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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Albany Bell Castle, Maylands</text>
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                <text>battlements, Albany Bell, brick, Alexander Cameron, castles, castle, castellation, crenellation, factory, Maylands, Medieval Revival, medieval, Medieval Revival Style, parapets, Perth, stucco, tower, WA, Western Australia, architecture, building, residence</text>
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                <text>Image of Albany Bell Castle in the Perth suburb of Maylands. The castle was designed by architect Alexander Cameron for Mr Albany Bell and his company Albany Bell Ltd. Completed in 1919, the building was used as a cake and confectionary factory. It was designed as a model factory providing pleasant conditions for employees, and was inspired by the Cadbury factory in Bourneville, England. The red brick and stucco building features towers with parapets, and crenellation on much of the building. It was heritage listed in 1992 and converted into apartments.</text>
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                <text>McLeod, Shane</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Alfred Ibbott memorial window, St Michael and All Angels Anglican Church, Bothwell, Tasmania</text>
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                <text>Anglican, Bothwell, crenellation, finial, Gothic, Gothic Revival, Alfred Ibbott, lancet window, memorial, parapet, pointed arch, Romanesque, St Michael and All Angels Church, Tas, Tasmania.</text>
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                <text>&lt;p&gt;The Alfred Ibbott (1844-1928) memorial window is in St Michael and All Angels Anglican Church in the Tasmanian town of Bothwell. The window (on the left in the photograph) is one of two lancet windows parrallel. The figures are framed by a representation of elaborate Gothic stonework with columns, pointed finials, pointed arches, and a crenelated parapet in the upper section. The more recent window on the right includes a Romanesque semi-circular arch.&lt;/p&gt;&#13;
&lt;p&gt;For more of the interior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1187"&gt;http://ausmed.arts.uwa.edu.au/items/show/1187&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1180"&gt;http://ausmed.arts.uwa.edu.au/items/show/1180&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1175"&gt;http://ausmed.arts.uwa.edu.au/items/show/1175&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1172"&gt;http://ausmed.arts.uwa.edu.au/items/show/1172&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1165"&gt;http://ausmed.arts.uwa.edu.au/items/show/1165&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1162"&gt;http://ausmed.arts.uwa.edu.au/items/show/1162&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1158"&gt;http://ausmed.arts.uwa.edu.au/items/show/1158&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1157"&gt;http://ausmed.arts.uwa.edu.au/items/show/1157&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</text>
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        <name>Alfred Ibbott</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Alfred the Great</text>
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                <text>Alfred of Wessex, Alfred the Great, Anglo-Saxon, England, Archdeacon Gunther, New South Wales, NSW, St. Johnâ€™s Church, Sydney, The Sydney Morning Herald, Viking, Wessex</text>
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                <text>&lt;p&gt;An article on page 10 of The Sydney Morning Herald on September 25, 1901. The article reports on a sermon by Archdeacon Gunther in St. John&amp;rsquo;s Church in which he mentioned that it was the thousandth anniversary of Alfred the Great, king of Wessex (primarily England south of the Thames), &amp;lsquo;the greatest and best of English kings&amp;rsquo;. Particular mention was made of the glories of his reign, and his morality and learning. Although the main primary source, the &lt;em&gt;Anglo-Saxon Chronicle&lt;/em&gt;, records Alfred&amp;rsquo;s death in the annal for 901, the texts date had gone awry and it is now thought that he died in 899. Alfred is renowned for defeating Viking invaders and promoting learning at his court, including the translation of many Latin works into (Old) English.&lt;/p&gt;&#13;
The article can be found at &lt;a href="http://nla.gov.au/nla.news-article14411811" target="_blank"&gt;&lt;span style="font-family: Calibri; font-size: small;"&gt;http://nla.gov.au/nla.news-article14411811&lt;/span&gt;&lt;/a&gt;</text>
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                <text>&lt;p&gt;An article on page 5 of the regional Victorian newspaper The Broadford Courier and Reedy Creek Times on June 20, 1902. The anonymous article is about the will of Alfred the Great, king of the Anglo-Saxon kingdom of Wessex in southern England. In particular it claims that Alfred is &amp;lsquo;the author of the law of entail in England&amp;rsquo; as one of the clauses of his will stipulated that certain of the lands he had granted to his men (bookland) had to be passed on to their male children. If the men do not have children they are to pass the land back to members of Alfred&amp;rsquo;s family. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Alfred&amp;rsquo;s will can be found in translation in Simon Keynes &amp;amp; Michael Lapidge, eds., &lt;em&gt;Alfred the Great: Asser&amp;rsquo;s Life of Alfred and Other Contemporary Sources&lt;/em&gt; (Penguin, London, 1983), pp. 173-8.&lt;/p&gt;&#13;
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            <name>Publisher</name>
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                <text>The Broadford Courier</text>
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            <name>Date</name>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="11759">
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            <description>A language of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Image of the pulpit and altar of St. George's Cathedral on St. George's Terrace in the Perth CBD. Built in the English 'Gothic Revival' style and designed by Sydney architect Edmund Blackett. It was built from locally made red bricks, local jarrah and imported Victorian bluestone (pillars). The cathedral was extensively restored in 2004-2008. </text>
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            <description>An entity primarily responsible for making the resource</description>
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            <description>A related resource from which the described resource is derived</description>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>2010</text>
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            </elementTextContainer>
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          <element elementId="47">
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3526">
                <text>Bree Carter, 2010</text>
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          </element>
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            <description>An account of the resource</description>
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                <text>An image of the focal point of the interior of St. Patrick's Catholic Church in York, Western Australia. This image shows an altar depicting the words 'Sanctus, Sanctus, Sanctus' in gold, which lies beneath a large, triple lancet, stained glass window.&#13;
&#13;
About St. Patrick's Catholic Church, York, WA:&#13;
&#13;
The foundation stone of St. Patrick's Catholic Church was laid on St. Patrick's Day in 1875, with the building being completed in 1886. It was designed and built under the supervision of ex-convict Joseph Nunan, who was commissioned by the resident priest of the time, Father Patrick Gibney, to build a larger church to accommodate an increasing congregation.&#13;
&#13;
The design of the church is typical of the Gothic revival style with its spire, tall arches, vaulted ceiling, rose windows and lancet windows. This style of architecture was particularly popular in England, Australia, and other British colonies throughout the eighteenth and nineteenth centuries. </text>
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            <description>Information about rights held in and over the resource</description>
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        <name>Patrick Gibney</name>
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        <name>patronage</name>
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        <name>Saint Patrick</name>
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        <name>spires</name>
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        <name>St Patrick</name>
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        <name>St. Patrick</name>
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        <name>stained glass windows</name>
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        <name>windows</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <elementText elementTextId="3362">
              <text>An address made by the Hon. Sir Gerard Brennan AC KBE, Chief Justice of Australia</text>
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          <name>URL</name>
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              <text>&lt;a href="http://www.highcourt.gov.au/speeches/brennanj/brennanj_magna.htm"&gt;http://www.highcourt.gov.au/speeches/brennanj/brennanj_magna.htm&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>An Address On the Occasion of the Naming of Magna Carta Place, Langton Crescent, Canberra</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Magna Carta, speech, address, naming, SIr Gerard Brennan, English Law, equity, freedom, Australian law, legal, Canberra, Australian government</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>An address made by the Hon. Sir Gerard Brennan at the naming of Magna Carta Place in Canberra. He justifies the naming by arguing that the Magna Carta and the ideologies it represents contribute to the creation of a valuable and "enduring myth [in Australian] lives and...law."</text>
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          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Brennan, Hon. Sir Gerard</text>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12831">
                <text>High Court of Australia</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12832">
                <text>12 October 1997</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12833">
                <text>High Court of Australia</text>
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            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12834">
                <text>Hyperlink; Address/Speech</text>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12835">
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        <name>Australian place names</name>
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        <name>place name</name>
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        <name>place names</name>
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        <src>https://ausmed.arts.uwa.edu.au/files/original/dscn2338_7260e95c16.jpg</src>
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                <name>Bit Depth</name>
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            <description>The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.</description>
            <elementContainer>
              <element elementId="74">
                <name>Bit Depth</name>
                <description/>
                <elementTextContainer>
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              <element elementId="75">
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                <description/>
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              <element elementId="73">
                <name>Height</name>
                <description/>
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                  <elementText elementTextId="2653">
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              <element elementId="72">
                <name>Width</name>
                <description/>
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
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                  <text>Medievalism on the Streets</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps.  Recommended best practice is to assign the type "text" to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="2680">
              <text>Digital Photographs</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2672">
                <text>An Example of Weapons and Shield at the SCA College Challenge - St. Basil vs. St. Lazarus</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2673">
                <text>Saint Basil, Saint Lazarus, St. Lazarus, St. Basil, UWA, Murdoch University, Murdoch, University of Western Australia, Kingdom of Lochac, College Challenge, armour, knight, knighthood, metalwork, medieval metalwork, armoury, tournament, SCA, Society for Creative Anachronism, medieval craft, armour making, tourney, weapon, weapons, weaponry, shield</text>
              </elementText>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
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                <text>Image of hand-made shield and sword-like weapons used by an SCA member at the 'College Challenge' tournament. In Perth,  Western Australia, there are only two chapters of the SCA which are  based in colleges (St. Basil (UWA) or St. Lazarus (Murdoch University).  Therefore, this challenge was fought solely between St. Basil and St.  Lazarus at the UWA campus on the 19th December 2010.  &lt;br /&gt;&lt;br /&gt;About the  Society for Creative Anachronism and the Kingdom of Lochac (the  Australian and New Zealand regional branch of the SCA):  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Society for Creative Anachronism &lt;/strong&gt;is  an international organisation which focuses on the study and  're-creation' of Medieval and Early Modern cultures and their histories  before the seventeenth century. As the prime example of a 'living  history' group, members of the SCA aim to re-create the past through  applying elements of historical knowledge to a practical engagement with  Medieval and Early Modern crafts, martial arts, science, metalwork and  cooking (for example). The Society was created by graduates of the  University of Berkley in California in the 1960s and has since branched  out to include 19 kingdoms, with over 30,000 members in locations across  the globe.  &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Kingdom of Lochac&lt;/strong&gt; is the regional branch of the Society for Creative Anachronism for individuals living in Australia and New Zealand.  &lt;br /&gt;&lt;br /&gt;Information regarding the &lt;strong&gt;College of St. Basil the Great&lt;/strong&gt; (UWA) can be found at &lt;a href="http://lochac.sca.org/basil/index.php?page=home"&gt;http://lochac.sca.org/basil/index.php?page=home&lt;/a&gt;</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2675">
                <text>Carter, Bree</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
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                <text>Society for Creative Anachronism</text>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>19 December 2010</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2678">
                <text>Image made available with the permission of the participants.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2679">
                <text>Digital Photographs</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
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    </elementSetContainer>
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        <name>Armour</name>
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        <name>armour making</name>
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        <name>armoury</name>
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        <name>College Challenge</name>
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        <name>Kingdom of Lochac</name>
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        <name>knight</name>
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      <tag tagId="139">
        <name>knighthood</name>
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      <tag tagId="578">
        <name>medieval craft</name>
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      <tag tagId="720">
        <name>medieval metalwork</name>
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      <tag tagId="673">
        <name>metalwork</name>
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