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                  <text>Medievalism on the Page</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Links to Electronic books on-line - Henry                               Lawson                               &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson/index4.html&amp;gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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              <text>&lt;a href="http://gutenberg.net.au/ebooks06/0607611h.html"&gt;http://gutenberg.net.au/ebooks06/0607611h.html&lt;/a&gt;</text>
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                <text>When I was King, poem by Henry Lawson</text>
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                <text>Australian, Australian poet, bush poem, bush, poem, poet, poetry, nationalism, &#13;
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                <text>Henry Lawson (1867-1922) is one of Australia's most famous poets, and can be regarded as a symbol for the Australian Nationalism Movement.</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson/index4.html&amp;gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>1904</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;Newspaper Article&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://nla.gov.au/nla.news-article38571254" target="_blank"&gt;http://nla.gov.au/nla.news-article38571254&lt;/a&gt;&lt;/p&gt;</text>
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                <text>In this article from the Western Mail, the author relates details of the historical customs and festivities associated with the month of May. The article begins by describing the medieval tradition of â€˜a-mayingâ€™ and merrymaking on the first day of the month: â€˜May dayâ€™. This involved processions and dancing, often around a maypole. Maypoles, the author goes on to explain, were viewed as especially objectionable by the Puritans in the seventeenth century, and banned by Parliament between 1644 and 1660. The article concludes by suggesting that the name â€˜mayâ€™ was most likely Roman in origin - after Maia, the mother of Mercury.</text>
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                <text>National Library of Australia</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Morris Dancers at the Perth Medieval Fayre</text>
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                <text>baldricks, bell pads, Cotswolds, custom, dance, dance troupe, dancers, dancing, â€˜early Morris Projectâ€™, festivity, flowers, Folk dance, handkerchief, hat, May, maypole, medieval festivities, medieval recreation, morris dancing, Perth, Perth Medieval Fayre, re-creation, recreation, sticks, traditional dance, Western Australia, WA</text>
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                <text>Morris dancers performing a version of the folk dance at the Perth Medieval Fayre in Western Australia. The style of the dance is derived from the English villages of the Cotswolds and is characterised by groups of six men dressed in white clothing with coloured baldricks, bell pads and flower-covered hats dancing in formation. The dancers also frequently make use of handkerchiefs and sticks in this form of morris dance. The origins of morris dancing are subject to debate, with some scholars arguing that it developed from a pagan fertility ritual, and others arguing that it originated in the medieval period. Scholars involved in collating references to morris dancing for the â€˜Early Morris Projectâ€™ have suggested that the earliest written reference is in two English wills dated 1458 (see John Forrest and Michael Heaney, â€˜Charting Early Morrisâ€™ in Folk Music Journal, vol.6, no.2, 1991, pp.169-186). Morris dancing has also frequently been linked to the month of May and the dancing and festivities that took place around the maypole.&#13;
&#13;
The Perth Medieval Fayre is organised and run by the Western Australian Medieval Alliance. In 2011 it was held at Supreme Court Gardens on 19 March. Enthusiasts and vendors showcased a range of medieval arts and crafts, from dancing, calligraphy and lace-making to demonstrations of the techniques, weaponry and apparel of medieval combat.</text>
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                <text>McEwan, Joanne</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Livery and its insignia were integral to medieval culture; their bestowal and wearing marked allegiance and identification to particular lords, factions or beliefs. As late as the early fifteenth century, regular livery awards at Christmas or Easter or livery rewards for good service were still part of the Kingâ€™s rituals towards his retainers or, in the case of the hybrid wage system around 1400, his government clerks. This advertisement in the early colonial journal (some 60 years after settlement) offers to import buttons with crests from England to anyone who believes their family name is associated with a heraldic tradition.&#13;
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                <text>Colonial literary journal and weekly miscellany of useful information&#13;
vol. 1. 32 1845, p. 79&#13;
James McEvoy, Albert House, Pitt Street</text>
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                <text>National Library of Australia</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;a href="http://www.grenfellrecord.com.au/news/local/news/general/a-big-thank-you-to-grenfell-from-gulgong-heritage-harness-association/1821408.aspx"&gt;http://www.grenfellrecord.com.au/news/local/news/general/a-big-thank-you-to-grenfell-from-gulgong-heritage-harness-association/1821408.aspx&lt;/a&gt;</text>
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          <element elementId="50">
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                <text>Henry Lawson Pilgrimage, Annual Event</text>
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                <text>Henry Lawson, Australian poetry, bush poet, pilgrimage, Grenfell (New South Wales) to Gulgong (NSW), horse-drawn vehicles, saints, pilgrims, heritage tourism, Australian Nationalism Movement, Grenfell Record, Newspaper </text>
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                <text>Henry Lawson (1867-1922), one of Australia's most famous poets, and a symbol for the Australian Nationalism Movement, is honoured by a pilgrimage that traces his journey from Grenfell NSW to Gulgong NSW (280 kms). PIlgrimage is a medieval concept associated with spiritual edification and usually involves a journey to a saint's shrine for prayer and intercessions on the pilgrim's behalf. The 'real-time' horse power journey is particularly indicative of a secular reverence for Lawson. The Henry Lawson Pilgrimage Drive commenced in 2000 and is now an annual event.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;a href="http://mumbil.nsw.au/photo-gallery/grenfell-to-gulgong---henry-lawson-heritage-drive" target="_blank"&gt;http://mumbil.nsw.au/photo-gallery/grenfell-to-gulgong---henry-lawson-heritage-drive&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="16300">
                <text>2008</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16301">
                <text>Public Domain</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16302">
                <text>Hyperlink</text>
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    <tagContainer>
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        <name>Australian Nationalism Movement</name>
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      <tag tagId="1590">
        <name>Australian poetry</name>
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        <name>bush poet</name>
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        <name>Grenfell (New South Wales) to Gulgong (NSW)</name>
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      <tag tagId="1694">
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      <tag tagId="1578">
        <name>Henry Lawson</name>
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        <name>heritage tourism</name>
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        <name>horse-drawn vehicles</name>
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      <tag tagId="109">
        <name>newspaper</name>
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        <name>pilgrimage</name>
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        <name>saints</name>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>architecture, buttress, church, church building, crenellation, gothic tracery,  Inter-War Gothic style, laterite stone, leadlight windows, Lutheran church, neo-gothic, parish church, Perth, Richard Spanney,  St Johnâ€™s Lutheran Church, stone, tower, Western Australia, window tracery, St. John, Saint John</text>
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                <text>St Johnâ€™s Lutheran Church in Perth, Western Australia. Built in 1936, St Johnâ€™s was the first Lutheran Church in Perth. It was designed by architect Richard Spanney and is an example of Inter-War Gothic architecture. The church is constructed from Darlington laterite stone and uses a combination of both semi-circular and pointed arch forms. Other features typical of medieval church architecture are the square tower, the solid buttresses, the decorative crenellations along the roofline and the window tracery.</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9189">
                <text>McEwan, Joanne</text>
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            </elementTextContainer>
          </element>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
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                <text>18 March 2011</text>
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            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="9191">
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              </elementText>
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            <description>A language of the resource</description>
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        <name>architecture</name>
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      <tag tagId="1075">
        <name>buttress</name>
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        <name>Church</name>
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        <name>church building</name>
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      <tag tagId="972">
        <name>crenellation</name>
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      <tag tagId="1696">
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        <name>Inter-War Gothic style</name>
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        <name>Lutheran church</name>
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        <name>Saint John</name>
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        <name>St Johnâ€™s Lutheran Church</name>
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      <tag tagId="1702">
        <name>St. John</name>
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      <tag tagId="374">
        <name>stone</name>
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      <tag tagId="270">
        <name>tower</name>
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      <tag tagId="73">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism in the Classroom</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="5783">
              <text>Print Journal</text>
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          <name>URL</name>
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              <text>&lt;h1&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18450130/00010032/11-16.pdf&lt;/a&gt;&lt;/h1&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13361">
                <text>Chaucer as Teaching Aid in the Colonies</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Chaucer, childrenâ€™s education, education, child, children, juvenile, Prioressâ€™s Tale, tabula rasa, Ovidâ€™s Metamorphoses, Ovid, Chaucerian, Chaucerian source, classical education</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="13363">
                <text>The opinion piece,â€œCatallictics  [mutatas dicere formas] An Introduction to New Speculations [In nova fert animus] takes it Latin from the first lines of Ovidâ€™s Metamorphoses (In nova fert animus mutatas dicere formas corpora; I tell now of bodies changed to new (other) forms [HH]). The quoted Chaucerian text is extracted from its context or narrative of the Prioressâ€™s Tale. Chaucer relied on Ovid, as did other medieval writers, but in this instance, Ovid, Chaucer, Catallus coalesce to showcase the sort of knowledge the well-educated new colonials imported from England. </text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13364">
                <text>Grey, Gaffer</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13365">
                <text>Colonial literary journal and weekly miscellany of useful information, vol. 1. 32 1845, p. 75-6</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="13366">
                <text>1845</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13367">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13368">
                <text>Hyperlink</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13369">
                <text>English</text>
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        <name>Chaucer</name>
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        <name>Chaucerian</name>
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        <name>Chaucerian source</name>
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        <name>child</name>
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        <name>children</name>
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        <name>childrenâ€™s education</name>
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        <name>classical education</name>
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        <name>education</name>
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        <name>juvenile</name>
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        <name>Ovid</name>
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        <name>Ovidâ€™s Metamorphoses</name>
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        <name>Prioressâ€™s Tale</name>
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        <name>tabula rasa</name>
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          <name>Dublin Core</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="13380">
              <text>&lt;p class="MsoNormal" style="margin: 0.1pt 0cm; line-height: normal;"&gt;Newspaper Illustration&lt;span style="font-family: Helvetica;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;span style="font-size: 10pt; font-family: Helvetica;"&gt;&lt;a href="http://www.8hourday.org.au/images/mn002901.asp?URL=../domestic.asp" target="_blank"&gt;http://www.8hourday.org.au/images/mn002901.asp?URL=../domestic.asp&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
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                <text>Female Servantâ€™s Revolt</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="13372">
                <text>Melbourne 888, Eight-hour day movement, freedom of labour, women servants, Peasants Revolt, revolution, Melbourne, Eight hour day, working class, labour, work, labourer, worker</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="13373">
                <text>This illustration is an early reference to the beginnings of the eight-hour movement. One of the first marches took place in Melbourne in 1856, when the Stonemasons working on the build of the University of Melbourne, marched to Parliament protesting their long hours and harsh working conditions. It echoes the Peasantsâ€™ Revolt in the late fourteenth-century when, after the plague, workers threatened to give their labour to the highest bidder, and move to different regions. [HH]&#13;
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Poss. â€˜Tomâ€™ Carrington</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13375">
                <text>Punch Magazine, Melbourne</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="13376">
                <text>Punch Magazine, Melbourne</text>
              </elementText>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13377">
                <text>28 April 1859</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13378">
                <text>Punch Magazine, Melbourne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13379">
                <text>Newspaper Illustration; Hyperlink</text>
              </elementText>
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      <tag tagId="1012">
        <name>Eight Hour Day</name>
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        <name>Eight-hour day movement</name>
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        <name>freedom of labour</name>
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      <tag tagId="221">
        <name>labour</name>
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      <tag tagId="1154">
        <name>labourer</name>
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      <tag tagId="104">
        <name>Melbourne</name>
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      <tag tagId="1712">
        <name>Melbourne 888</name>
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      <tag tagId="1716">
        <name>Peasants Revolt</name>
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      <tag tagId="1717">
        <name>revolution</name>
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      <tag tagId="1715">
        <name>women servants</name>
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      <tag tagId="213">
        <name>work</name>
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      <tag tagId="129">
        <name>worker</name>
      </tag>
      <tag tagId="502">
        <name>working class</name>
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