29 8 1266 https://ausmed.arts.uwa.edu.au/files/original/79d55fb6c53a1e7e6c8173315dee8fa5.pdf c9ef35139f0a67773a996cde54119e1b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://nla.gov.au/nla.news-article49605228" target="_self">http://nla.gov.au/nla.news-article49605228</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Roaming Tiger, The West Australian, 12 December 1953 Subject The topic of the resource Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf. Description An account of the resource This interest piece from The West Australian in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour. Creator An entity primarily responsible for making the resource C. R. Collins Source A related resource from which the described resource is derived National library of Australia: <a href="http://nla.gov.au/nla.news-article49605228" target="_self">http://nla.gov.au/nla.news-article49605228</a> Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 12 December 1953, p.33 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Aesop Androcles Animals anthropomorphism circus coat of arms courage emblem fables folklore gratitude honour lion loyalty Medieval Romance Narrandera New South Wales NSW popular culture Red Riding Hood Remus Reynard the Fox she-wolf stories story-tellers symbolism tiger wolf https://ausmed.arts.uwa.edu.au/files/original/fb683f92293d84bafcf7bc9d657b8dcb.pdf 18ba6e83f1a0ff78ba02d7463e8ca5d2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="%20http://nla.gov.au/nla.news-article71036792" target="_self">http://nla.gov.au/nla.news-article71036792</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Are We Medieval?' The Worker, 2 January 1904 Subject The topic of the resource Criticism, democracy, economy, guild, industrialisation, labour, legislation, medieval guilds, McKenzie, politics, Professor Thorold Rogers, progress, trade, trade bosses, trade guilds, trade unionism, wages, workers, working conditions. Description An account of the resource This article from Brisbane publication The Worker rebukes derisive comments published by a London journalist mocking Australia’s legislation concerning workers as a reversion to medieval trade laws. Responding to McKenzie’s quip that ‘Under the guise of the most advanced democracy you are reverting to regulations which strongly resemble the rigid conditions and strict trade laws of medieval life’, the author of the article cites research arguing that medieval workers were comparatively better off than modern workers, and suggests that the old trade guilds only failed when they started admitting the bosses into their membership. With a swipe at the British economy and working conditions, the author concludes that Australian workers will not be frightened by medievalism if it means better conditions and more pay: ‘We who go back 2000 years for our religion have no need to be ashamed of reverting a few centuries to pick up an economic hint or two. We go backwards sometimes to progress’. Creator An entity primarily responsible for making the resource Cintra Source A related resource from which the described resource is derived TROVE: National Library of Australia, <a href="http://nla.gov.au/nla.news-article71036792" target="_self">http://nla.gov.au/nla.news-article71036792</a> Publisher An entity responsible for making the resource available The Worker Date A point or period of time associated with an event in the lifecycle of the resource 2 January 1904, p.3 Rights Information about rights held in and over the resource Copyright Expired Format The file format, physical medium, or dimensions of the resource Newspaper Article Criticism democracy economy guild industrialisation labour legislation McKenzie medieval guilds politics Professor Thorold Rogers progress trade trade bosses trade guilds trade unionism wages workers working conditions Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: Calibri; mso-ansi-language: EN; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;" lang="EN"><a href="http://nla.gov.au/nla.news-article51296463">http://nla.gov.au/nla.news-article51296463</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource â€˜The Talismanâ€™, Examiner, Tasmania Subject The topic of the resource Armour, King Arthur, Charlemagne, charms, Examiner, Excalibur, Hereward the Wake, horn, knights, Launceston, newspaper, Normans, Robert Power, Roland, Song of Roland, supernatural, sword, The Talisman, Tas, Tasmania. Description An account of the resource ‘The Talisman’ is an article by Robert Power published in 1924 in the ‘Two Minute Talks’ section of the Launceston newspaper the Examiner. The article is about the importance of putting ones faith in God rather than superstitious charms. The article opens by mentioning the talisman of ‘great heroes’, all of whom are medieval. Hereward the Wake (who fought against the Normans in England in 1070-1) had magic armour, Charlemagne’s knight Roland (whose feats are told in the eleventh-century poem The Song of Roland) had an important horn, and King Arthur and his knights have the supernatural sword Excalibur. For the article see <a href="http://nla.gov.au/nla.news-article51296463">http://nla.gov.au/nla.news-article51296463</a> Creator An entity primarily responsible for making the resource Power, Robert Publisher An entity responsible for making the resource available Examiner Date A point or period of time associated with an event in the lifecycle of the resource March 8, 1924 Rights Information about rights held in and over the resource Public Domain: Trove Format The file format, physical medium, or dimensions of the resource Newspaper article; Hyperlink Armour Charlemagne charms Examiner Excalibur Hereward the Wake horn King Arthur knights Launceston newspaper Normans Robert Power Roland Song of Roland supernatural sword Tas Tasmania. The Talisman https://ausmed.arts.uwa.edu.au/files/original/1dc19375215f486c1ec4c3c7836a92e9.JPG 1908f1b38829e9387a61793e60b0912c Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 https://ausmed.arts.uwa.edu.au/files/original/d5e68549d85660fba19a9d91707e108e.JPG 2ce347c43586f9795593e27ee43ca687 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Christ Church, Illawarra, Tasmania Subject The topic of the resource Arts and Crafts Gothic, asp, Arthur Boyd, buttress, Christ Church, Edward Dumaresq, Gothic, Gothic Revival, Illawarra, lancet windows, Longford, Alexander North, Tom Roberts, Tas, Tasmania, tower. Description An account of the resource Christ Church Illawarra is an isolated church built on a hill near the Tasmanian town of Longford. The small bluestone building was built in 1842 by Edward Dumaresq on his property in the Gothic Revival style. The tower and asp were designed in the Arts and Crafts style by architect Alexander North (1858-1945) and added in 1910. The church features lancet and rounded-arch windows and butresses. It is also a significant place for Australian art enthusiasts, with an altar painted by Arthur Boyd, and the grave of Tom Roberts in the nearby cemetery. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 26, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Alexander North Arthur Boyd Arts and Crafts Gothic asp buttress Christ Church Edward Dumaresq Gothic Gothic Revival Illawarra lancet windows Longford Tas Tasmania Tom Roberts tower. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&oacID=35">http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&oacID=35</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Longford Morris Dancers, Tasmania Subject The topic of the resource Borders Morris, costume, Cotswold Morris, dance, England, folk dance, folk music, Longford, Longford Morris Dancers, Launceston, performance, Tas, Tasmania. Description An account of the resource Longford Morris Dancers are a group of Morris Dancers who, although associated with the town of Longford, rehearse in the city of Launceston in Tasmania. The group perform the Cotswold and Borders (the border between Wales and England) versions of Morris dancing, and often appear at public events. Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin. For more information on the group see <a href="http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&oacID=35">http://www.tco.asn.au/oac/community_groups.cgi?groupID=1774&oacID=35</a> Rights Information about rights held in and over the resource linc Tasmania Format The file format, physical medium, or dimensions of the resource Hyperlink Borders Morris costume Cotswold Morris dance England folk dance folk music Launceston Longford Longford Morris Dancers performance Tas Tasmania. https://ausmed.arts.uwa.edu.au/files/original/6dcc604142dd68c81afb003bf55b2f40.JPG 593bd354f2c3067ee7ae3803dd207a97 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/0087695ba3993f84effbb8b46690e1b5.JPG 0f33842238d155dcfb700e5f6b7e84d2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/8ac635502f3dbde58754de982c8b9c88.JPG 53b4fda8510ad87a6288fba34ed7d994 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapel, Brickendon Estate, Tasmania Subject The topic of the resource William Archer, bell tower, Brickendon Estate, buttress, chapel, convict, farm, farm village, Gothic, Gothic Revival, Longford, pointed arch, porch, spire, stained glass, Tas, Tasmania, tower, vaulted ceiling. Description An account of the resource The small brick chapel with a shingle roof on Brickendon Estate, near Longford, is dated by its stained glass windows to the 1850s. It is in the centre of the farm village and was built for the religious observances of the farm workers and their families. It was built by William Archer (1788-1879) who had founded Brickendon in 1824. It possibly replaces an earlier chapel for convict labour. The chapel is consecrated and is still occasionally used for weddings. The chapel is in the Gothic Revival style and features a pointed arch entrance, buttresses, vaulted timber ceiling, porch, ornate timber details, and a bell tower topped by a spire.   For information on Brickendon Estate see <a href="http://www.brickendon.com.au" target="_self">http://www.brickendon.com.au</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 24, 2012 Rights Information about rights held in and over the resource Photographs taken with the permission of the Archer family. Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1079" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1079</a> Format The file format, physical medium, or dimensions of the resource 3xDigital Photograph bell tower Brickendon Estate buttress chapel convict farm farm village Gothic Gothic Revival Longford pointed arch porch spire stained glass Tas Tasmania tower vaulted ceiling. William Archer https://ausmed.arts.uwa.edu.au/files/original/ce9ee7a71d00dd9106acd7d80bf3cc10.JPG 6d3bac3718b9722309c79a6f299bffa8 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Archer Family Coat of Arms Subject The topic of the resource William Archer, William Henry Davies Archer, arrow, bow, Brickendon Estate, coat of arms, helmet, heraldry, Longford, motto, Norman French, Normandy, shield, Tas, Tasmania. Description An account of the resource The Archer family coat of arms was designed by William Henry Davies Archer (1836-1928), the second surviving son of William Archer, who established the Brickendon estate near Longford. The coat of arms was designed whilst William H.D. Archer was studying at Cambridge between 1856 and 1863. The arms feature a white shield with a cross topped by a medieval helmet and a bear’s claw holding three arrows. The shield includes a bunch of three arrows in two of its corners, and a bow in the centre. Below the shield is a motto in Norman French, the language of Normandy in Northern France that was spread to England and elsewhere during the medieval period by the Normans. The motto roughly translates to ‘The End Crowns the Work’. This photograph was taken at the front desk of Brickendon Estate.    For information on the symbolism of the coat of arms see <a href="http://www.brickendon.com.au/about_us/family_history" target="_self">http://www.brickendon.com.au/about_us/family_history</a> Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 26, 2012 Rights Information about rights held in and over the resource Photograph taken by permission of the Archer family Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/id/1080" target="_self">http://ausmed.arts.uwa.edu.au/items/show/id/1080</a> Format The file format, physical medium, or dimensions of the resource Digital Photograph arrow bow Brickendon coat of arms helmet heraldry Longford motto Norman French Normandy shield Tas Tasmania. William Archer William Henry Davies Archer https://ausmed.arts.uwa.edu.au/files/original/81d770fa845a6261cb42df18bf50ad60.JPG ac5d3c072b63cdb79644f671fe015af2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/b211cc1da9ef23893f76341ba0768b96.JPG a5748147967117c8fb3a838d27351954 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chapel, Swiss Village, Grindelwald, Tasmania Subject The topic of the resource Bell tower, Chapel, Grindelwald, Lake Louise, Romanesque, spire, Swiss Village, Switzerland, Tamar Valley Resort, Tas, Tasmania, tower, Roelf Vos. Description An account of the resource Grindelwald is a Swiss-inspired town created by Roelf Voss in northern Tasmania, and is home to the Tamar Valley Resort. The town includes the Swiss Village, opened in 1985. The complex includes a small traditional chapel on the banks of the man-made Lake Louise. The chapel features a square bell tower topped by a spire, a porch, and Romanesque rounded-arched windows. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource September 24, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph bell tower chapel Grindelwald Lake Louise porch Roelf Vos. Romanesque spire Swiss Village Switzerland Tamar Valley Resort Tas Tasmania tower