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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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Carnevale is a traditional community festival that temporarily promotes disorder and frivolity using masquerade, cross-dressing, music, dance and the popular or ritualised ridicule of authority figures. In the medieval period, it came to be strongly associated with the Catholic period of Lent. Carnevale was thereafter regarded as a time for festivity and light-hearted jest beginning with the Feast of the Epiphany and lasting until Shrove Tuesday, when the church bells would toll to signal the beginning of Lent.</text>
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                <text>Costumed revellers parading down Fremantleâ€™s cappuccino strip in Western Australia during the 2011 Fremantle Carnevale parade.&#13;
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&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac   (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and   're-creation' of Medieval and Early Modern cultures and their histories   before the seventeenth century. As the prime example of a 'living   history' group, members of the SCA aim to re-create the past through   applying elements of historical knowledge to a practical engagement with   Medieval and Early Modern crafts, martial arts, science, metalwork and   cooking (for example). The Society was created by graduates of the   University of Berkley in California in the 1960s and has since branched   out to include 19 kingdoms, with over 30,000 members in locations  across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;Members of the Society for Creative Anachronism (SCA) fighting in a  tournament known as 'the College Challenge.' The battle depicted in  these images was fought between members from both St. Basil (UWA) and  St. Lazarus (Murdoch). In Perth, Western  Australia, these are only two chapters of the SCA which are based in  colleges.&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism&lt;/strong&gt; is an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.&lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand. &lt;br /&gt; &lt;br /&gt; Information regarding &lt;strong&gt;the College of St. Basil the Great &lt;/strong&gt;can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;p&gt;Members of the Society for Creative Anachronism dressed in armour in  preparation for a battle at the College Challenge, 2010, between St.  Basil's (UWA) and St. Lazarus (Murdoch). In Perth, Western Australia, these are the only two chapters of the SCA  which are based in colleges.&lt;/p&gt;&#13;
&lt;p&gt;About the Society for Creative Anachronism and the Kingdom of Lochac  (the Australian and New Zealand regional branch of the SCA):  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Society for Creative Anachronism &lt;/strong&gt;is  an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.  &lt;br /&gt; &lt;br /&gt; &lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand.  &lt;br /&gt; &lt;br /&gt; Information regarding the &lt;strong&gt;College of St. Basil the Great&lt;/strong&gt; (UWA) can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;&lt;/p&gt;</text>
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                <text>St Albanâ€™s Anglican Church, Highgate. St Albanâ€™s is a small limestone parish church located in Highgate, Western Australia. Built in 1889 (with enlargements in 1898) in a Victorian Romanesque style, it is one of the earliest buildings designed by well-known WA architect Sir J. J. Talbot-Hobbs (1864-1938). Its characteristically romanesque features include the semi-circular arches, the traditional load-bearing masonry of the buttresses and solid walling, and the small window and door openings in relation to the overall wall area. The window of the nave contains stained three stained glass images of St Alban, St George and St Michael. The latter two were originally purchased for St Georgeâ€™s Cathedral, but upon arrival were discovered to be the wrong shape and were donated to St Albanâ€™s. Other windows depict St Luke, Christ and the Disciples and The Virgin Mary and Child. A bell was also donated by St Georgeâ€™s Cathedral. The St Albanâ€™s church Hall was used briefly as a preparatory school by The Sisters of the Church of England between 1907 and 1915.</text>
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                <text>The Centennial International Exhibition</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15612">
                <text>arch, architecture, Brunelleschi, building, Carlton Gardens, centennial, Centennial International Exhibition, dome, exhibition, exhibition building, engraving, engravings, Samuel Calvert, Florence Cathedral, Great Hall, industry, international exhibition, Italian influence, Joseph Reed (c.1823-1890), Melbourne, Royal Exhibition Building, rounded arches, Rundbogenstil style, semi-circular arches, showcase, Victoria, World Fair</text>
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            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15613">
                <text>An image of the Royal Exhibition Building during the Centennial International Exhibition in 1888, from the Illustrated Australian News. The Royal Exhibition Building was designed by architect Joseph Reed and completed in 1880. The round-arched architectural style of the design combines elements from Byzantine, Romanesque, Lombardic and Italian Renaissance buildings (â€˜Rundbogenstilâ€™). The dome specifically was modelled on Brunelleschiâ€™s fifteenth-century design for the dome of the Florence Cathedral. Conservation and restoration of the building was completed in 1994, and the Royal Exhibition Building received National and World Heritage listing in 2004.&#13;
&#13;
The Royal Exhibition Building hosted two major world fairs in the late nineteenth century: the Melbourne International Exhibition in 1880 (for which purpose it was constructed), and then the Melbourne Centennial International Exhibition in 1888. The Great Hall was also used for the opening of the first Commonwealth Parliament of Australia in 1901.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15614">
                <text>Calvert, Samuel</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="15615">
                <text>State Library of Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="15616">
                <text>Illustrated Australian News</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15617">
                <text>15 August 1888</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15618">
                <text>State Library of Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="15619">
                <text>Newspaper Illustration; Hyperlink</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="512">
        <name>arch</name>
      </tag>
      <tag tagId="74">
        <name>architecture</name>
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      <tag tagId="1493">
        <name>Brunelleschi</name>
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      <tag tagId="433">
        <name>building</name>
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      <tag tagId="1494">
        <name>Carlton Gardens</name>
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      <tag tagId="1495">
        <name>centennial</name>
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      <tag tagId="1496">
        <name>Centennial International Exhibition</name>
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      <tag tagId="1497">
        <name>dome</name>
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      <tag tagId="1016">
        <name>engraving</name>
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      <tag tagId="3737">
        <name>engravings</name>
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      <tag tagId="1128">
        <name>exhibition</name>
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      <tag tagId="1499">
        <name>exhibition building</name>
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      <tag tagId="1500">
        <name>Florence Cathedral</name>
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      <tag tagId="907">
        <name>Great Hall</name>
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      <tag tagId="214">
        <name>industry</name>
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      <tag tagId="1501">
        <name>international exhibition</name>
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      <tag tagId="799">
        <name>Italian influence</name>
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      <tag tagId="1502">
        <name>Joseph Reed (c.1823-1890)</name>
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      <tag tagId="104">
        <name>Melbourne</name>
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      <tag tagId="1507">
        <name>rounded arches</name>
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      <tag tagId="1506">
        <name>Royal Exhibition Building</name>
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      <tag tagId="1508">
        <name>Rundbogenstil style</name>
      </tag>
      <tag tagId="3714">
        <name>Samuel Calvert</name>
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      <tag tagId="1436">
        <name>semi-circular arches</name>
      </tag>
      <tag tagId="1509">
        <name>showcase</name>
      </tag>
      <tag tagId="890">
        <name>Victoria</name>
      </tag>
      <tag tagId="1510">
        <name>World Fair</name>
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    </tagContainer>
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</itemContainer>
