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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL/00793"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;</text>
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                <text>Souvenir Shield: Private C.E. Urry, 1 Battalion, AIF</text>
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                <text>heraldry, badge, badges, Gallipoli, World War, First World War, World War I, Lonepine, C.E. Urry, shield, armourer, aluminium, Turkey, Anzac Cove, Western Front, coat-of arms</text>
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                <text>&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;REL/00793 Front and reverse&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Small aluminium shield. Engraved on the obverse is, '528 PRIVATE C E URRY 25TH APRIL GALLIPOLI HMS SCOURGE 5TH JUNE GERMAN OFFICERS TRENCH 6TH AUGUST LONE PINE EVACUATED 20TH DEC 19TH APRIL LAVENTIE 28TH MARCH FRANCE'. Engraved on the reverse is, '526 C E URRY 6TH AUGUST LONE PINE DARDENELLES'.&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;&lt;br /&gt;Summary:&lt;br /&gt;Associated with the service of Private Charles Edward Urry, 1 Battalion, AIF. Born in 1897 in Sydney, Charles Urry was nineteen years old and working as a carpenter when he enlisted in the AIF on 17 August 1914. At the time he was also a member of the Militia (33 Infantry Regiment). 526 Private C E Urry embarked aboard HMAT Afric from Sydney on 18 October 1914 with 1 Battalion B Company . After seeing action on Gallipoli and at the Somme, Private Urry was killed in action near Ypres, Belgium on 11 September 1916. &lt;br /&gt;&lt;br /&gt; This shield was carried by Private Urry during his service. It is believed that just prior to embarkation in Australia, several B Company men had these shields made up by the Battalion armourer. Each soldier engraved his service number and name into the shield and added 'battle honours' as the war progressed. The shield was sent to his mother after his death, as part of his personal effects. Private Urry's brother, 6169 Private Alfred Thomas Urry served with 19 Battalion, AIF during the war. He returned to Australia in 1919.&amp;nbsp;&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL/00793&lt;/a&gt;&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;cite&gt;&lt;br /&gt; This poignant unofficial insignia of war indicates both a sense of identity amongst B company and a 'coat-of-arms' for lower-ranked soldiers: a working man's heraldic shield, if you will. The company conscripted their armourer to make these aluminium badges to be taken on campaign. Urry engraved his with combat locations and dates, as well as 'german officers', 'HMS Scourge', 'evacuated'. They sit in striking contrast to the glorious, gold, sophisticated badges of the company commanders. See General Sir John Monash, for example. &lt;br /&gt; HH&lt;/cite&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Private Charles Edward Urry</text>
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                <text>Australian War Memorial</text>
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                <text>1914-1916</text>
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                <text>Australian War Memorial&#13;
REL/00793</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Black &amp; white - Glass original whole plate negative </text>
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              <text>&amp;nbsp;&lt;a href="http://cas.awm.gov.au/item/A03316"&gt;http://cas.awm.gov.au/item/A03316&lt;/a&gt;</text>
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                <text>His Majesty King George V congratulating Lieutenant General Sir John Monash KCB VD after his investiture as a Knight Commander of the Order of the Bath Sir John Monash knighted by King George V in France</text>
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                <text>knight, knights, knighthood, chivalry, Knighthood Ceremony, King George V, Sir John Monash, World War 1, Military Costume, Order of the Bath, Military Honours, Orders of Knighthood </text>
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                <text>&lt;span&gt;&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;span style="font-weight: bold;"&gt;&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;span&gt;General Sir John Monash being congratulated by King George V after his investiture as Knight Commander of the Order of the Bath on 1&lt;/span&gt;&lt;span&gt;2 August 1918&lt;/span&gt;&lt;span&gt;;&amp;nbsp; the ceremony is held on steps outside a large building and is being observed by a small group of other army officers. &lt;/span&gt;The location is &lt;span&gt;France: Picardie, Somme, Bertangles.&lt;/span&gt;&lt;br /&gt; John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;br /&gt; &lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. &lt;br /&gt; &lt;br /&gt; The motto of the Order is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Tria Juncta in uno (&lt;/span&gt;Three joined in one) &lt;/span&gt;&lt;br /&gt; The motto of the Order of St Michael and St George is &lt;span&gt;&lt;span style="font-style: italic;"&gt;Auspicium Melioris Aev&lt;/span&gt;i (Token of a better age)&lt;br /&gt; &lt;br /&gt; Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;span&gt;'His Majesty King George V &lt;/span&gt;&lt;/span&gt;&lt;span&gt;congratulating Lieutenant General Sir John Monash KCB VD, General Officer Commanding, Australian Corps, after his investiture as a KCB, the ribbon of which can be seen round General Monash's neck, on the steps of Bertangles Chateau, which was the Headquarters of Australian Corps. &lt;/span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;The ordnance shown in the background is captured material brought back from the vicinity of Warfusee-Abancourt; it was captured on 8 August by Australian troops. When General Monash took leave of His Majesty, Major General M. W. O'Keeffe KCMG CB, DMS, Fourth Army, who is standing on the right showing three rows of ribbons, was invested with the KCMG. Second from the right is Brigadier General R. A. Caruthers CB CMG, Deputy Assistant and Quartermaster General, Australian Corps.'&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&#13;
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                <text>Unknown Photographer</text>
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                <text>12 August 1918</text>
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                <text>Copyright Expired-public domain&#13;
Australian War Memorial&#13;
A03316&#13;
E02839 </text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Framed coat of arms - General Sir John Monash </text>
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                <text>Badge of Coat of Arms of Sir John Monash, Coat of arms, heraldry, insignia, John Monash, shield, scroll, â€˜marte et arteâ€™, knight, knights, knighthood, chivalry, knightâ€™s helmet, helmet, lion, compass, College of heralds, Latin motto, Latin, motto</text>
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                <text>&lt;p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"&gt;&lt;span&gt;Hand drawn and coloured picture of the Monash coat of arms, which has been signed vertically 'R K PEACOCK'. The image shows a blue shield divided horizontally by a gold band. Above the band are five eight pointed gold stars. Beneath the band is a sword with two laurel branches, all in gold. A scroll beneath the shield bears the motto 'MARTE ET ARTE'. The ends of the scroll are a dark pink, gradually lightening to a white centre. Above the shield is a knight's helmet with a gold and blue ribbon and leaf design on both sides. Sitting above the helmet is the upper half of a dark pink (possibly meant to be red) lion, holding a pair of gold compasses. The drawing is held in a brown wooden frame with a brown matte.&lt;br /&gt; &lt;br /&gt; A paper label is pasted on the back with typed details: ' ARMS OF / GENERAL SIR JOHN MONASH, / G.C.M.G., K.C.B. / (Granted by the College of Heralds, 1918) / ARMS- Azure, a fess between in chief five / mullets of eight points three and / two, and in base a sword within two / branches of laurel all Or. / CREST - On a wreath of the colours a demi / lion Gules holding between the paws / a pair of compasses Or. / MOTTO - "MARTE ET ARTE". / (Authority - "Fox-Davies Armorial Families" / Vol.II, page 1371)". Next to 'MARTE ET ARTE' is hand written '(BY WAR AND BY ARTS)' . The label is signed 'R.K. Peacock / 1937'.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"&gt;&lt;strong&gt;&lt;em&gt;&lt;span&gt;Permalink:&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;&lt;span&gt; &lt;a href="http://cas.awm.gov.au/item/RELAWM12571" target="_blank"&gt;http://cas.awm.gov.au/item/RELAWM12571&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal" style="margin-left: 36pt; line-height: normal;"&gt;&lt;em&gt;&lt;span&gt;Also see &lt;/span&gt;&lt;/em&gt;&lt;/p&gt;&#13;
&lt;ol type="1"&gt;&#13;
&lt;li class="MsoNormal" style="line-height: normal;"&gt;&lt;span&gt;Serle, G. &lt;em&gt;John Monash: A Biography&lt;/em&gt; (Melb, 1982) &lt;/span&gt;&lt;/li&gt;&#13;
&lt;li class="MsoNormal" style="line-height: normal;"&gt;&lt;span&gt;Pedersen, P. &lt;em&gt;Monash as Military Commander&lt;/em&gt; (Melb, 1985). &lt;/span&gt;&lt;/li&gt;&#13;
&lt;/ol&gt;</text>
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            <name>Creator</name>
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                <text>Peacock, Robert Knox</text>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="13041">
                <text>Australian War Memorial Website</text>
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            <name>Date</name>
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              <elementText elementTextId="13042">
                <text>1937</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="13043">
                <text>Australian War Memorial &#13;
RELAWM12571</text>
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            <name>Format</name>
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        <name>â€˜marte et arteâ€™</name>
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        <name>John Monash</name>
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        <name>knights</name>
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        <name>Latin motto</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Black &amp; white - Glass original half plate negative;&#13;
PDF</text>
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        <element elementId="28">
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          <description/>
          <elementTextContainer>
            <elementText elementTextId="13594">
              <text>&lt;a href="http://cas.awm.gov.au/item/A03081" target="_blank"&gt;http://cas.awm.gov.au/item/A03081&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Oxford Encaenia</text>
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          <element elementId="49">
            <name>Subject</name>
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              <elementText elementTextId="13587">
                <text>Sir John Monash, World War 1, Oxford University, Encaenia, Professor H. Pirenne, Rear Admiral Sir W. Reginald Hall, Rev. H.E. Blackiston, Doctor F.W. Pember, Sir Rosslyn Wemyss, Lieut. Gen. Sir John Monash, General J.J. Pershing, Marshall Joffre, Marquis Curzon, Field Marshal Sir Douglas Haig, Admiral Sir David Beatty, Mr H.C. Hoover, Field Marshal Sir Henry Wilson, doctoral robes, great war leaders, honorary degree doctor civil law, All Soul's College, Admiral of the Fleet, Chancellor Oxford University</text>
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          <element elementId="41">
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              <elementText elementTextId="13588">
                <text>&lt;p&gt;John Monash GCMG, KCB (1865-1931) was born in West Melbourne and died in&lt;span&gt; 1931 in Melbourne.&lt;/span&gt; Of Prussian Jewish heritage, he participated in the landing at Anzac Cover Gallipoli and assumed command of the Australian Corps in May 1918. &lt;span&gt;&lt;span&gt;&lt;span style="font-family: tahoma; font-size: x-small;"&gt;The first honorary degree was awarded at Oxford University at the end of the medieval period, in either 1478 or 1479, to Lionel Woodville, the bother-in-law of Edward IV.&lt;em&gt;&amp;nbsp; &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt; &lt;span&gt;&lt;br /&gt; Entry on Australian War Memorial website:&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Permalink: &lt;a href="http://cas.awm.gov.au/item/A03081" target="_blank"&gt;http://cas.awm.gov.au/item/A03081&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;The Oxford Encaenia:- Group portrait of eight great war leaders at Oxford University, where they received the honorary degree of doctor of civil law. Left to right: back row; Professor H Pirenne, Rear Admiral Sir W Reginald Hall, the Reverend H E Blakiston, DD (Vice Chancellor of the University), Doctor F W Pember (Warden of All Souls' College). Front row; Vice Admiral Sir Rosslyn Wemyss (afterwards Admiral of the Fleet) , Lieutenant General Sir John Monash, General J J Pershing, Marshall Joffre, Marquis Curzon (Chancellor of the University of Oxford), Field Marshall Sir Douglas Haig (afterwards Earl), Admiral Sir David Beatty (afterwards Admiral of the Fleet and Earl), Mr H C Hoover President, Field Marshal Sir Henry Wilson.&lt;br /&gt; &lt;span&gt;&lt;br /&gt; &lt;/span&gt;&lt;span&gt;See Oxford University archive for medieval history of honorary degrees. &lt;br /&gt; &lt;/span&gt;&lt;a href="http://www.oua.ox.ac.uk/enquiries/hondegrees.html" target="_blank"&gt;http://www.oua.ox.ac.uk/enquiries/hondegrees.html&lt;/a&gt; &lt;br /&gt; &lt;br /&gt; See Oxford University website for History of Encaenia&lt;br /&gt; &lt;a href="http://www.ox.ac.uk/about_the_university/university_year/encaenia/history.html" target="_blank"&gt;http://www.ox.ac.uk/about_the_university/university_year/encaenia/history.html&lt;/a&gt;&lt;/p&gt;</text>
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            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="13589">
                <text>Unknown Photographer</text>
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            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="13590">
                <text>Australian War Memorial Website</text>
              </elementText>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>Unknown</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13592">
                <text>Copyright Expired-public domain&#13;
Australian War Memorial&#13;
A03081</text>
              </elementText>
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          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="13593">
                <text>Hyperlink; Photograph</text>
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        <name>Oxford University</name>
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        <name>Rear Admiral Sir W. Reginald Hall</name>
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        <name>Rev. H.E. Blackiston</name>
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        <name>Sir John Monash</name>
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        <name>Sir Rosslyn Wemyss</name>
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        <name>university</name>
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        <name>World War I</name>
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  <item itemId="232" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                <elementText elementTextId="34460">
                  <text>Medievalism on the Page</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34461">
                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="5439">
              <text>Poem: Australian Studies Resources at University of Sydney;&#13;
Word doc.</text>
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          </elementTextContainer>
        </element>
        <element elementId="28">
          <name>URL</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="13252">
              <text>&lt;a href="http://gutenberg.net.au/ebooks06/0607611h.html"&gt;http://gutenberg.net.au/ebooks06/0607611h.html&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="13243">
                <text>Heed Not, Poem by Henry Lawson</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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              <elementText elementTextId="13244">
                <text>Henry Lawson, Australian poetry, bush poet, Australian Nationalism Movement, Monarchy satire, estates satire, knighthood </text>
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          </element>
          <element elementId="41">
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            <description>An account of the resource</description>
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                <text>Henry Lawson (1867-1922), one of Australia's most famous poets, and a symbol for the Australian Nationalism Movement, protests against what he sees as the 'toadies knighthood' in this verse. He berates those (English) in Australia who seek to reproduce all things British: banquet table, garden fair and social circle. This poem praises Australian 'classlessness', hard work, and esoteric knowledge of the 'bush'</text>
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          <element elementId="39">
            <name>Creator</name>
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                <text>Lawson, Henry</text>
              </elementText>
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            <description>A related resource from which the described resource is derived</description>
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              <elementText elementTextId="13247">
                <text>Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson&lt;/a&gt;</text>
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            <name>Date</name>
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                <text>1901</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="13249">
                <text>Public domain</text>
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              <elementText elementTextId="13250">
                <text>Poem; Hyperlink</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="13251">
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        <name>and a symbol for the Australian Nationalism Movement</name>
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        <name>bush poet</name>
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        <name>estates satire</name>
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        <name>Henry Lawson (1867-1922)</name>
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        <name>knighthood</name>
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        <name>Monarchy satire</name>
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        <name>toadies knighthood</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;Poem;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Links to Electronic books                                   on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson/index4.html&amp;gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</text>
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              <text>&lt;a href="http://gutenberg.net.au/ebooks06/0607541h.html"&gt;http://gutenberg.net.au/ebooks06/0607541h.html&lt;/a&gt;</text>
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                <text>The King I, Poem by Henry Lawson</text>
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                <text>Henry Lawson, Australian poetry, poem, poetry, bush poet, poet, bush poetry, Australian Nationalism Movement, nationalism, Australian, kingship, masculinity </text>
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                <text>It is likely Henry Lawson (1867-1922), one of Australia's most famous poets, and a symbol for the Australian Nationalism Movement, wrote this poem about the death of King Edward VII 1901 - 1910, who reigned for 10 years. Lawson portrays the King as a man of feeling, who sheds tears, is long-suffering and peace-loving. He stresses that the King is a man as well as a King and in that respect, the ordinary person can identify with him.</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;&lt;span&gt;Links to Electronic books on-line - Henry Lawson &lt;a href="http://www.ironbarkresources.com/henrylawson/index4.html" target="_blank"&gt;&amp;lt;http://www.ironbarkresources.com/henrylawson/index4.html&amp;gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                <text>1910</text>
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                <text>Public domain</text>
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                <text>Poem; Hyperlink</text>
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        <name>Henry Lawson</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Photograph - Black and White - Print silver gelatin</text>
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              <text>&lt;strong&gt;&lt;a href="http://cas.awm.gov.au/item/H185322"&gt;http://cas.awm.gov.au/item/H185322&lt;/a&gt;&lt;/strong&gt;</text>
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                <text>Australian Infantrymen in Lord Mayor's Procession, London</text>
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                <text>Australian soldiers, soldier, soldiers, Australian, First World War, World War, World War I, infantrymen, procession, processions, London, Lord Mayor, Lord Mayor's procession, livery companies, 1215, medieval custom, Buckingham Palace, King George V, Westminster, swearing oaths, allegiance, charities, defence forces, march past, salute, military uniform, dais, medieval custom</text>
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                <text>&lt;p&gt;Australian infantrymen taking part in the Lord Mayor's Procession march past Buckingham Palace, where King George V was taking the salute. The Lord Mayor's Procession began in 1215, when the citizens of London were allowed to elect a mayor for the first time. The newly elected Mayor was required by the King's charter to make a journey from the City to Westminster to swear allegiance to the Crown. The procession still takes place today; known as the Lord May's Show. It brings together the defence forces, police, Londoners, businesses, charities and livery companies in celebration of London's past and present.&lt;/p&gt;&#13;
&lt;p&gt;From AWM Website:&lt;span style="font-family: Helvetica,Arial,sans-serif;"&gt;&lt;a href="http://www.awm.gov.au/about/collections/photographs.asp" target="_blank"&gt;http://www.awm.gov.au/about/collections/photographs.asp&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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            <elementTextContainer>
              <elementText elementTextId="13267">
                <text>Australian War Memorial Website.&#13;
ID H1852</text>
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                <text>1919</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Public domain</text>
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              <elementText elementTextId="13270">
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://cas.awm.gov.au/item/REL39640"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;</text>
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                <text>Hertford College Oxford heraldic shield : C E W Bean</text>
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                <text>Charles Edwin Woodrow Bean, Victoria Barracks, Collaroy, plaque, heraldry, education, historians, official war histories, First World War, World War I, journalism, Sydney Morning Herald, Gallipoli, Western Front, Australian War Memorial, Commonwealth Archives, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White, Tuggeranong, Oxford, university, Oxford University</text>
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                <text>&lt;span&gt;&lt;span&gt;&lt;span&gt;Entry on Australian War Memorial website:&lt;br /&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;Red painted curved metal shield designed as a wall plaque, with the heraldic crest of Hertford College, Oxford University, on the front in the form of a gold hart's head surmounted by a gold heraldic dagger, both of which are edged in black. The top of the shield has a semi-circular section soldered to it, to which is attached a red painted metal inverted 'V', folded over a metal ring, which allows it to be displayed on a wall. &lt;br /&gt; &lt;/span&gt;&lt;span&gt;&lt;cite&gt;&lt;strong&gt;Permalink:&lt;/strong&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;&lt;/cite&gt; &lt;/span&gt;&lt;br /&gt; &lt;br /&gt; &lt;span&gt;Summary from Australian War Memorial website:&lt;br /&gt;This object was collected from Charles Bean's study at his home 'Clifton' in Collaroy, NSW. Bean is perhaps best remembered for the official histories of Australia in the First World War, of which he wrote six volumes and edited the remainder. Before this, however, he was Australia's official correspondent to the war. He was also the driving force behind the establishment of the Australian War Memorial. &lt;br /&gt; &lt;br /&gt; Charles Edwin Woodrow Bean was born on 18 November 1879 at Bathurst, New South Wales. His family moved to England when he was ten. He completed his education there, eventually studying classics and law at Oxford. Bean returned to Australia in 1904 and was admitted to the New South Wales Bar. &lt;br /&gt; &lt;br /&gt; Having dabbled in journalism, Bean joined the Sydney Morning Herald as a junior reporter in January 1908. He published several books before being posted to London in 1910. In 1913 he returned to Sydney as the Herald's leader writer. When the First World War began, Bean won an Australian Journalists Association ballot and became official correspondent to the AIF. He accompanied the first convoy to Egypt, landed at Gallipoli on 25 April 1915 and began to make his name as a tireless, thorough and brave correspondent. He was wounded in August but remained on Gallipoli for most of the campaign, leaving just a few days before the last troops. &lt;br /&gt; &lt;br /&gt; He then reported on the Australians on the Western Front where his admiration of the AIF crystallised into a desire to create a permanent memorial to their sacrifice and achievements. In addition to his journalism, Bean filled hundreds of diaries and notebooks, all with a view to writing a history of the AIF when the war ended. In addition he organised the collection of battlefield relics from AIF soldiers on the Western Front through the formation of the Australian War Records Section. In early 1919 he led a historical mission to Gallipoli to collect relics for the Memorial, obtain Turkish accounts of the campaign and report on the condition of war graves. &lt;br /&gt; &lt;br /&gt; On his return to Australia Bean and his staff moved into Tuggeranong homestead, south of Canberra, to work on the official history. In 1921 he married Ethel (Effie) Young, a nursing sister at the Queanbeyan hospital whom he first met when she visited Tuggeranong to play tennis. They later moved to Sydney, where he continued to write at Victoria Barracks. When he began, Bean imagined that the history would take five years to write; in the event it took 23 years, and the final volume did not appear until 1942. &lt;br /&gt; &lt;br /&gt; Besides his written work, Bean worked tirelessly on creating the Australian War Memorial in Canberra. He was present when the building opened on 11 November 1941 and became Chairman of the Memorial's board in 1952. He maintained a close association with the institution for the rest of his life. &lt;br /&gt; &lt;br /&gt; During the Second World War, Bean liaised between the Chiefs of Staff and the press for the Department of Information. He became Chairman of the Commonwealth Archives Committee and was instrumental in creating the Commonwealth Archives. Between 1947 and 1958 he was Chairman of the Promotion Appeals Board of the Australian Broadcasting Commission. He also continued to write, producing a history of Australia's independent schools and finally a book on two senior AIF figures, Sir William Throsby Bridges and Sir Cyril Brudnell Bingham White. Bean received a number of honorary degrees and declined a knighthood. Bean, one of the most admired Australians of his generation, died after a long illness in Concord Repatriation Hospital in 1968. &lt;br /&gt; &lt;br /&gt; Much of the material from Bean's study was originally housed in his Tuggeranong Homestead office where he began writing the official histories. When the family moved it was transferred to his homes in Sydney. Effie continued to use the study after her husband's death. The study was dismantled after her death in July 1991 and transferred to the Australian War Memorial.&amp;nbsp;&lt;br /&gt; &lt;a href="http://cas.awm.gov.au/item/REL39640" target="_blank"&gt;http://cas.awm.gov.au/item/REL39640&lt;/a&gt;&lt;/span&gt;</text>
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                <text>c. 1898-1902, UK</text>
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REL39639</text>
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