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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Andrew's Church, Campbell Town, Tasmania</text>
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                <text>St. Andrew, St Andrew, Saint Andrew, buttress, church, clock molding, crenellation, pointed arch, sandstone, lancet window, pointed arch, Gothic, Gothic Revival, neo-Gothic, architecture, spire, TAS, Tasmania, Campbelltown, Presbyterian, tower, Uniting Church.</text>
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                <text>St. Andrew's Uniting Church in Campbell Town, Tasmania, was built in 1847 as a Presbyterian Church. It is in the Victorian Gothic Revival style complete with an iron gabled roof, castellated parapet, clock mouldings, lancet windows, and a square tower topped by a needle spire. </text>
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                <text>Bunning, Trevor</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>&lt;a href="http://www.ohta.org.au/confs/Tas/CampbellTown/StAndCampbellTas.html"&gt;http://www.ohta.org.au/confs/Tas/CampbellTown/StAndCampbellTas.html&lt;/a&gt;</text>
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&lt;p&gt;Organ Historical Trust of Australia&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.ohta.org.au/"&gt;http://www.ohta.org.au/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>December 2008</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Organ Historical Trust of Australia. Permission to reproduce image granted by the OHTA Webmaster, Mark Quarmby.</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;p&gt;To view this image,&lt;/p&gt;&#13;
&lt;p&gt;1.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; go to: &lt;a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"&gt;http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp&lt;/a&gt;&lt;/p&gt;&#13;
2.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; search by artist or title. &lt;br /&gt;</text>
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            <name>Title</name>
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                <text>Ancilla Domini; or, Handmaid or â€˜maid servantâ€™ of the Lord</text>
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            <description>The topic of the resource</description>
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                <text>Adam, angel, Annunciation, Art, colour, curtain, Eden, Eve, Gabriel, lilies, Mary, Pre-Raphaelite, religious art, Renaissance art, rose, Rupert Bunny (1864-1947), SA, South Australia, symbolism, vermillion, virgin</text>
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                <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work by Australian artist Rupert Bunny was acquired by the Art Gallery of South Australia in 1996. It depicts the religious subject of the Annunciation, when the angel Gabriel descended from heaven to tell Mary that she would conceive the son of God. An angel dressed in white stands with one arm outstretched before the kneeling figure of Mary. The angel holds white lilies, while Mary clutches a white rose and is surrounded by pink roses. The background is dominated by a bold vermillion red curtain and a wall hanging showing Adam and Eve being cast from the Garden of Eden by a sword-wielding angel. This work dates from the 1890s, a time when Bunny was preoccupied with biblical themes. He was influenced by the symbolists of the nineteenth century and also the Pre-Raphaelites, as is evidenced here by &amp;ldquo;&lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;a return to the detailed, brightly coloured and symbolically rich art of the early Italian Renaissance&amp;rdquo; (See &lt;/span&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;the accompanying information pages on the Art Gallery of South Australia&amp;rsquo;s website at: &lt;a href="http://www.artgallery.sa.gov.au/TLF/964p25/" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.artgallery.sa.gov.au/TLF/964p25/&lt;/span&gt;&lt;/a&gt;). &lt;/span&gt;</text>
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                <text>Bunny, Rupert</text>
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                <text>Art Gallery of South Australia</text>
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                <text>c. 1896</text>
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                <text>Art Gallery of South Australia</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Oil on Canvas, 100.3 x 110.4cm; &#13;
Hyperlink</text>
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        <name>Adam</name>
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        <name>Rupert Bunny (1864-1947)</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Website</name>
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          <name>Local URL</name>
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              <text>&lt;p&gt;&lt;a href="http://www.youtube.com/user/burdikenknight/videos"&gt;http://www.youtube.com/user/burdikenknight/videos&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Burdiken Medieval Knights</text>
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                <text>Armour, broadsword, Burdiken Medieval Knights, Burdiken Knightâ€™s channel, castle, costume, demonstration, education, film, game, helmet, Home Hill, Home Hill Crown Hotel Markets, knight, living history, performance, Qld, Queensland, re-enactment, shield, sword, Warhammer, website, YouTube.</text>
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                <text>&lt;p&gt;Burdiken Medieval Knights are a living history/re-enactment group based in the Queensland town of Home Hill on the Burdekin River. The group have a channel on YouTube that features a series of films, including broadsword lessons and demonstrations, and a Warhammer game. The re-enactor is dressed in a medieval-style sleeveless tunic in some of the films, and the banner for the channel features a knight in armour and a helmet looking at a castle. Burdiken Medieval Knights perform a demonstration each month at the Home Hill Crown Hotel Markets.&lt;/p&gt;&#13;
&lt;p&gt;For their YouTube channel see &lt;a href="http://www.youtube.com/user/burdikenknight/videos"&gt;http://www.youtube.com/user/burdikenknight/videos&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Burdiken Medieval Knights</text>
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                <text>November 22, 2011</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="33135">
                <text>Burdiken Medieval Knights</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Website; YouTube channel</text>
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        <name>Armour</name>
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        <name>broadsword</name>
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        <name>Burdiken Knightâ€™s channel</name>
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        <name>Burdiken Medieval Knights</name>
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        <name>castle</name>
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        <name>demonstration</name>
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        <name>film</name>
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                <text>Aesop, Androcles, animals, anthropomorphism, coat of arms, circus, courage, emblem, fables, folklore, gratitude, honour, lion, loyalty, medieval romance, Narrandera, New South Wales, NSW, popular culture, Reynard the Fox, Red Riding Hood, Remus, she-wolf, stories, story-tellers, symbolism, tiger, wolf.</text>
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                <text>This interest piece from &lt;em&gt;The West Australian&lt;/em&gt; in 1953 discusses the symbolic use of animals in roman legends and medieval fables, and their anthropomorphic investment with human characteristics. Using an incident in New South Wales where a circus tiger wandered into a neighbouring house and licked a sleeping child as their impetus, the author claims that animal stories have been popular since the days of Aesop. Amongst other examples, they note that in medieval stories about Reynard the Fox, he was usually depicted as a genial, roguish hero, and that the writers of medieval romances regularly employed the lion to symbolise courage and honour.</text>
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                <text>12 December 1953, p.33</text>
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                <text>Copyright Expired</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <description>Title, URL, Description or annotation.</description>
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              <text>Engraving featured in The Illustrated Australian News</text>
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                <text>Design for the Town Hall, Brunswick</text>
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                <text>This engraving by Samuel Calvert appeared in The Illustrated Australian News on June 23, 1888. It shows the neo-gothic design for the Town Hall in the Melbourne suburb of Brunswick.</text>
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                <text>Calvert, Samuel</text>
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                <text>The Illustrated Australian News</text>
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                <text>The Illustrated Australian News</text>
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                <text>Engraving [orig.]; Hyperlink</text>
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                <text>A wood engraving from March 1888 by Samuel Calvert of Queen's College at the University of Victoria. An accompanying article in the Melbourne newspaper The Illustrated Australian News reported on the opening ceremony for the new college. Architectually, Queen's College is typical of the gothic revival style, featuring an arched entrance and windows, crenellation, lancet windows, and a central tower topped by a turret. </text>
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                <text>State Library of Victoria</text>
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