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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&amp;lsquo;Melbourne Investiture: Honours Conferred with Sword&amp;rsquo;, &lt;em&gt;The West Australian&lt;/em&gt;, 6 November 1937</text>
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                <text>This article from &lt;em&gt;The West Australian&lt;/em&gt; in 1937 reports on a number of new knighthoods awarded as part of the King&amp;rsquo;s Coronation Honours. For the first time, the article informs readers, the recipients were &amp;lsquo;dubbed&amp;rsquo; by the Governor-General, Lord Gowrie, at Parliament House during a &amp;lsquo;ceremony of medieval pageantry&amp;rsquo;. The ceremony was undertaken with the permission of the King, who was traditionally the only figure with the authority to confer honours with a sword. The act of dubbing involves a light blow to the shoulders of a kneeling recipient with the flat side of a sword. Dubbing is an essential part of the public investiture ceremony and dates to the medieval period.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article41446579" target="_self"&gt;http://nla.gov.au/nla.news-article41446579&lt;/a&gt;</text>
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                <text>&lt;em&gt;The West Australian&lt;/em&gt;</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Evandale Village Singers present Henry Purcellâ€™s â€˜King Arthurâ€™ </text>
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                <text>Advertisement, St Andrewâ€™s Anglican Church, The British Worthy, Britons, choir, John Dryden, Evandale, Evandale Village Singers, Freya, King Arthur, music, Norse, opera, performance, poster, Henry Purcell, Restoration, Saxons, Tas, Tasmania, Thor, Woden.</text>
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                <text>&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;This poster advertises two performances of Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; by the Evandale Village Singers in late October 2012 at St Andrew&amp;rsquo;s Anglican Church in Evandale. Henry Purcell&amp;rsquo;s &amp;lsquo;King Arthur&amp;rsquo; is a Restoration-period opera set in the early medieval period with a libretto by John Dryden. It was first performed in 1691. The plot deals with Arthur, king of the Briton&amp;rsquo;s, and his battles against the incoming Saxons, which historically would have taken place in the fifth or sixth centuries. The text mentions the Anglo-Saxon deities Woden and&lt;br /&gt;Thor (Old English Thunor), as well as the Norse goddess Freya. &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-ansi-language: EN-US;" lang="EN-US"&gt;The Evandale Village Singers are choir based in the northern Tasmanian town of Evandale who formed in 1999. For more see &lt;a href="http://www.anca.org.au/choir-view/1302"&gt;http://www.anca.org.au/choir-view/1302&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Josephâ€™s Catholic Church exterior, Hobart, Tasmania</text>
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                <text>Buttress, Catholic, convict, crenellation, finial, Gothic, Hobart, lancet windows, parapet, pointed arch, Tas, Tasmania, John Joseph Therry, Alexander Thompson, tower, Robert William Willson, Bishop Willson.</text>
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                <text>&lt;p&gt;St Joseph&amp;rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart, Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. The tower was completed in 1843 and a side chapel added in 1877. It was the principal Catholic church in Tasmania until St Mary&amp;rsquo;s Cathedral was completed in 1866, so Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict Alexander Thompson (1805-1860), and it was built using convict labour. It is in the Gothic Revival style with pointed arch windows and doorways, buttresses, a crenelated parapet on top of the tower, lancet windows, and pointed corner finials on the tower and the side of the church.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1129&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on St Joseph&amp;rsquo;s see &lt;a href="http://www.passionistshobart.org.au/"&gt;http://www.passionistshobart.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>McLeod, Shane</text>
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                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1129" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1129&lt;/a&gt;</text>
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                <text>Digital Photograph</text>
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        <name>Alexander Thompson</name>
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        <name>Bishop Willson</name>
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        <name>buttress</name>
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        <name>Catholic</name>
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        <name>Hobart</name>
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        <name>John Joseph Therry</name>
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        <name>lancet windows</name>
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        <name>parapet</name>
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        <name>pointed arch</name>
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        <name>Robert William Willson</name>
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        <name>Tasmania</name>
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        <name>tower</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>Digital Photograph; JPEG</text>
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                <text>St Luke the Physicianâ€™s Church interior, Richmond, Tasmania </text>
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                <text>Anglican, John Lee Archer, Bishop Broughton, convict, Gothic, Gothic Revival, Old French, pointed arch, Richmond, Romanesque, roof trusses, St Luke the Physicianâ€™s Church, Tas, Tasmania, James Thompson, tracery. </text>
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            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. It was designed by architect John Lee Archer and built with convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The building is primarily in the Romanesque style with semi-circular windows, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. The timber work inside the building was done by convict James Thompson, who was granted his freedom as reward. The ceiling of the church feature timber trusses, derived from Old French &amp;lsquo;trousse&amp;rsquo;: &amp;lsquo;a collection of things bound together&amp;rsquo;.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1121"&gt;http://ausmed.arts.uwa.edu.au/items/show/1121&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28592">
                <text>McLeod, Shane</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28593">
                <text>October 5, 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28594">
                <text>No Copyright</text>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1121"&gt;http://ausmed.arts.uwa.edu.au/items/show/1121&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28596">
                <text>Digital Photograph</text>
              </elementText>
            </elementTextContainer>
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    </elementSetContainer>
    <tagContainer>
      <tag tagId="2768">
        <name>Richmond</name>
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  <item itemId="1123" public="1" featured="1">
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        <src>https://ausmed.arts.uwa.edu.au/files/original/ee900440bc05c91df600568423f887b2.JPG</src>
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                <name>Bit Depth</name>
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            <element elementId="50">
              <name>Title</name>
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                <elementText elementTextId="34458">
                  <text>Medievalism at the Foundations</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="27822">
              <text>Digital Photograph; JPEG</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
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        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>William Bedford cenotaph, Hobart, Tasmania</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>William Bedford, blind arcading, cemetery, cenotaph, chaplain, Church of England, Gothic, Hobart, monument, pointed arch, St Davidâ€™s Church, St Davidâ€™s Park, Tas, Tasmania.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27817">
                <text>&lt;p&gt;This monument to William Bedford (1781-1852) is situated in St David&amp;rsquo;s Park (previously a cemetery), Hobart. Bedford was arrived in Hobart in 1823 and became the senior chaplain of St David&amp;rsquo;s Church, the main Church of England church in the colony. The cenotaph was raised by public subscription in 1853 and placed over his remains. It is in the Gothic style and features delicate pointed arches and the elaborate stonework often associated with ecclesiastical architecture.&lt;/p&gt;&#13;
&lt;p&gt;For more on William Bedford see: &lt;a href="http://adb.anu.edu.au/biography/bedford-william-1760"&gt;http://adb.anu.edu.au/biography/bedford-william-1760&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27818">
                <text>McLeod, Shane</text>
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            <name>Date</name>
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                <text>October 6, 2012</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27820">
                <text>No Copyright</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>Digital Photograph</text>
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        <name>blind arcading</name>
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      <tag tagId="5608">
        <name>cemetery</name>
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      <tag tagId="5655">
        <name>cenotaph</name>
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      <tag tagId="5667">
        <name>chaplain</name>
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        <name>Church of England</name>
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        <name>monument</name>
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        <name>pointed arch</name>
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        <name>St Davidâ€™s Church</name>
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        <name>Tas</name>
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        <name>Tasmania.</name>
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      <tag tagId="5666">
        <name>William Bedford</name>
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  <item itemId="1122" public="1" featured="0">
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>URL</name>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article39362684" target="_self"&gt;http://nla.gov.au/nla.news-article39362684&lt;/a&gt;</text>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
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        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27791">
                <text>&amp;lsquo;Meet Saltbush Bill &amp;ndash; A Real Troubador of the Outback&amp;rsquo;, &lt;em&gt;Western Mail&lt;/em&gt;, 1 July 1954</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27792">
                <text>Band, entertainment, folk music, itinerant, lyric poetry, minstrel, music, outback, performers, Saltbush Bill, singer, travelling show, troubadour, wandering singers, William Rawle.</text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This interest piece from the&lt;em&gt; Western Mail&lt;/em&gt; in 1954 introduces readers to Saltbush Bill, a travelling Australian folk band created and led by Queenslander William Rawle. The article likens the band to the troubadours of the medieval period, because they toured a number of small, outback Australian towns. Troubadours were travelling performers - or &amp;lsquo;wandering minstrels&amp;rsquo; - in the High Middle Ages, who moved from town to town singing and reciting lyrical poetry, which were often based on themes of chivalry and courtly love.</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27794">
                <text>Frank Devine</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="27795">
                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article39362684" target="_self"&gt;http://nla.gov.au/nla.news-article39362684&lt;/a&gt;</text>
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            </elementTextContainer>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="27796">
                <text>&lt;em&gt;Western Mail&lt;/em&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27797">
                <text>1 July 1954, p.48</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27798">
                <text>Copyright Expired</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27799">
                <text>Newspaper Article</text>
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  <item itemId="1121" public="1" featured="1">
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            <name>Omeka Image File</name>
            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>&lt;p&gt;St Luke the Physician&amp;rsquo;s Anglican Church is in the town of Richmond, Tasmania. The sandstone building was designed by architect John Lee Archer and built by convict labour. It was completed in 1836 and consecrated by Bishop Broughton in 1838. The clock came from St David&amp;rsquo;s Church in Hobart and was added to the tower in 1922. The building is primarily in the Romanesque style with semi-circular windows and entrance doorway, although the pointed arch stained glass window with tracery in the chancel is Gothic in style. Other medieval inspired features are the central tower and the two small solid towers at the rear, all with crenellation.&lt;/p&gt;&#13;
&lt;p&gt;For the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1124" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1124&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Kodak House is in the Elizabeth Street mall in central Hobart. The top of the narrow five storey building has two narrow â€˜towersâ€™ on each end with a crenelated parapet running between them. In the centre is a shield bearing a â€˜Kâ€™. The upper storeys have bay windows, a common feature of Gothic Revival architecture, although they are more commonly found in domestic buildings. </text>
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