25 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <span style="font-size: 10pt; font-family: 'Tahoma','sans-serif';"><a href="http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG" target="_blank">http://sydney.edu.au/senate/images/stained_glass/AngloSaxons.JPG</a></span> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anglo-Saxon Window, Great Hall, University of Sydney Subject The topic of the resource Alcuin, Alcuin of York, Alcuinis, Anglo-Saxon, Anglo-Saxon Window, Bede, Caedman, Caedmon, Carolingian Renaissance, Charlemagne, Cædmon, England, Great Hall, New South Wales, NSW, stained glass, Sydney, University of Sydney, Venerable Bede Description An account of the resource The Anglo-Saxon window in the Great Hall of the University of Sydney is one of a number of windows along the side walls of the hall containing portraits of famous people. It includes three notable Anglo-Saxon churchmen and writers from the Kingdom of Northumbria. Bede (c. 673-735) was a monk at the monasteries of Monkwearmouth and Jarrow. His most famous work is the Ecclesiastical History of the English People and he is sometimes referred to as the father of English history. Alcuin (c. 735-804) was a teacher who headed the York School before being invited by Charlemagne to join the Frankish court in the 781, from where he was one of the main scholars to contribute to the Carolingian Renaissance. Alcuin became abbot of the monastery of St Martin of Tours in 796. Caedmon (later seventh century) is the earliest English poet whose name is known, and Caedmon’s Hymn is arguably the earliest known poem in English. According to Bede he became a monk at the monastery of Whitby. The stained glass was made in England and shipped to Sydney in time for the official opening of the Great Hall in 1859. Creator An entity primarily responsible for making the resource White, David Date A point or period of time associated with an event in the lifecycle of the resource 11 February 2012 Rights Information about rights held in and over the resource University of Sydney; David White (photograph in hyperlink) Format The file format, physical medium, or dimensions of the resource Hyperlink Alcuin Alcuin of York Alcuinis Anglo-Saxon Anglo-Saxon Window Bede Cædmon Caedman Caedmon Carolingian Renaissance Charlemagne England Great Hall New South Wales NSW stained glass Sydney University of Sydney Venerable Bede Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Print: Wood Engraving URL <a href="http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab19739/1/mp007581">http://www.slv.vic.gov.au/miscpics/gid/slv-pic-aab19739/1/mp007581</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anniversary of the Establishment of the Eight Hour Day Subject The topic of the resource eight hour day, Labour Day, labour, work, working class, trade union, union, unionism, Millers Union, Amalgamated Millers Union of Victoria, banner, sketch, engraving, Elizabethan Tableau, Tobannonists Tableau, anniversary Description An account of the resource A wood engraving by an artist for the Victorian Millers' Union which commemorates the 35th anniversary of the establishment of the eight hour working day in Victoria. Some historians consider trade unions to be the successors of medieval guilds. Creator An entity primarily responsible for making the resource The Amalgamated Millers Association of Victoria Source A related resource from which the described resource is derived State Library of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 01 May 1891 Rights Information about rights held in and over the resource State Library of Victoria Format The file format, physical medium, or dimensions of the resource Hyperlink; Print: Wood Engraving Language A language of the resource English Amalgamated Millers Union of Victoria anniversary banner Eight Hour Day Elizabethan Tableau engraving labour Labour Day Millers Union sketch Tobannonists Tableau Trade Union union unionism work working class https://ausmed.arts.uwa.edu.au/files/original/f0a56f2ff725c41b421464045f57f76b.jpg 1eff7f2e7ee6d636a9ff7d98e2ac774f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANZ Gothic Bank Interior, Melbourne, Victoria Subject The topic of the resource ANZ, bank, capital, column, English, Scottish & Australian Bank, Gothic, Gothic Revival, lancet window, Allom Lovell & Associates, Melbourne, tracery, Vic, Victoria, William Wardell Description An account of the resource This branch of the ANZ Bank is inside what is known as the ANZ Gothic Bank on the corner of Queen and Collins Streets in Melbourne, Victoria. The building was designed by William Wardell (1823-1899) and built as the English, Scottish & Australian Bank between 1883 and 1887. The building is in the Gothic Revival style and the interior of the branch features lancet windows with stone tracery, iron arches supported by iron columns with decorated columns, and a hand-painted ceiling decorated with gold leaf. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Allom Lovell & Associates ANZ bank capital column English Gothic Gothic Revival lancet window Melbourne Scottish & Australian Bank tracery Vic Victoria William Wardell https://ausmed.arts.uwa.edu.au/files/original/f207ddd6df9b2180194f76e8786fef2a.jpg 7c3fecd3615c1a8d1b9a1d5633a94586 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 600 Width 800 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANZ Gothic Bank, Melbourne, Victoria Subject The topic of the resource ANZ, bank, capital, column, English, Scottish & Australian Bank, Gothic, Gothic Revival, lancet window, Allom Lovell & Associates, Melbourne, tracery, Vic, Victoria, William Wardell Description An account of the resource This branch of the ANZ Bank is inside what is known as the ANZ Gothic Bank on the corner of Queen and Collins Streets in Melbourne, Victoria. The building was designed by William Wardell (1823-1899) and built as the English, Scottish & Australian Bank between 1883 and 1887. The building is in the Gothic Revival style and the interior of the branch features lancet windows with stone tracery, iron arches supported by iron columns with decorated columns, and a hand-painted ceiling decorated with gold leaf. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource February 2013 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Allom Lovell & Associates ANZ bank capital column English Gothic Gothic Revival lancet window Melbourne Scottish & Australian Bank tracery Vic Victoria William Wardell https://ausmed.arts.uwa.edu.au/files/original/ae3d407985cec704ce8edab50a725144.jpg d71a7a664d109d415e14ecabfe2a34fe Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 446 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apse, Christ Church, North Adelaide Subject The topic of the resource Anglican, Anglicanism, Anglo-Norman design, Anglo-Norman, Christian, Christianity, arch, architecture, bishop, Bishop Augustus Short (1802-1883), church, Church of England, churches, building, ecclesiastical, ecclesiastical building, gable, gables, Henry Stuckey, Henry Stuckey (1821-1851), limestone, neo-romanesque, North Adelaide, red brick, rounded arch, SA, sandstone, semi-circular arch, South Australia, stained glass, Victorian Romanesque style Description An account of the resource A view of the neo-romanesque apse at Christ Church, North Adelaide. An apse is an octagonal or semi-circular domed recess that protrudes from the Eastern wall of a church. They were popular additions to transepts in medieval Romanesque architecture. The apse at Christ Church was added in 1851. It is constructed from limestone and red brick with a sandstone trim around the windows. About Christ Church: Christ Church is an Anglican church located in North Adelaide. The foundation stone was laid by Augustus Short, the Bishop of Adelaide, in 1848 and the church, which originally consisted of only the choir and the transept, was consecrated the following year in 1849. It was later extended in 1851 (the apse), 1855 and 1884. Bishop Short had arrived from England with three different building plans, but the Anglo-Norman design of the resulting church has been credited to local architect Henry Stuckey. The building’s Victorian Romanesque features include the relatively small window openings compared to the wall area, the machiolation motif and the semi-circular rounded arches. For more on Christ Church, North Adelaide, see E. J. R. Morgan & S. H. Gilbert, Early Adelaide Architecture: 1836-1886, Oxford University Press, London, 1969, pp.104-105. Creator An entity primarily responsible for making the resource Dorey, Margaret Date A point or period of time associated with an event in the lifecycle of the resource 3 July 2011 Rights Information about rights held in and over the resource No Copyright Relation A related resource <p>Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #476, <a href="../../../items/show/476" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/476</a><br /> <br />Dorey, Margaret, "Christ Church Anglican Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #475, <a href="../../../items/show/475" target="_blank">http://ausmed.arts.uwa.edu.au/items/show/475</a><br /> <br /> Dorey, Margaret, "Neo-Romanesque Apse at Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #478, <a href="../../../items/show/478">http://ausmed.arts.uwa.edu.au/items/show/478</a></p> <p>Dorey, Margaret, "Neo-Romanesque Apse, Christ Church, North Adelaide," in Medievalism in Australian Cultural Memory, Item #480, <a href="../../../items/show/480">http://ausmed.arts.uwa.edu.au/items/show/480</a></p> Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG Anglican Anglicanism Anglo-Norman Anglo-Norman design arch architecture Bishop Bishop Augustus Short (1802-1883) building Christian Christianity Church Church of England churches ecclesiastical ecclesiastical building gable gables Henry Stuckey Henry Stuckey (1821-1851) limestone neo-Romanesque North Adelaide red brick rounded arch SA sandstone semi-circular arch South Australia stained glass Victorian Romanesque style https://ausmed.arts.uwa.edu.au/files/original/185bb4c121f740b8219dea7cf7972e1d.jpg 80252842b459769b1219c59ba653f02b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 336 Width 448 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arched Ceiling and High Windows at St. Mary's Cathedral, East Perth, Western Australia Subject The topic of the resource architecture, cathedral, Catholic, Catholicism, ceiling, church, ecclesiastical building, gothic, gothic revival, lancet window, neo-gothic, Perth, Saint Mary, St. Mary, vaulted ceiling, WA, Western Australia Description An account of the resource An image depicting the interior of St. Mary's Cathdral in East Perth with its gothic arches and high windows. About St Mary’s Roman Catholic Cathedral: St Mary’s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA. It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end. Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanagh’s grand design. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph architect architecture Cathedral Catholic Catholicism ceiling Church ecclesiastical building Gothic Gothic building Gothic Revival lancet window neo-Gothic Perth saint Saint Mary saints St. Mary vaulted ceiling WA Western Australia window windows https://ausmed.arts.uwa.edu.au/files/original/7148db7518e574b0afd15de45540c235.jpg c55b82286e7a2643d2149441166dd0a7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 640 Width 417 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arched Window at the Entrance to St. Joseph's Church, Subiaco Subject The topic of the resource architecture, architect, arch, St. Joseph, Saint Joseph, window, leadlight window, lead-light window, lead-light windows, leadlight windows, stained glass, stained glass window, tracery, bar tracery, arch, heritage, heritage listed, Archdiocese, Archdiocese of Perth, Perth, WA, Western Australia, Subiaco, Archbishop Clure, C.W. Arnot, Edgar Le Blond Henderson, gothic architecture, gothic revival, neo-gothic, gothic, Inter-War Gothic, cross, lancet window, lancet arch, fleur de lis, Catholic, Catholicism, Catholic church, church, Christian, Christianity Description An account of the resource <div class="element-text"> <p>St. Joseph&rsquo;s Roman Catholic Church in Subiaco, Western Australia was designed by architect Edgar L. B. Henderson and built by C. W. Arnot between 1933 and 1937. It is constructed from red brick and pressed cement in an inter-war gothic style common of the 1920s and 1930s. It exhibits many features common to gothic architecture, including pointed gothic arches, lancet windows, elaborate bar tracery in the stained glass windows and blind tracery on the tympana of the doorways, and a large tower and spire.</p> <div class="element-text"> <p>The windows of St Joseph&rsquo;s are a mixture of the early gothic style single (or standalone), lancet windows, collections of two or three single windows positioned side by side, and also the later gothic trend of enclosing multiple lancet windows beneath one arch and separating them with mullions to form larger windows and allow for more light to enter the church.</p> <p>In 2001, the church and presbytery were placed on the Heritage list for WA.</p> For a timeline of the church's history, see <a href="http://www.stjosephssubiaco.org.au/our-parish/history/">http://www.stjosephssubiaco.org.au/our-parish</a></div> </div> Creator An entity primarily responsible for making the resource McEwan, Joanne Date A point or period of time associated with an event in the lifecycle of the resource 14 February 2011 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph arch Archbishop Clure Archdiocese Archdiocese of Perth architect architecture bar tracery C.W. Arnot Catholic Catholic Church Catholicism Christian Christianity Church cross Edgar Le Blond Henderson fleur de lis Gothic gothic architecture Gothic Revival heritage heritage listed Inter-War Gothic lancet arch lancet window lead-light window lead-light windows leadlight window leadlight windows neo-Gothic Perth Saint Joseph St. Joseph stained glass stained glass window Subiaco tracery WA Western Australia window https://ausmed.arts.uwa.edu.au/files/original/dcf62a0b96f8d6a23f73b2676cb69299.jpg 85d6e63bac59f8b4c6e8c65894e9ea83 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2895 Width 2047 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed ‘in plain view’ in Australian public life, as a conspicuous cultural memory ghosting Australia’s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australia’s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arched Window, St. Mary's Cathedral, East Perth Subject The topic of the resource arch, architecture, cathedral, Catholic, Catholicism, church, ecclesiastical building, gothic features, gothic revival, hood moulding, lancet arch, lancet window, leadlight, masonry, neo-gothic, Perth, Saint Mary, stained glass, St. Mary, WA, Western Australia, window Description An account of the resource Image of Gothic style arched window at St. Mary's Cathedral in East Perth, Western Australia. About St Mary’s Roman Catholic Cathedral: St Mary’s Roman Catholic Cathedral is a neo-gothic cathedral located in Perth, WA. It was constructed in four stages between 1865 and 2009. Building of the original brick portion of the cathedral commenced in 1863 but stalled due to lack of funds. It was completed in 1865 when an evening procession of all the Catholic clergy in Perth was held, and the building was blessed and named the Cathedral of the Immaculate Conception. Additions and alterations between 1897 and 1905 emphasised the gothic character of the Cathedral. These included the addition of a steeple, pinnacles, gargoyles and crenellation to the bell tower, and the addition of a porch, an aedicule housing a statute of the Virgin Mary and extra lancet windows to the western end. Following the elevation of Perth to an Archdiocese in 1913, Archbishop Clune began a series of appeals to replace the Cathedral with a grander structure. Well-known WA architect Michael Cavanagh was appointed and produced plans for a completely new limestone Cathedral of Academic Gothic design. Due to financial constraints, however, it was decided to utilise the existing building, which subsequently became the nave, and add only new transepts and a sanctuary. These were completed in 1930 and the Cathedral retained this structure until 2006, when Archbishop Hickey ordered renovations to complete Cavanagh’s grand design. Creator An entity primarily responsible for making the resource Carter, Bree Date A point or period of time associated with an event in the lifecycle of the resource 2010 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Digital Photograph; JPEG arch arches architect architecture Australian Church Cathedral Catholic Catholicism Church ecclesiastical building Gothic Gothic building Gothic Revival hood moulding lancet arch lancet window leadlight masonry neo-Gothic Perth Saint Mary St. Mary stained glass WA Western Australia window windows