25 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.       go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.       search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Virgin of the Offering Subject The topic of the resource Alsace, bronze, Christ, Christianity, Ã‰mile-Antoine Bourdelle (1861-1929), gothic, infant Jesus, Jesus, Madonna, Mary, model, Niederbruck, religious sculpture, Romanesque, sculpture, SA, South Australia, virgin, virgin and child Description An account of the resource This work by French sculptor Émile-Antoine Bourdelle was gifted to the Art Gallery of South Australia by William Bowmore AO OBE, through the Art Gallery of South Australia Foundation in 1994. It is a 2.5m tall bronze sculpture of the Virgin Mary holding the infant Jesus aloft. Along with similar sculptures held by the National Museum of Western Art in Tokyo and the National Galleries of Scotland (titled La Vierge d’Alsace), this work appears to be a model for Bourdelle’s much larger 6m tall stone carving of the subject, which was completed in 1922 and is situated on a hill in Niederbruck, Alsace, France. Bourdelle studied sculpture at the École des Beaux-Arts in Paris after training as a wood-carver with his father, and entered Rodin’s studio as a practitioner in 1893. He incorporated both subjects and techniques from Ancient Greek and medieval sculpture into his work. In ‘Virgin and the Offering’, his admiration of gothic and medieval religious art is evident in his choice of subject, while his use of simplified forms is reminiscent of earlier Romanesque sculpture. On the Gothic and Romanesque influences of Bourdelle’s work, see the catalogue description of NG Scotland’s La Vierge d’Alsace at: <a href="http://www.nationalgalleries.org/object/GMA%202" target="_blank">http://www.nationalgalleries.org/object/GMA 2</a>. Creator An entity primarily responsible for making the resource Bourdelle, Ã‰mile-Antoine Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1921 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Bronze Sculpture, 250 x 90 x 70cm; Hyperlink Ã‰mile-Antoine Bourdelle (1861-1929) Alsace bronze Christ Christianity Gothic infant Jesus Jesus Madonna Mary model Niederbruck religious sculpture Romanesque SA sculpture South Australia virgin virgin and child Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.  go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/detail.jsp?ecatKey=526" target="_blank">2.   search by artist or title. </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bouguereauâ€™s Virgin and Child Subject The topic of the resource art, artwork, child, Christ Child, crucifixion, devotional art, devotional, gaze, halo, icon, infant Jesus, Madonna, Mary, nostalgia, religious, religion, religious art, SA, South Australia, virgin, Virgin Mary, William Adolphe Bouguereau (1825-1905) Description An account of the resource This work by William Adolphe Bouguereau was acquired by the Art Gallery of South Australia in 1899 with funds from the Elder Bequest. It depicts the Virgin Mary, clothed in a dark green dress with gold trim and seated against a backdrop of rich gold cloth, holding the infant Jesus on her lap. The childâ€™s arms are outstretched in a crucifixion pose. Although this painting dates from the nineteenth century (1888), it is strongly reminiscent of devotional religious art from the medieval period. The colours and composition are generally similar to those employed by medieval artists, while Maryâ€™s downcast gaze and the use of gold circles to represent halos recreate more specific motifs that were common in medieval representations of the Madonna and Child. Creator An entity primarily responsible for making the resource Bourguereau, William Adolphe Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource 1888 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink; Oil on Canvas, 176 x 102.8 cm art artwork child Christ Child crucifixion devotional devotional art gaze halo icon infant Jesus Madonna Mary nostalgia religion religious religious art SA South Australia virgin Virgin Mary William Adolphe Bouguereau (1825-1905) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data plaster cast reinforced with fibre, watercolour wash and pencil grid marks Physical Dimensions The actual physical size of the original image. Overall: 30.0 x 30.0 x 18.0 cm URL <a href="http://cas.awm.gov.au/item/ART90767?image=2">http://cas.awm.gov.au/item/ART90767?image=2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Koala Gargoyle Subject The topic of the resource animal, Australian animal, Australian War Memorial, cast, Commemorative Courtyard, gargoyle, koala, medieval architecture, Melbourne, model, ornamentation, plaster cast, Raymond Ewers, sandstone, sculpture, William Leslie Bowles, war, war memorial, water. Description An account of the resource This plaster model for a gargoyle depicts the head of a koala. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace. Creator An entity primarily responsible for making the resource Bowles, Leslie (Artist); Ewers, Raymond Boultwood (Cast by) Source A related resource from which the described resource is derived Australian War Memorial Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource 1939 Rights Information about rights held in and over the resource Australian War Memorial Format The file format, physical medium, or dimensions of the resource Hyperlink Type The nature or genre of the resource Photograph animal Australian Australian War Memorial Commemorative Courtyard gargoyle koala leslie bowles medieval architecture Melbourne memorial plaster cast plaster model raymond ewers sandstone sculptor sculpture war war memorial water Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data plaster cast reinforced with fibre, watercolour wash and pencil grid marks Physical Dimensions The actual physical size of the original image. Overall: 30.5 x 29.5 x 17.5 cm URL <a href="http://cas.awm.gov.au/item/ART93418?image=2">http://cas.awm.gov.au/item/ART93418?image=2</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Opossum Gargoyle Subject The topic of the resource animal, cast, Commemorative Courtyard, gargoyle, medieval architecture, memorial, Melbourne, model, opossum, ornamentation, plaster cast, Ray Ewers, sandstone, war, war memorial, water, William Leslie Bowles. Description An account of the resource This plaster model for a gargoyle depicts the face of an opossum. The plaster model was created in the studio of William Leslie Bowles in Melbourne with the assistance of sculptor, Ray Ewers. In 1940 and 1941 the plaster cast was used as the template for a stonemason to carve an in-situ sandstone gargoyle in the cloisters of the Commemorative Courtyard of the Australian War Memorial. This plaster cast has a hole in the mouth of the opossum for a spout. Gargoyles were a common feature in medieval architecture. They were used to divert running water away from buildings before drainpipes became commonplace. Creator An entity primarily responsible for making the resource Bowles, William Leslie (Artist); Ewers, Raymond Boultwood (Cast by) Source A related resource from which the described resource is derived Australian War Memorial Publisher An entity responsible for making the resource available Australian War Memorial Date A point or period of time associated with an event in the lifecycle of the resource 1939 Rights Information about rights held in and over the resource Australian War Memorial Format The file format, physical medium, or dimensions of the resource Hyperlink to photograph Type The nature or genre of the resource Photograph cast Commemorative Courtyard gargoyle medieval architecture Melbourne memorial opossum plaster cast plaster model Ray Ewers sandstone sculptor sculpture war war memorial water William Leslie Bowles https://ausmed.arts.uwa.edu.au/files/original/1a05012cd740e44808fa2aded8d180d0.pdf f7aca67460c5e896cf32e19c54dc7730 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data <a href="http://nla.gov.au/nla.news-article55892428" target="_blank">http://nla.gov.au/nla.news-article55892428</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Viking Raiders Subject The topic of the resource Adelaide, Brian Bowley, The Mail, Viking, vikings, SA, ship, ships, South Australia Description An account of the resource Amongst the comics and list of pen friends on page 6 of the Supplement in Adelaideâ€™s The Mail newspaper on July 5, 1947, was a copied drawing of a Viking ship under full sail by Brian Bowley, aged 11. Images of Viking-style ships are known from medieval sources, including the Bayeux Tapestry, as well as archaeological excavations. Creator An entity primarily responsible for making the resource Bowley, Brian Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Mail Date A point or period of time associated with an event in the lifecycle of the resource 5 July 1947 Rights Information about rights held in and over the resource National Library of Australia, The Mail Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English Adelaide Brian Bowley SA ship ships South Australia The Mail viking vikings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data An address made by the Hon. Sir Gerard Brennan AC KBE, Chief Justice of Australia URL <a href="http://www.highcourt.gov.au/speeches/brennanj/brennanj_magna.htm">http://www.highcourt.gov.au/speeches/brennanj/brennanj_magna.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource An Address On the Occasion of the Naming of Magna Carta Place, Langton Crescent, Canberra Subject The topic of the resource Magna Carta, speech, address, naming, SIr Gerard Brennan, English Law, equity, freedom, Australian law, legal, Canberra, Australian government Description An account of the resource An address made by the Hon. Sir Gerard Brennan at the naming of Magna Carta Place in Canberra. He justifies the naming by arguing that the Magna Carta and the ideologies it represents contribute to the creation of a valuable and "enduring myth [in Australian] lives and...law." Creator An entity primarily responsible for making the resource Brennan, Hon. Sir Gerard Source A related resource from which the described resource is derived High Court of Australia Date A point or period of time associated with an event in the lifecycle of the resource 12 October 1997 Rights Information about rights held in and over the resource High Court of Australia Format The file format, physical medium, or dimensions of the resource Hyperlink; Address/Speech Language A language of the resource English address Australian government Australian law Australian place names Canberra English Law equity freedom legal Magna Carta naming place place name place names SIr Gerard Brennan speech Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.artgallery.nsw.gov.au/collection/works/811/" target="_self">http://www.artgallery.nsw.gov.au/collection/works/811/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Requiescat" by Briton RiviÃ¨re Subject The topic of the resource Armor, armour, art, bed, bloodhound, breastplate, burial rites, byrnie, chain mail, chainmail, coif, couter, cuisses, death, dog, epitaph, greaves, hauberk, helmet, hood, knight, mail, maille, pauldron, plate armour, poleyn, rerebrace, rest, shynbald, sabaton, soul, vambrace, wreath. Description An account of the resource This oil on canvas painting by English artist Briton Rivière was purchased by the Art Gallery of New South Wales (from the artist) in 1897-1898. Completed in 1888, it depicts an armoured medieval knight lying supine on top of a wooden bed and blue floral-patterned bedspread while a dog (usually identified as a bloodhound) gazes up at him. A wreath on the knight’s chest suggests that he is dead, as does the title of the painting: “Requiescat”. Based on the role of the requiem mass in Catholic burial rites, the term “requiescat” (which literally means "rest") refers to a prayer for the repose of the dead, as expressed in the common epitaph “rest in peace”. The knight in this painting is wearing a chain mail byrnie (or hauberk) and various pieces of plate armour, including a breastplate, pauldrons to protect the shoulders, rerebraces and vambraces on his arms, cuisses, poleyns and greaves on his legs and metal shoes known as sabatons. Plate armour began to replace mail armour from the fourteenth century. For more on the artist, see Simon Reynolds, ‘Riviere, Briton (1840–1920)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 [http://www.oxforddnb.com/view/article/35766]. Creator An entity primarily responsible for making the resource Briton RiviÃ¨re (1840-1920) Source A related resource from which the described resource is derived The Art Gallery of New South Wales Publisher An entity responsible for making the resource available The Art Gallery of New South Wales Date A point or period of time associated with an event in the lifecycle of the resource 1888 Rights Information about rights held in and over the resource The Art Gallery of New South Wales Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 158.7cm x 225cm Armor Armour art bed bloodhound breastplate burial rites byrnie chain mail chainmail coif couter cuisses death dog epitaph greaves hauberk helmet hood knight mail maille pauldron plate armour poleyn rerebrace rest sabaton shynbald soul vambrace wreath Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Hyperlink Title, URL, Description or annotation. URL <a href="http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html">http://news.domain.com.au/domain/architects/golden-era-of-neogothic-20101112-17qbi.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Golden era of neo-Gothic', Domain Website Subject The topic of the resource ANZ, ANZ Gothic Bank, bank, Jenny Brown, Domain, English, Scottish and Australian Chartered Bank, Gothic, Gothic Revival, Melbourne, neo-Gothic, Old Stock Exchange, William Pitt, pointed arch, Safe Deposit, Vic, Victoria, William Wardell, website Description An account of the resource This 2010 article by Jenny Brown for the Domain website is about the late nineteenth century Gothic Revival architecture in Melbourne, Victoria. The article focusses on what is now known as the ANZ Gothic Bank on the corner of Collins and Queen Street, comprising the former English, Scottish and Australian Chartered Bank, Old Stock Exchange, and Safe Deposit buildings. The buildings were designed by William Wardell and William Pitt. Creator An entity primarily responsible for making the resource Brown, Jenny Date A point or period of time associated with an event in the lifecycle of the resource November 13, 2010 Rights Information about rights held in and over the resource Domain, Jenny Brown Format The file format, physical medium, or dimensions of the resource Online article Language A language of the resource English ANZ ANZ Gothic Bank bank Domain English Gothic Gothic Revival Jenny Brown Melbourne neo-Gothic Old Stock Exchange pointed arch Safe Deposit Scottish and Australian Chartered Bank Vic Victoria website William Pitt William Wardell