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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>Newspaper illustration</text>
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              <text>&lt;span style="font-family: tahoma; font-size: x-small;"&gt;&lt;a href="http://trove.nla.gov.au/work/12350238" target="_blank"&gt;http://trove.nla.gov.au/work/12350238&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Centennial International Exhibition Parade</text>
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                <text>centennial, Centennial International Exhibition, Collins Street, crowd, exhibition, floats, float, industry, international exhibition, Melbourne, parade, procession, showcase, parades, processions, street parade, trade banners, banner, banners, Victoria, World Fair, Samuel Calvert, engravings, engraving</text>
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                <text>&lt;p&gt;An illustration of a street parade in Collins Street, Melbourne, drawn from the perspective of the Treasury Buildings. Crowds of spectators line the street to watch as a procession of horse-drawn floats and trade banners are paraded along Collins Street as part of the Centennial International Exhibition. The Exhibition was held at the Royal Exhibition Building in Carlton Gardens in 1888.Trade banners have a medieval predecessor in the banners used by guilds (an association of craftsmen in the same trade), with each guild having a banner to show their trade. Some historians consider trade unions to be the successors of medieval guilds.&lt;/p&gt;&#13;
&lt;p&gt;For an example of recreation guild banners from 1909 in York see &lt;a href="http://www.theyorkcompany.co.uk/find_out_more/page020104.php" target="_blank"&gt;http://www.theyorkcompany.co.uk/find_out_more/page020104.php&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Calvert, Samuel</text>
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                <text>State Library of Victoria</text>
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                <text>Illustrated Australian News</text>
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                <text>15 August 1888, p. 148.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;2.&amp;nbsp;&amp;nbsp; search by artist or title. &lt;br /&gt;&lt;/span&gt;</text>
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                <text>Sir Galahad and the Pale Nun</text>
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                <text>Alfred Lord Tennyson (1809-1892), Art, Arthur, Arthurian, Arthurian legend, Arthurian romance, chivalric, chivalry, Galahad, gallantry, Holy Grail, Idylls of a King, illustration, knight, Le Morte dâ€™Arthur, legend, Mabinogion, narrative poem, nostalgia, nun, piety, poem, purity, Sir Galahad, Sir Thomas Malory (1405-1471), Victorian revival</text>
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                <text>This photograph, taken by Julia Margaret Cameron in 1874, is held by the Art Gallery of South Australia. It depicts Sir Galahad, one of the Knights of the Round Table in Arthurian legend, and a nun. The illegitimate son of Lancelot and Elaine of Corbenic, Galahad was raised in a convent under the care of the Abbess, his Great Aunt. He was one of only 3 Knights to see the Holy Grail, and is renowned in legend for his gallantry, his piety and his purity. He was a popular character in the Victorian revival of Arthurian myth, and these qualities were emphasised in Alfred Lord Tennysonâ€™s 1842 poem â€˜Sir Galahadâ€™. This particular photograph appeared as Plate IX in Alfred Lord Tennysonâ€™s Idylls of the King and Other Poems, a collection of 12 narrative poems retelling the King Arthur legend published between 1856 and 1885. Tennysonâ€™s version was based primarily on two well-known medieval texts: Sir Thomas Maloryâ€™s Le Morte dâ€™Arthur and the Mabinogion. </text>
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                <text>Cameron, Julia Margaret</text>
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                <text>Art Gallery of South Australia</text>
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                <text>1874</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Art Gallery of South Australia</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Albumen-silver photograph, 33.4 x 27.2 cm;&#13;
Hyperlink</text>
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        <name>Alfred Lord Tennyson (1809-1892)</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://hdl.handle.net/10462/deriv/136695"&gt;http://hdl.handle.net/10462/deriv/136695&lt;/a&gt;</text>
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                <text>Manchester Unity Order of Oddfellows Delegates, Ravenswood, 1907</text>
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                <text>Friendly Society, Friendly Societies, Manchester Unity Order of Oddfellows, Oddfellows, fraternity, fraternities, Queensland, banner, regalia</text>
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                <text>&lt;span id="tinymce" class="mceContentBody " dir="ltr"&gt; This is an image of a group of delegates at a 1907 conference for the Manchester Unity of Oddfellows. The Oddfellows are a&amp;nbsp;friendly society&amp;nbsp;that first emerged in the UK and may date to the fifteenth century when members of trades not represented by existing guilds banded together to form their own organisations. However their recorded history can only be traced to the 18th century. The order was first established in Melbourne in 1840.&lt;/span&gt;&#13;
&lt;div dir="ltr"&gt;&amp;nbsp;&lt;/div&gt;&#13;
&lt;div dir="ltr"&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;For the order in Australia see &lt;a href="http://www.ioof.org/jurisdictions/australia.html" target="_blank"&gt; http://www.ioof.org/jurisdictions/australia.html&lt;/a&gt;&amp;nbsp;and &lt;a href="http://www.australianunitycorporate.com.au/OURHERITAGE/FRIENDLYSOCIETY/Pages/ManchesterUnityIOOF.aspx" target="_blank"&gt; http://www.australianunitycorporate.com.au/OURHERITAGE/FRIENDLYSOCIETY/Pages/ManchesterUnityIOOF.aspx&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&#13;
&lt;br /&gt;</text>
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                <text>Campbell, W.</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>1907</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>John Oxley Library, State Library of Queensland</text>
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                <text>The logo for the Australian National Rugby League team the Canberra Raiders is the head of a Viking warrior wearing a horned helmet. The hair and beard of the Viking has a green tinge to match the colour of the teamâ€™s jumpers. The helmet features a rugby ball logo between the eyes. A Viking warrior was presumably thought to be a good match for a team calling themselves â€˜Raidersâ€™ as the historical Vikings were famous for raiding much of Europe in the period 800-1000.</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>&lt;p&gt;This drawing of Robin Hood appeared on page 14 of the Rockhampton, Queensland, newspaper the &lt;em&gt;Morning Bulletin&lt;/em&gt; on August 9, 1935. The drawing by Robert Cantle appears in the &amp;lsquo;Children&amp;rsquo;s Corner&amp;rsquo; section of the newspaper and depicts the popular medieval English outlaw in action with a bow and arrow.&lt;/p&gt;&#13;
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            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="26196">
                <text>Public Domain; National Library of Australia</text>
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                <text>&lt;p class="MsoNormal" style="line-height: normal; margin: 0cm 0cm 10pt;"&gt;&lt;span style="font-size: 10pt;" lang="EN-AU"&gt;Image of a recreation Viking ship built by Royce Carrig of Perth. The wooden  ship was built from plans of an excavated Viking ship, and can usually be found anchored in the Swan River at the 1&lt;sup&gt;st&lt;/sup&gt; Pelican Point Sea Scout Group base in Crawley. It is based on one of  the five eleventh-century ships deliberately sunk near Skuldelev  in Denmark to create an underwater barrier protecting Roskilde. The  originals and exact replicas are kept at the Viking Ship Museum,  Roskilde: &lt;a href="http://vikingeskibsmuseet.dk/" target="_blank"&gt;&lt;span style="color: #800080;"&gt;http://vikingeskibsmuseet.dk&lt;/span&gt;&lt;/a&gt;. &lt;/span&gt;&lt;/p&gt;&#13;
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>URL</name>
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              <text>&lt;a href="http://www.slv.vic.gov.au/pictoria/gid/slv-pic-aab38025"&gt;http://www.slv.vic.gov.au/pictoria/gid/slv-pic-aab38025&lt;/a&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"Ned Kelly at Bay"</text>
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            <description>The topic of the resource</description>
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                <text>Ned Kelly, knight, knighthood, armour, highway man, national identity, Australia, Australian identity, VIC, Victoria, wood engraving, crime</text>
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                <text>&lt;p&gt;This print of a wood engraving of Ned Kelly in his final battle is based on a sketch 'drawn on the spot' by T. Carrington. The picture shows a Ned Kelly in his helmet firing his pistol. His plate body armour is hidden by an overcoat. The armour and helmet draw obvious parallels to suits of armour worn by medieval knights. The picture is held at the State Library of Victoria.&lt;/p&gt;&#13;
&lt;p&gt;For the image see &lt;a href="http://www.slv.vic.gov.au/pictoria/gid/slv-pic-aab38025" target="_blank"&gt;http://www.slv.vic.gov.au/pictoria/gid/slv-pic-aab38025&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Carrington, Francis Thomas Dean</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>State Library of Victoria</text>
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                <text>State Library of Victoria</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>July 1880</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="16229">
                <text>State Library of Victoria</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Hyperlink</text>
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        <name>Australian identity</name>
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        <name>highway man</name>
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        <name>knight</name>
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      <tag tagId="139">
        <name>knighthood</name>
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      <tag tagId="897">
        <name>national identity</name>
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      <tag tagId="1755">
        <name>Ned Kelly</name>
      </tag>
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        <name>Vic</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
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        <name>wood engraving</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/dscn2344_f938eba0c1.jpg</src>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/p1012278_fbab6e933a.jpg</src>
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                <name>Bit Depth</name>
                <description/>
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                <name>Height</name>
                <description/>
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                    <text>640</text>
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                <name>Width</name>
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          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
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              <text>Digital Photographs</text>
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      </elementContainer>
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="5074">
                <text>Preparing for Battle: Members of the SCA at the 'College Challenge' Tournament between St. Basil vs. St. Lazarus</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5075">
                <text>Saint Basil, Saint Lazarus, St. Lazarus, St. Basil, UWA, Murdoch University, Murdoch, University of Western Australia, Kingdom of Lochac, College Challenge, armour, knight, knighthood, metalwork, medieval metalwork, armoury, tournament, SCA, Society for Creative Anachronism, medieval craft, armour making, tourney</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Members of the Society for Creative Anachronism (SCA) putting on armour in preperation for the SCA 'College Challenge' tournament. In Perth, Western Australia, there are only two chapters of the SCA which are based in colleges (St. Basil (UWA) or St. Lazarus (Murdoch University). Therefore, this challenge was fought solely between St. Basil and St. Lazarus at the UWA campus on the 19th December 2010.  &lt;br /&gt;&lt;br /&gt;About the Society for Creative Anachronism and the Kingdom of Lochac (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Society for Creative Anachronism &lt;/strong&gt;is an international organisation which focuses on the study and 're-creation' of Medieval and Early Modern cultures and their histories before the seventeenth century. As the prime example of a 'living history' group, members of the SCA aim to re-create the past through applying elements of historical knowledge to a practical engagement with Medieval and Early Modern crafts, martial arts, science, metalwork and cooking (for example). The Society was created by graduates of the University of Berkley in California in the 1960s and has since branched out to include 19 kingdoms, with over 30,000 members in locations across the globe.  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand.  &lt;br /&gt;&lt;br /&gt;Information regarding the &lt;strong&gt;College of St. Basil the Great&lt;/strong&gt; (UWA) can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5077">
                <text>Carter, Bree&#13;
McEwan, Joanne</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Society for Creative Anachronism</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="5079">
                <text>19 December 2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5080">
                <text>Image made available with the permission of the participants.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Digital Photographs</text>
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        <name>Armour</name>
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        <name>armour making</name>
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        <name>armoury</name>
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        <name>College Challenge</name>
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        <name>Kingdom of Lochac</name>
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        <name>knight</name>
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        <name>knighthood</name>
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        <name>medieval craft</name>
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      <tag tagId="720">
        <name>medieval metalwork</name>
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      <tag tagId="673">
        <name>metalwork</name>
      </tag>
      <tag tagId="717">
        <name>Murdoch</name>
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        <name>Murdoch University</name>
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        <name>Saint Basil</name>
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        <name>Saint Lazarus</name>
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        <name>SCA</name>
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        <name>St. Basil</name>
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