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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="text-decoration: underline;"&gt;&lt;span style="color: #2567e8; line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN-AU; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;&lt;span style="color: #0066cc; text-decoration: none; text-underline: none;"&gt;http://youtu.be/ggy-p6VtPrs&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>Celtic Blood, James John Loftus</text>
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                <text>&lt;p&gt;&lt;em&gt;Celtic Blood&lt;/em&gt; is the debut novel by Australian author James John Loftus, published in July, 2011. The novel is set in 13&lt;sup&gt;th&lt;/sup&gt; century Scotland and the conflict between Anglo-Norman-influenced royal knights living in the lowlands, and independent Highlanders. Witchcraft and the powers behind the powerful are sub-themes of the plot. The novel was in part inspired by William Shakespeare&amp;rsquo;s play set during Scotland&amp;rsquo;s medieval period, MacBeth.&lt;/p&gt;&#13;
&lt;p&gt;For an advertisement for the novel see &lt;span style="text-decoration: underline;"&gt;&lt;a href="http://youtu.be/ggy-p6VtPrs" target="_blank"&gt;http://youtu.be/ggy-p6VtPrs&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>James John Loftus</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Entrance gate, Swiss Shopping Village, Grindelwald, Tasmania </text>
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                <text>Grindelwald is a Swiss-inspired town created by Roelf Voss in northern Tasmania, and is home to the Tamar Valley Resort. The town includes the Swiss Shopping Village, opened in 1985, which is entered through a re-creation traditional town gate. The gate is topped by a square tower and spire, and includes an arched entrance of stone. Such gates, usually attached to a town wall, are still found in many smaller European villages from the medieval period, for example Noyers-sur-Serein in France. </text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>ACT, Ancient Arts Fellowship, archery, Australian Capital Territory, Beorg-wic, Canberra, clothing, craft, Danegeld, Danelaw, Dark Ages, early medieval, feast, Old English, re-creation, re-enactment, Viking, Vinland Coffee House, website.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. They hold an annual camping weekend in October at Beorg-wic, part of The Danelaw property (named after the part of England settled by Vikings and where aspects of Danish law was used). During the weekend re-enactors participate in fighting, craft, archery, and feasting. Payment for the event is referred to as Danegeld (a payment made to make Vikings not attack), and catering is provided by the Vinland Coffee House (&lt;em&gt;Vinland&lt;/em&gt; was the name given by Viking explorers for part of north America. &lt;em&gt;Beorg-wic &lt;/em&gt;is Old English for hill settlement.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/beorg-wic"&gt;http://www.aaf.org.au/beorg-wic&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1071&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.slv.vic.gov.au/sjones/gid/slv-pic-aab31193/1/sj001241"&gt;http://www.slv.vic.gov.au/sjones/gid/slv-pic-aab31193/1/sj001241&lt;/a&gt;&lt;/p&gt;</text>
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                <text>This statue of William Wallace, the Scottish warrior famous for leading the defeat of English forces at the Battle of Stirling Bridge in 1297, stands in the Botanic Gardens in Ballarat, Victoria. Sculpted by Percival Ball of Melbourne and unveiled in 1889, the statue was funded by a Â£3000 bequest to the gardens by James Russell Thomson, a Scottish miner who made his fortune during the Victorian gold rush. It was intended as a tribute to Thomsonâ€™s Scottish origins. The front the statue bears an inscription from Robert Burnsâ€™ 1785 sentimental poem â€˜The Cotterâ€™s Saturday Nightâ€™, which also lauds Wallace as a noble patriot and hero.</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent" target="_self"&gt;http://www.abbotsfordconvent.com.au/history-heritage/buildings/convent&lt;/a&gt;</text>
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                <text>The Abbotsford Convent, Abbotsford, Victoria</text>
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                <text>Abbotsford, Abbotsford Convent, architecture, Caen, convent, Convent of The Good Shepherd, Federation Gothic, French medieval architecture, gable, Gothic architecture, industrial school, lancet arch, Magdalen Asylum, Melbourne, neo-Gothic, pebble-dash, reformatory, Sisters of the Good Shepherd, spire, VIC, Victoria. </text>
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                <text>&lt;p&gt;The Abbotsford Convent, located in the inner city Melbourne suburb of Abbotsford, operated as a convent, reformatory and Magdalen Asylum from 1863 until the mid-1970s. The convent was run by the Sisters of the Good Shepherd, a Catholic religious order who, in addition to taking standard vows of poverty, chastity and obedience, also sought to save souls. Eleven buildings of varying design stand on the 6.8 hectare site, of which the Convent building is particularly notable for the medieval French influence of its architecture. Constructed in 1900 to the design of Reed Smart and Tappin, the building is based on the gothic design of the Order&amp;rsquo;s mother house in Caen, and features steep gables, a western spire and a pebble-dash finish with contrasting red brickwork. The Convent now functions as an arts and cultural precinct.&lt;/p&gt;&#13;
&lt;p&gt;For more information, see The Abbotsford Convent website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>The Abbotsford Convent Website: &lt;a href="http://www.abbotsfordconvent.com.au/" target="_self"&gt;http://www.abbotsfordconvent.com.au/&lt;/a&gt;&lt;br /&gt;</text>
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                <text>The Abbotsford Convent</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Uniting Church, Hadspen, Tasmania </text>
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                <text>Chapel, The Cornwall Chronicle, Gothic, Gothic Revival, Hadspen, lancet window, Launceston, Methodist, Mr Monds, pointed arch, porch, Tas, Tasmania, Wesleyan. </text>
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                <text>&lt;p&gt;The Uniting Church in Hadspen, Tasmania, was built as a Wesleyan chapel in 1874, and became a Methodist church in 1924. The chapel was probably designed by Mr Monds, described as the &amp;lsquo;clerk of the works&amp;rsquo; in a newspaper article in The Cornwall Chronicle (Launceston) about the opening of the chapel. The small white weatherboard church demonstrates that even when cheap and easily materials were being used, there was an attempt by colonial communities to build a church similar to those found in Europe. The chapel is in the Gothic Revival style and features a pointed arch entrance, lancet windows, and a small porch.&lt;/p&gt;&#13;
&lt;p&gt;For the newspaper article&lt;br /&gt;see &lt;a href="http://nla.gov.au/nla.news-article66073009"&gt;http://nla.gov.au/nla.news-article66073009&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>No Copyright (photographs); Public Domain, Trove (newspaper article)</text>
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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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          <name>Local URL</name>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Ancient Arts Fellowship Educational Sessions, Canberra</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>ACT, Alfred the Great, Ancient Arts Fellowship, Anglo-Saxon, armour, Australian Capital Territory, Canberra, clothing, costume, craft, Dark Ages, display, early medieval, education, language, law, monetary system, Norman, Old English, performance, re-creation, re-enactment, religion, school, school displays, society, Viking, website, William the Conqueror.  </text>
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                <text>&lt;p&gt;Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the &amp;lsquo;Dark Ages&amp;rsquo;, or early medieval period, especially the 8&lt;sup&gt;th&lt;/sup&gt; century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. The group run educational classes for school groups from primary through to tertiary students. The sessions usually run for two hours and include a mixture of fighting and speaking. They have a number &amp;lsquo;Display Packages&amp;rsquo; to choose from that focus on major figures such as Alfred the Great and William the Conqueror, and various aspects of society including crafts, clothing, the Old English language, religion, law, monetary systems, armour and weapons.&lt;/p&gt;&#13;
&lt;p&gt;For their website see &lt;a href="http://www.aaf.org.au/displays"&gt;http://www.aaf.org.au/displays&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
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                <text>Ancient Arts Fellowship, Inc</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28235">
                <text>Ancient Arts Fellowship, Inc</text>
              </elementText>
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            <name>Relation</name>
            <description>A related resource</description>
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              <elementText elementTextId="28236">
                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1075&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1069&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Website</text>
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        <name>Alfred the Great</name>
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        <name>Ancient Arts Fellowship</name>
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        <name>Anglo-Saxon</name>
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        <name>clothing</name>
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        <name>costume</name>
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        <name>craft</name>
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        <name>Dark Ages</name>
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        <name>display</name>
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        <name>early medieval</name>
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        <name>education</name>
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        <name>language</name>
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        <name>law</name>
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        <name>monetary system</name>
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        <name>Norman</name>
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        <name>Old English</name>
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        <name>performance</name>
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        <name>re-creation</name>
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        <name>re-enactment</name>
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        <name>religion</name>
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        <name>school</name>
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        <name>school displays</name>
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        <name>society</name>
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        <name>viking</name>
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        <name>website</name>
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        <name>William the Conqueror.</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/be2ae15704482ad674c922b774e7fbfa.JPG</src>
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            <name>Omeka Image File</name>
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              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
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                    <text>8</text>
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              <element elementId="75">
                <name>Channels</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="26453">
                    <text>3</text>
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              <element elementId="73">
                <name>Height</name>
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                    <text>1944</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="26465">
              <text>Digital Photograph; JPEG</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>St Andrewâ€™s Anglican Church, Carrick, Tasmania </text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26459">
                <text>Anglican, buttress, Carrick, crenellation, Gothic, Gothic Revival, lancet window, Francis Russell Nixon, parapet, pointed arch, Thomas Reibey, St Andrewâ€™s Church, school, Tas, Tasmania, tower. </text>
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            </elementTextContainer>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>St Andrewâ€™s Anglican Church is in the town of Carrick in northern Tasmania. The church was transformed from a schoolhouse by Thomas Reibey of Hadspen in 1845, who became its first minister and was later succeeded by his brother. The tower was added in 1863. St Andrewâ€™s was consecrated by Tasmaniaâ€™s first Anglican Bishop, Francis Russell Nixon. The stuccoed brick church is in the Gothic Revival style and features a pointed arched entrance and windows, and a square tower with crenelated parapets, buttresses, and lancet windows. </text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26461">
                <text>McLeod, Shane</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26462">
                <text>September 20, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26463">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="26464">
                <text>Digital Photograph</text>
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            </elementTextContainer>
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    </elementSetContainer>
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        <name>Anglican</name>
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        <name>buttress</name>
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        <name>Carrick</name>
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        <name>crenellation</name>
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        <name>Francis Russell Nixon</name>
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        <name>Gothic</name>
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      <tag tagId="72">
        <name>Gothic Revival</name>
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        <name>lancet window</name>
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        <name>parapet</name>
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        <name>pointed arch</name>
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        <name>school</name>
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        <name>St Andrewâ€™s Church</name>
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        <name>Tas</name>
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        <name>Tasmania</name>
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        <name>Thomas Reibey</name>
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      <tag tagId="4831">
        <name>tower.</name>
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  </item>
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