpapan invasion. In July 1945 he was appointed an Officer of the Order of the British Empire. The citation reads 'As G.S.O.1 [General Staff Officer] in an Australian Division Lieutenant-Colonel Daly has constantly carried out his duties with vigour and exceptional ability. His sound judgment, attention to detail and lively foresight have proved invaluable to his commander.' On 6 October 1945 was made a Companion of the Distinguished Service Order for his leadership at Balikpapan. After the war, Daly took up a number of staff appointments and also instructed at the Staff College, Camberley, in the United Kingdom, in 1946. After a period at RMC Duntroon, he was appointed temporary colonel in July 1951 and confirmed in this rank in May 1952. A month later he was posted to command 28 Commonwealth Brigade, a British and Australian composite unit which was fighting in Korea. Further senior commands followed his return to Australia, and in 1959 he was promoted to major general. In 1965 he was gazetted a Companion of the Bath for his contribution to the development of the Australian Army. In 1966 he became Chief of the General Staff with a promotion to lieutenant general. Daly was knighted June 1967. He retired in 1971. Between 1974 and 1984 he served as Chairman of the Australian War Memorial's Board of Trustees (later Council). Sir Thomas Daly died in Sydney in January 2004, aged 90.<br /><br /><br /> <a href="http://cas.awm.gov.au/item/REL32963.002">http://cas.awm.gov.au/item/REL32963.002</a> Creator An entity primarily responsible for making the resource Gerard & Co. Source A related resource from which the described resource is derived Australian War Memorial Site<br /><br /><a href="http://cas.awm.gov.au/item/REL32963.002">http://cas.awm.gov.au/item/REL32963.002</a> Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource c 1967 Rights Information about rights held in and over the resource Australian War Memorial Format The file format, physical medium, or dimensions of the resource Hyperlink Type The nature or genre of the resource Award award awards Badge heraldic badge heraldry knight knighthood knights military military heraldry regalia Second World War Thomas Joseph Daly World War II World War Two WWII https://ausmed.arts.uwa.edu.au/files/original/75d21690254de26033c047179cad7fbd.jpg 3511edd3ed60e26ed193583b6e9796bd Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 778 Width 519 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource British Medical Association House, Sydney. Subject The topic of the resource Armour, Art Deco, BMA, BMA House, British Medical Association, British Medical Association House, Joseph Charles Fowell, gargoyle, knight, Kenneth McConnel, Macquarie Street, New South Wales, NSW, shield, Sydney, Wellbeing@Macquarie Description An account of the resource <p>British Medical Association House is located on Macquarie Street, Sydney. The building was completed in 1930 and was designed by Australian architects Joseph Charles Fowell and Kenneth McConnel. The building is in the Art Deco style and features six large armoured knights holding shields bearing the BMA emblem on the upper floors. Looking down over the entrance to BMA House are six sculptures resembling gargoyles (unlike real gargoyles these sculptures are not functional).</p> For more images of the building see <a href="http://www.wellbeingatmacquarie.com.au/gallery.htm" target="_blank">http://www.wellbeingatmacquarie.com.au/gallery.htm</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Armour Art Deco BMA BMA House British Medical Association British Medical Association House gargoyle Joseph Charles Fowell Kenneth McConnel knight Macquarie Street New South Wales NSW shield Sydney Wellbeing@Macquarie https://ausmed.arts.uwa.edu.au/files/original/e47558819b790c3f4a0dd73efba24e95.jpg d0ddeb22625714cc3cb0358191033f55 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 907 Width 605 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brunswick Uniting Church, Victoria Subject The topic of the resource Arch, architecture, Brunswick, buttress, Charles Webb (1821-1898), church, church building, decorated gothic window, Evander McIver, gable, gothic architecture, gothic revival, lancet arch, lancet window, neo-gothic, Presbyterian church, quoin, spire, tower, tracery, VIC, Victoria, Victorian Gothic Description An account of the resource A view of Brunswick Uniting Church, located on Sydney Road in Brunswick, Melbourne. The Brunswick Uniting Church is unusual because two churches stand on the site. They are of distinctly different appearance but boast similar neo-gothic features, namely the spires and the contrast between a dark building material and the light dressings that frame the pointed lancet windows. The first church was constructed in 1865 to the design of well-known architect Charles Webb. It is a bluestone structure with a cream brick spire and cream window dressings. The second church, which is featured in this photograph, was added in 1885. Designed by architect Evander McIver, it is a brown brick structure with cream dressings and bold, decorative quoins on the buttresses. The west facade features a decorated gothic window. Both structures were originally built as Presbyterian churches. Creator An entity primarily responsible for making the resource McEwan, Susan Date A point or period of time associated with an event in the lifecycle of the resource May 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch architecture Brunswick buttress Charles Webb (1821-1898) Church church building decorated gothic window Evander McIver gable gothic architecture Gothic Revival lancet arch lancet window neo-Gothic Presbyterian Church quoin spire tower tracery Vic Victoria Victorian Gothic