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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.aaf.org.au/" target="_self"&gt;&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;http://www.aaf.org.au/&lt;/span&gt;&lt;/a&gt;</text>
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                <text>Ancient Arts Fellowship, Canberra</text>
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                <text>ACT, Ancient Arts Fellowship, Anglo-Saxon, archery, armour, Australian Capital Territory, Bayeux Tapestry, bows, Canberra, costume, Dark Ages, early medieval, education, feast, jewellery, Norman, performance, re-creation, re-enactment, Viking, website, William the Conqueror.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066 (images about this event from the Bayeux tapestry are featured on their website). Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. Members participate in combat, arts and crafts, and food, with their website claiming that you can &amp;lsquo;feast on food that William the Conqueror [c. 1028-1087] would have eaten&amp;rsquo;. The group run educational classes for school groups and do public performances.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/"&gt;http://www.aaf.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1071&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Anglican Church of the Good Shepherd, Hadspen, Tasmania </text>
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                <text>Anglican, buttress, church, Church of the Good Shepherd, England, Gothic, Gothic Revival, W.G. &amp; E. Habershon, Hadspen, lancet window, Lutterworth, pointed arch, Thomas Reibey, Tas, Tasmania.</text>
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                <text>The Anglican Church of the Good Shepherd is in the town of Hadspen, Tasmania. Archdeacon Thomas Reibey of Hadspen had the plans for the church drawn up by W.G. &amp; E. Habershon of London and the foundation stone was laid in 1868. Reibey was largely funding the church himself and following a scandal he resigned from office in 1870, leaving the building unfinished and missing a roof. A scaled down version of the original design was finally completed in 1961. The original church design was based on the medieval Gothic parish church of St Maryâ€™s in the English village of Lutterworth, Leicestershire. The Church of the Good Shepherd is built of bluestone in the Gothic Revival style and features a pointed arched entrance and window mouldings, lancet windows, and buttresses. </text>
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                <text>McLeod, Shane</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41601916" target="_self"&gt;http://nla.gov.au/nla.news-article41601916&lt;/a&gt;</text>
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                <text>Spirit of Festival: What Lies Behind the Carol, &lt;em&gt;The West Australian&lt;/em&gt;, 24 December 1937</text>
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                <text>Apprentices, book, carol, celebration, Christian tradition, Christmas, Christmas Carols, dancing, drinking songs, festival, festivity, Greccio, medieval custom, melodies, merriment, Miracle plays, Mystery plays, popular tunes, puritan, religious lyrics, revival, singing, song, St Francis of Assisi, tradition, Wynken de Worde. </text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; traces the history of Christmas carols back to the medieval period. It dates their origin to the beginning of the thirteenth century, when Francis of Assisi taught children to dance around a model of the manger in the Italian village of Greccio. Subsequently, they were introduced into England through the Mystery and Miracle plays. Although religious in content, the article notes with amusement that the carols were often set to the tune of drinking songs, presumably because they were familiar. Carols and the dances that accompanied them remained popular, the article claims, until Puritan edicts forbade Christmas festivities and all manner of celebration in the seventeenth century. Their survival is credited here to two nineteenth-century English clergymen, who translated a Swedish book of medieval melodies in 1853 and succeeded in reviving interest in carols and old folk songs more generally.</text>
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                <text>TROVE: The National Library, &lt;a href="http://nla.gov.au/nla.news-article41601916" target="_self"&gt;http://nla.gov.au/nla.news-article41601916&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                <text>24 December 1937, p.15</text>
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                <text>Allan Wilkie, Allan Wilkie Company, Anne Boleyn (c.1501-1536), Cardinal Thomas Wolsey (c.1473-1530), Catherine of Aragon (1484-1536), Duke of Buckingham, Edward Stafford (1478-1521), Henry VIII (1481-1547), His Majesty's Theatre, Miss Hunter-Watts, Miss Mildred Howard, Mr Alexander Marsh, Mr John Cairns, Mr William Lockhart, papal envoy, play, performance, Perth, Old England, stage, Tudor times, WA, Western Australia.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article58381388" target="_self"&gt;http://nla.gov.au/nla.news-article58381388&lt;/a&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <name>Title</name>
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                <text>House with crenellation, West Launceston, Tasmania </text>
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                <text>Crenellation, domestic architecture, fortified house, house, Launceston, parapet, Tas, Tasmania, tower, West Launceston.</text>
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                <text>This two-storey Federation-era weatherboard house in the Launceston suburb of West Launceston has a corner tower topped by a crenelated parapet.</text>
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                <text>McLeod, Shane</text>
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                <text>September 19, 2012</text>
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                <text>No Copyright</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Aliceâ€™s Cottages, King Arthur, Camelot, cottage, helmet, Launceston, â€˜medieval experienceâ€™, Merlin, Merlinâ€™s spa, sword, tapestry, Tas, Tasmania, website.</text>
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                <text>&lt;p&gt;Alice&amp;rsquo;s Cottages offer romantic B&amp;amp;B accommodation in the Tasmanian city of Launceston. One of the cottages is called &amp;lsquo;Camelot Cottage&amp;rsquo; (named after the castle and court of King&lt;br /&gt;Arthur), and it features &amp;lsquo;Merlin&amp;rsquo;s Spa&amp;rsquo;. The &amp;lsquo;medieval experience&amp;rsquo; advertised on their website is enhanced by the inclusion of a tented four poster bed and a tapestry/wall hanging, whilst swords and a&amp;nbsp;medieval helmet decorate the&lt;br /&gt;cottage. Some of the photos feature a young couple in the cottage, with the man wearing a medieval helmet.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.alicescottages.com.au/camelot.html"&gt;http://www.alicescottages.com.au/camelot.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Alice's Cottages</text>
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                <text>Alice's Cottages</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article17408348" target="_self"&gt;http://nla.gov.au/nla.news-article17408348&lt;/a&gt;</text>
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                <text>Gift of &amp;pound;100 for Lepers, &lt;em&gt;The Sydney Morning Herald&lt;/em&gt;, 28 September 1937</text>
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                <text>Barbarity, Coast Lazaret Hospital, criminals, disease, Dr E. H. Molesworth, ill-treatment, imprisonment, individual rights, infection, International Leprosy Association,  Lazarus House, leprosy, Little Bay, medical treatment, medicine, medieval attitudes, New South Wales, NSW, primitive treatment, prisoners, scourge, segregation, skin diseases, susceptibility, Sydney University. </text>
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                <text>This article from the Sydney Morning Herald in 1937 relates the concerns and criticisms of Dr E. H. Molesworth, a lecturer in skin diseases at The University of Sydney, regarding the treatment of leprosy at the Coast Lazaret Hospital in the New South Wales region of Little Bay. Containing lengthy quotes, the article conveys Dr Molesworth&amp;rsquo;s view that Australian attitudes towards leprosy were still medieval, primitive and reactionary, and that as a consequence treatment for the disease was falling well behind the times when compared to European cities. The disease, he suggests, was still being viewed as a horrible scourge (as it had been in the middle ages), and so people suffering from it were regarded as dangerous pariahs who should be segregated from society. The resultant approach regarding treatment for the disease &amp;ndash; to nominate specific areas away from the general populace and to lock sufferers away &amp;ndash; deprived people of their individual rights and was tantamount to treating them like criminals, Dr Molesworth complained. It also made the disease more dangerous, because people who could be treated were concealing their condition on account of the stigma it continued to attract.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article17408348" target="_self"&gt;http://nla.gov.au/nla.news-article17408348&lt;/a&gt;</text>
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                <text>The Sydney Morning Herald</text>
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                <text>28 September 1937, p.12</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Copyright Expired</text>
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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article87688170" target="_self"&gt;http://nla.gov.au/nla.news-article87688170&lt;/a&gt;</text>
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                <text>The Discovery of Australia: Made in the Fifteenth Century, &lt;em&gt;The Chronicle&lt;/em&gt;, 27 March 1897</text>
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                <text>Aragon, Australian booksellers, Castile, Christopher Columbus (1451-1506), conquest, E. A. Petherick &amp; Co., Edward Augustus Petherick, exploration, Ferdinand II of Aragon (1452-1516), Isabella of Castile (1451-1504), kangaroo, Medieval Spain, New World, paper, Royal Geographical Society.</text>
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                <text>&lt;p&gt;This short notice in &lt;em&gt;The Chronicle &lt;/em&gt;in 1897 informs readers about a paper in which Edward Augustus Petherick, the head of Australian booksellers E.A. Petherick &amp;amp; Co., would argue that Australia was founded in the medieval period. His evidence, the article advises, was that a kangaroo was presented to King Ferdinand and Queen Isabella of Spain in 1499. The marriage of Isabella and Ferdinand in 1469 unified the houses of Castile and Aragon under one throne. They led the Christian reconquest of Spain and the overthrow of Muslim Granada in the early 1490s, and were at the forefront of New World Exploration in the late fifteenth century. Isabella and Ferdinand authorised and funded the expeditions of Christopher Columbus between 1492 and 1498.&lt;/p&gt;</text>
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                <text>Anon</text>
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              <elementText elementTextId="26211">
                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article87688170" target="_self"&gt;http://nla.gov.au/nla.news-article87688170&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Chronicle&lt;/em&gt;</text>
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                <text>27 March 1897, p.12</text>
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              <elementText elementTextId="26214">
                <text>Copyright Expired</text>
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        <name>Ferdinand II of Aragon (1452-1516)</name>
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