24 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://www.aaf.org.au/displays">http://www.aaf.org.au/displays</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancient Arts Fellowship Educational Sessions, Canberra Subject The topic of the resource ACT, Alfred the Great, Ancient Arts Fellowship, Anglo-Saxon, armour, Australian Capital Territory, Canberra, clothing, costume, craft, Dark Ages, display, early medieval, education, language, law, monetary system, Norman, Old English, performance, re-creation, re-enactment, religion, school, school displays, society, Viking, website, William the Conqueror. Description An account of the resource Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the ‘Dark Ages’, or early medieval period, especially the 8th century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. The group run educational classes for school groups from primary through to tertiary students. The sessions usually run for two hours and include a mixture of fighting and speaking. They have a number ‘Display Packages’ to choose from that focus on major figures such as Alfred the Great and William the Conqueror, and various aspects of society including crafts, clothing, the Old English language, religion, law, monetary systems, armour and weapons. For their website see <a href="http://www.aaf.org.au/displays">http://www.aaf.org.au/displays</a> Creator An entity primarily responsible for making the resource Ancient Arts Fellowship, Inc Rights Information about rights held in and over the resource Ancient Arts Fellowship, Inc Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1075</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1069</a> Format The file format, physical medium, or dimensions of the resource Website ACT Alfred the Great Ancient Arts Fellowship Anglo-Saxon Armour Australian Capital Territory Canberra clothing costume craft Dark Ages display early medieval education language law monetary system Norman Old English performance re-creation re-enactment religion school school displays society viking website William the Conqueror. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Hyperlink Title, URL, Description or annotation. URL <span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"><a href="http://www.aaf.org.au/beorg-wic">http://www.aaf.org.au/beorg-wic</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancient Arts Fellowship, Beorg-wic Subject The topic of the resource ACT, Ancient Arts Fellowship, archery, Australian Capital Territory, Beorg-wic, Canberra, clothing, craft, Danegeld, Danelaw, Dark Ages, early medieval, feast, Old English, re-creation, re-enactment, Viking, Vinland Coffee House, website. Description An account of the resource Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the ‘Dark Ages’, or early medieval period, especially the 8th century through to the Norman invasion of England in 1066. Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. They hold an annual camping weekend in October at Beorg-wic, part of The Danelaw property (named after the part of England settled by Vikings and where aspects of Danish law was used). During the weekend re-enactors participate in fighting, craft, archery, and feasting. Payment for the event is referred to as Danegeld (a payment made to make Vikings not attack), and catering is provided by the Vinland Coffee House (Vinland was the name given by Viking explorers for part of north America. Beorg-wic is Old English for hill settlement. For their website see <a href="http://www.aaf.org.au/beorg-wic">http://www.aaf.org.au/beorg-wic</a> Creator An entity primarily responsible for making the resource Ancient Arts Fellowship, Inc Rights Information about rights held in and over the resource Ancient Arts Fellowship, Inc Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1069" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1069</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1071</a> Format The file format, physical medium, or dimensions of the resource Hyperlink ACT Ancient Arts Fellowship Archery Australian Capital Territory Beorg-wic Canberra clothing craft Danegeld Danelaw Dark Ages early medieval feast Old English re-creation re-enactment viking Vinland Coffee House. website Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <a href="http://www.aaf.org.au/" target="_self"><span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;">http://www.aaf.org.au/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancient Arts Fellowship, Canberra Subject The topic of the resource ACT, Ancient Arts Fellowship, Anglo-Saxon, archery, armour, Australian Capital Territory, Bayeux Tapestry, bows, Canberra, costume, Dark Ages, early medieval, education, feast, jewellery, Norman, performance, re-creation, re-enactment, Viking, website, William the Conqueror. Description An account of the resource Ancient Arts Fellowship, Inc. is a medieval re-enactment group based in Canberra in the Australian Capital Territory. They focus on the ‘Dark Ages’, or early medieval period, especially the 8th century through to the Norman invasion of England in 1066 (images about this event from the Bayeux tapestry are featured on their website). Geographically the focus is on northern Europe and Britain, featuring such peoples as Anglo-Saxons, Normans, and Vikings. Members participate in combat, arts and crafts, and food, with their website claiming that you can ‘feast on food that William the Conqueror [c. 1028-1087] would have eaten’. The group run educational classes for school groups and do public performances. For their website see <a href="http://www.aaf.org.au/">http://www.aaf.org.au/</a>   Creator An entity primarily responsible for making the resource Ancient Arts Fellowship, Inc Rights Information about rights held in and over the resource Ancient Arts Fellowship, Inc Relation A related resource <a href="http://ausmed.arts.uwa.edu.au/items/show/1075" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1075</a> <a href="http://ausmed.arts.uwa.edu.au/items/show/1071" target="_self">http://ausmed.arts.uwa.edu.au/items/show/1071</a> Format The file format, physical medium, or dimensions of the resource Website ACT Ancient Arts Fellowship Anglo-Saxon Archery Armour Australian Capital Territory Bayeux Tapestry bows Canberra costume Dark Ages early medieval education feast jewellery Norman performance re-creation re-enactment viking website William the Conqueror. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ballaratgenealogy.org.au/digby/dg-aof.htm">http://www.ballaratgenealogy.org.au/digby/dg-aof.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancient Order of Foresters Hall, Digby, Victoria. Subject The topic of the resource Ancient Order of Foresters, Foresters, Friendly Society, Friendly Societies, Foresters Friendly Society, Digby, Victoria, hall, court, courts, Hamilton Spectator Description An account of the resource Link to photograph taken at the opening of the Ancient Order of Foresters Hall at Digby, Victoria in September 1873. The link also provides extracts from the Hamilton Spectator regarding the establishment of the Hall. About the Ancient Order of Foresters: The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The 'Ancient Order' in the friendly society's title probably refers to the medieval origins of foresters. The term entered Middle English via Old French and is first attested in English in 1297. A forester was an officer in charge of a forest, or of growing timber on an estate (Oxford English Dictionary).The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849. The Foresters are a non-profit organisation. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars. Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were utilised for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods. In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated members, has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." <a href="http://www.forestersfs.com.au/1history.html">http://www.forestersfs.com.au/1history.html</a>   Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived <a href="http://www.ballaratgenealogy.org.au/digby/dg-aof.htm">http://www.ballaratgenealogy.org.au/digby/dg-aof.htm</a> Publisher An entity responsible for making the resource available The Hamilton Spectator Date A point or period of time associated with an event in the lifecycle of the resource September 1873 Rights Information about rights held in and over the resource <a href="http://www.ballaratgenealogy.org.au/digby/dg-aof.htm">http://www.ballaratgenealogy.org.au/digby/dg-aof.htm</a> Format The file format, physical medium, or dimensions of the resource Photograph Ancient Order of Foresters court courts Digby Foresters Foresters Friendly Society friendly societies friendly society hall Hamilton Spectator Victoria https://ausmed.arts.uwa.edu.au/files/original/b5da4c166dc8bd0a68c596d6fd3c84e3.pdf 001a63fdfc7a4a7f35c165679509327b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Page Description An account of the resource This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancient Viking Ships Subject The topic of the resource Brisbane, Gokstad, Norway, Norwegian, QLD, Queensland, The Queenslander, reconstruction, ship, ships, shipbuilding, Viking, vikings Description An account of the resource An article on page 46 of the Brisbane newspaper The Queenslander on May 26, 1932. The public interest piece reports on the decision of the Norwegian government to reconstruct the Viking-Age Gokstad ship from the pieces recovered during excavation. It is suggested that the Gokstad ship would be the worlds oldest seagoing ship. The final paragraph of the article, which begins with â€˜There was a virile romance about the vikings and their shipsâ€™, claims that it was a Viking tradition for captives to be tied down and crushed by the ships when they hit the water when being launched. Not surprisingly, this â€˜factâ€™ is not found in modern scholarly works about the Vikings. Creator An entity primarily responsible for making the resource Anon Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The Queenslander Date A point or period of time associated with an event in the lifecycle of the resource 26 May 1932 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource Newspaper Article; PDF Language A language of the resource English Brisbane Gokstad Norway Norwegian Qld Queensland reconstruction ship shipbuilding ships The Queenslander viking vikings Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1.       go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank">http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2.       search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ancilla Domini; or, Handmaid or â€˜maid servantâ€™ of the Lord Subject The topic of the resource Adam, angel, Annunciation, Art, colour, curtain, Eden, Eve, Gabriel, lilies, Mary, Pre-Raphaelite, religious art, Renaissance art, rose, Rupert Bunny (1864-1947), SA, South Australia, symbolism, vermillion, virgin Description An account of the resource This work by Australian artist Rupert Bunny was acquired by the Art Gallery of South Australia in 1996. It depicts the religious subject of the Annunciation, when the angel Gabriel descended from heaven to tell Mary that she would conceive the son of God. An angel dressed in white stands with one arm outstretched before the kneeling figure of Mary. The angel holds white lilies, while Mary clutches a white rose and is surrounded by pink roses. The background is dominated by a bold vermillion red curtain and a wall hanging showing Adam and Eve being cast from the Garden of Eden by a sword-wielding angel. This work dates from the 1890s, a time when Bunny was preoccupied with biblical themes. He was influenced by the symbolists of the nineteenth century and also the Pre-Raphaelites, as is evidenced here by “a return to the detailed, brightly coloured and symbolically rich art of the early Italian Renaissance” (See the accompanying information pages on the Art Gallery of South Australia’s website at: <a href="http://www.artgallery.sa.gov.au/TLF/964p25/" target="_blank">http://www.artgallery.sa.gov.au/TLF/964p25/</a>). Creator An entity primarily responsible for making the resource Bunny, Rupert Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1896 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Oil on Canvas, 100.3 x 110.4cm; Hyperlink Adam angel Annunciation art colour curtain Eden Eve Gabriel lilies Mary Pre-Raphaelite religious art Renaissance art rose Rupert Bunny (1864-1947) SA South Australia symbolism vermillion virgin https://ausmed.arts.uwa.edu.au/files/original/57c5db1bf1988cf905d752c3a8a4d1d9.pdf 14c19309768b68c4e882fd418ecc6b8e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Newspaper Article; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anglican Church Dispute: Use of Vestments Subject The topic of the resource Anglican, Anglicanism, Archbishop of Sydney, canon law, Catholic, Catholicism, chasuble, Church hierarchy, Diocese of Sydney, dispute, ecclesiastical authority, ecclesiastical dress, ecclesiastical sanction, John Charles Wright (1861-1933), medieval Catholicism, medieval religion, medieval theology, memorial, Prayer Book, Protestantism, Reformation, religion, religious practice, Sydney, theology, vestments Description An account of the resource In this article, a summary is provided of the Archbishop of Sydneyâ€™s response to a memorial regarding the controversial debate over the wearing of vestments by Anglican clergy. According to Dr Wright, the article reports, the use of vestments was deliberately discarded by the Anglican Church at the reformation along with other aspects of medieval theology, and the â€œrevivalâ€ of vestments equated to â€œa deliberate reintroduction of medieval usageâ€. He therefore would not sanction the use of vestments until the canon law was altered to make the practice legal. John Charles Wright was appointed Archbishop of Sydney in 1909. He was known for his adherence to laws of the Church, and for his insistence that his role was to administer the existing laws, not devise new ones. He was particularly opposed to the use of the chasuble by Anglican clergy, and made clergy within his diocese agree not to wear them. See Stephen E. Judd, â€œWright, John Charles (1861-1933)â€, Australian Dictionary of Biography, Volume 12, Melbourne University Press, 1990, pp. 585-586. Creator An entity primarily responsible for making the resource Anon. Source A related resource from which the described resource is derived National Library of Australia Publisher An entity responsible for making the resource available The West Australian Date A point or period of time associated with an event in the lifecycle of the resource 27 July 1910 Rights Information about rights held in and over the resource The West Australian Format The file format, physical medium, or dimensions of the resource Newspaper Article Anglican Anglicanism Archbishop of Sydney Canon law Catholic Catholicism chasuble Church hierarchy Diocese of Sydney dispute ecclesiastical authority ecclesiastical dress ecclesiastical sanction John Charles Wright (1861-1933) medieval Catholicism medieval religion medieval theology memorial Prayer Book Protestantism Reformation religion religious practice Sydney theology vestments https://ausmed.arts.uwa.edu.au/files/original/0c0651628d6a761dee0db5468ab815ed.JPG 874cc38d11284a1258ca19aa8e4aa4d5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 2592 Width 1944 https://ausmed.arts.uwa.edu.au/files/original/9edec324ec06daa971fbac9223b2abb6.JPG acbff8684ee452e93dd037af2d3d7d51 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1944 Width 2592 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Digital Photograph; JPEG Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anglican Church of the Good Shepherd, Hadspen, Tasmania Subject The topic of the resource Anglican, buttress, church, Church of the Good Shepherd, England, Gothic, Gothic Revival, W.G. & E. Habershon, Hadspen, lancet window, Lutterworth, pointed arch, Thomas Reibey, Tas, Tasmania. Description An account of the resource The Anglican Church of the Good Shepherd is in the town of Hadspen, Tasmania. Archdeacon Thomas Reibey of Hadspen had the plans for the church drawn up by W.G. & E. Habershon of London and the foundation stone was laid in 1868. Reibey was largely funding the church himself and following a scandal he resigned from office in 1870, leaving the building unfinished and missing a roof. A scaled down version of the original design was finally completed in 1961. The original church design was based on the medieval Gothic parish church of St Maryâ€™s in the English village of Lutterworth, Leicestershire. The Church of the Good Shepherd is built of bluestone in the Gothic Revival style and features a pointed arched entrance and window mouldings, lancet windows, and buttresses. Creator An entity primarily responsible for making the resource McLeod, Shane Date A point or period of time associated with an event in the lifecycle of the resource August 20, 2012 Rights Information about rights held in and over the resource No Copyright Format The file format, physical medium, or dimensions of the resource 2xDigital Photograph Anglican buttress Church Church of the Good Shepherd England Gothic Gothic Revival Hadspen lancet window Lutterworth pointed arch Tas Tasmania. Thomas Reibey W.G. & E. Habershon