23 8 1266 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/3312" target="_blank">http://www.ngv.vic.gov.au/col/work/3312</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adam and Eve (Adam et Ãˆve) Subject The topic of the resource Adam, Albert BartholomÃ© (1848-1928), art, biblical, Brancacci Chapel, bronze, cast, Eve, exile, expulsion, Expulsion from Paradise, Florence, Masaccio (c.1401-1428), paradise, sculpture, VIC, Victoria Description An account of the resource This work by French sculptor Albert BartholomÃ© was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1922. It is a bronze sculpture depicting the expulsion of Adam and Eve from Paradise. It has been dated to 1905, although the work from which it was cast was probably finished by 1899. The figures of Adam and Eve are believed to be modelled on Masaccioâ€™s fresco, Expulsion from Paradise, (c.1426-1428) in the Brancacci Chapel, Florence (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.112). Creator An entity primarily responsible for making the resource BartholomÃ©, Albert Source A related resource from which the described resource is derived National Gallery of Victoria Publisher An entity responsible for making the resource available National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource cast 1905 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Bronze sculpture, 139.8 x 54.7 x 64.6cm; Hyperlink Adam Albert BartholomÃ© (1848-1928) art biblical Brancacci Chapel bronze cast Eve exile expulsion Expulsion from Paradise Florence Masaccio (c.1401-1428) paradise sculpture Vic Victoria Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://query.nytimes.com/mem/archive-free/pdf?res=F10710FF3F5512738FDDA00994D1405B858DF1D3">http://query.nytimes.com/mem/archive-free/pdf?res=F10710FF3F5512738FDDA00994D1405B858DF1D3</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Should the Warrior of Today Wear Armor?" Subject The topic of the resource armor, armour, Bashford Dean, highway man, knight, knighthood, knights, Metropolitan Museum, Ned Kelly, New York, New York Times, warfare, Description An account of the resource An article in the New York Times on September 19, 1915, advocating the use of armor/armour and citing the example of Ned kelly. The article was written by Bashford Dean, Curator of Armor at the Metropolitan Museum in New York. Professor Dean notes that in 1880 Ned Kelly was able to survive a considerable time in badly made armour and could only be injured, and that if present-day (1915) soldiers wore professionally made armour they would be likely to prove victorious in trench warfare. The article is a good example of how the fame of Ned Kelly and his armour, making him similar to a medieval knight, had spread abroad by a fairly early date. The article also features illustrations of post-medieval armour. Creator An entity primarily responsible for making the resource Bashford, Dean, Metropolitan Museum of Art, New York Source A related resource from which the described resource is derived The New York Times Publisher An entity responsible for making the resource available The New York Times Date A point or period of time associated with an event in the lifecycle of the resource 19 September 1915 Rights Information about rights held in and over the resource The New York Times Format The file format, physical medium, or dimensions of the resource Hyperlink Language A language of the resource English Armor Armour Bashford Dean highway man knight knighthood knights Metropolitan Museum Ned Kelly New York New York Times warfare Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism on the Streets Description An account of the resource This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism. Website A resource comprising of a web page or web pages and all related assets ( such as images, sound and video files, etc. ). Local URL The URL of the local directory containing all assets of the website. <a href="http://www.battleofthenations.com.au/index.html">http://www.battleofthenations.com.au/index.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Battle of Nations 2013 Subject The topic of the resource Archery, armour, axe, Battle of Nations, Battle of Nations Festival, bow, combat, crossbow, Europe, festival, helmet, heraldry, Kit Houston, knight, longsword, plate armour, re-enactment, replica, shield, sword, sword and buckler, television, tournament, tv, website. Description An account of the resource The Battle of Nations Festival is a full contact medieval tournament held in Europe which began in 2009. Australia will field a team for the first time in 2013 and will be captained by Kit Houston. The event features various combat categories, from one vs one duels to all vs all, and one including mounted knights on horses. There is also a side archery event for bows and crossbows. Contestants are expected to use historically accurate weapons and armour, and heraldry. Weapons featured include sword, longsword, shields, axes, and sword and buckler. The event also has an six-part online television show. For their website see <a href="http://www.battleofthenations.com.au/index.html">http://www.battleofthenations.com.au/index.html</a>   Creator An entity primarily responsible for making the resource Battle of Nations Date A point or period of time associated with an event in the lifecycle of the resource 2012 Rights Information about rights held in and over the resource (c) Battle of the Nations Australia and European Medieval Martial Arts Academy Format The file format, physical medium, or dimensions of the resource Website Archery Armour axe Battle of Nations Battle of Nations Festival bow combat crossbow Europe festival helmet heraldry Kit Houston knight longsword plate armour re-enactment replica shield sword sword and buckler television tournament tv website. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource How Sir Bedivere cast the Sword Excalibur into the Water Subject The topic of the resource art, Arthur, Arthurian, Arthuriana, legend, legends, myth, mythology, Aubrey Beardsley (1872-1898), Avalon, death, Excalibur, illustration, J.M. Dent & Sons, king, knight, lake, Le Morte dâ€™Arthur, SA, Sir Bedivere, South Australia, sword, Thomas Malory, wounded king Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Following the battle at Barnham Down where Arthur is mortally wounded, he commands Sir Bedivere (at this point the only knight left standing) to take his sword Excalibur to the water and cast it in, and then to return and tell him what he has seen. Sir Bedivere twice takes the sword to the waterside but hides it rather than throw it to waste. Upon his return he tells Arthur that nothing unusual transpired when he threw the sword in and Arthur knows he is lying. On his third visit he casts the sword into the water, and a hand appears from the water to grab hold of it. Sir Bedivere afterwards takes Arthur to the lake, where a barge appears to take him to Avalon. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1873 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource Hyperlink art Arthur Arthurian Arthuriana Aubrey Beardsley (1872-1898) Avalon death Excalibur illustration J.M. Dent & Sons king knight lake Le Morte dâ€™Arthur legend legends myth mythology SA Sir Bedivere South Australia sword Thomas Malory wounded king Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL To view this image, 1. go to: <a href="http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp" target="_blank"> http://www.artgallery.sa.gov.au/agsa/home/Collection/CollectionSearch.jsp</a> 2. search by artist or title. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Queen Guenever as a nun Subject The topic of the resource Abbess, Almesbury, art, Arthur, Arthurian, Aubrey Beardsley (1872-1898), convent, death, Guenever, Guinevere, illustration, J.M. Dent & Sons, Le Morte dâ€™Arthur, nun, nunnery, penance, queen, SA, South Australia, Thomas Malory Description An account of the resource This work was gifted to the Art Gallery of South Australia in 1960 by Mrs R.A. Haste. It is a line-block reproduction on paper depicting a scene from Thomas Maloryâ€™s fifteenth-century canonical Arthurian text Le Morte dâ€™Arthur. Upon hearing of Arthurâ€™s death in the final book, his queen Guinevere goes with five ladies to a nunnery at Almesbury. Here she leads a virtuous and penitential life of fasting and prayers, dressed in white and black, until her own death years later. The work was created by Aubrey Beardsley for a nineteenth-century illustrated edition of Le Morte dâ€™Arthur, which was issued in 12 parts between 1893 and 1984 by London publisher J.M. Dent & Sons. Creator An entity primarily responsible for making the resource Beardsley, Aubrey Source A related resource from which the described resource is derived Art Gallery of South Australia Date A point or period of time associated with an event in the lifecycle of the resource c. 1893 Rights Information about rights held in and over the resource Art Gallery of South Australia Format The file format, physical medium, or dimensions of the resource line-block reproduction on paper, 20.8 x 16.0 cm; Hyperlink Language A language of the resource English Abbess Almesbury art Arthur Arthurian Aubrey Beardsley (1872-1898) convent death Guenever Guinevere illustration J.M. Dent & Sons Le Morte dâ€™Arthur nun nunnery penance queen SA South Australia Thomas Malory Hyperlink Title, URL, Description or annotation. URL <a href="http://www.birkatraders.com/main/index.php" target="_blank">http://www.birkatraders.com/main/index.php</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Birka Traders Subject The topic of the resource armaments, Peter Beatson, Birka, jewellery, market, merchant, metalwork, New South Wales, NSW, re-enactment, retail, Sweden, Sydney, trading centre, Viking, Viking Age, archaeology Description An account of the resource Birka Traders was the online store created by Peter Beatson to sell his medieval metalwork. The collection included mainly jewellery and personal items such as belt buckles and strap ends, and focussed on the early medieval period, particularly the Viking Age. The items were based on actual archaeological finds. The store closed in January 2011. Birka was the main trading centre/market place in Sweden visited by international merchants between c. 760 and 960. Creator An entity primarily responsible for making the resource Beatson, Peter Date A point or period of time associated with an event in the lifecycle of the resource 8 January 2012 Rights Information about rights held in and over the resource Peter Beatson Format The file format, physical medium, or dimensions of the resource Hyperlink archaeology armaments Birka jewellery market merchant metalwork New South Wales NSW Peter Beatson re-enactment retail Sweden Sydney trading centre viking Viking Age Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism at the Foundations Description An account of the resource This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials. Hyperlink Title, URL, Description or annotation. URL <a href="http://www.ngv.vic.gov.au/col/work/3775" target="_blank">http://www.ngv.vic.gov.au/col/work/3775</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource La Belle Yseult Subject The topic of the resource Art, Arthurian, Arthurian legend, Arthurian romance, BÃ©roul, chivalry, Cornwall, Iseult, Isolde, Isolt, John Bedford (1823-1886), knight, legend, Mark, medieval poetry, nostalgia, Pre-Raphaelite, romance, Tristan, Tristram, â€˜Tristram and Iseultâ€™, Tristran, Tristrem, Victorian, Yseult Description An account of the resource This oil on panel painting, by English artist John Bedford, is held by the National Gallery of Victoria. Dating from 1863, the painting depicts a woman with long flowing hair wearing a blue medieval style dress and a garland of flowers. The title identifies her as Yseult, from BÃ©roulâ€™s late twelfth-century medieval romance â€˜Tristram and Iseultâ€™. The story of Tristram and Iseult is a tale of adulterous love between Tristram, a Cornish Knight, and Yseult, the Irish bride of his uncle - King Mark. Bedfordâ€™s choice of medieval subject matter is typical of the mid- nineteenth century, and was popularised especially by the Pre-Raphaelites in the 1850s. However, it also fits with a wider Victorian tendency to romantically view and revive the Middle Ages as an idyllic alternative to the drastic changes experienced in both lifestyle and the British landscape during the Industrial Age. As Malcolm Warner suggests, â€œMedieval history and legend, above all the adventures of King Arthur and the Knights of the Round Table, provided both escape and inspiration to an age in which, for all its successes, there seemed so few certainties to act upon, so little occasion for real heroism, such a lack of romance and glamour in lifeâ€ (Malcolm Warner, The Victorians: British Painting, 1937-1901, National Gallery of Art, Washington, 1996, p.31). Creator An entity primarily responsible for making the resource Bedford, John Source A related resource from which the described resource is derived National Gallery of Victoria Date A point or period of time associated with an event in the lifecycle of the resource 1863 Rights Information about rights held in and over the resource National Gallery of Victoria Format The file format, physical medium, or dimensions of the resource Painting - oil on wood panel, 35.4 x 27.9cm; Hyperlink https://ausmed.arts.uwa.edu.au/files/original/6d058a99a97df62940932aa2ccd4fbe7.pdf f5b9f8d1d6d7a99d4cfff162875f3184 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Medievalism in the Classroom Description An account of the resource This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts. Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Original Format If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data Essay; PDF Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alana Bennett - Essay on the Society for Creative Anachronism Subject The topic of the resource Alana Bennett, Andrew Lynch, Aneala Barony, chivalry, costume, Eglinton Tournament, ENGL2238, entertainment, essay, fantasy, fighting, imagined community, J. R. R. Tolkein, Last Tournament, â€˜Living historyâ€™, medieval names, medievalism, medievalist space, pageantry, postmodernism, recreation, re-creation, re-enactment, romanticised medievalism, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, WA, Western Australia Description An account of the resource A student essay on the Society for Creative Anachronism submitted by Alana Bennett as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia. The author traces the origins and objectives of the SCA as a â€˜Living Historyâ€™ group, and discusses particularly the different levels on which the group operates. She draws a distinction between the recreational aspect of the Societyâ€™s activities on the one hand, in the sense that they provides entertainment and create a â€˜joint fantasyâ€™ amongst individuals with similar interests, and the â€˜re-creational â€™ aspect of its medievalism on the other, in which they â€œreconstruct a semblance of the Middle Ages through material culture and romanticised values systemsâ€. With thanks to the author for permission to include a copy of this essay. Creator An entity primarily responsible for making the resource Bennett, Alana Date A point or period of time associated with an event in the lifecycle of the resource 2011 Rights Information about rights held in and over the resource This work is © Alana Bennett. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Alana Bennett: ‘The Society for Creative Anachronism’, 2011, <a href="../../../" target="_blank">http://ausmed.arts.uwa.edu.au/</a>. Format The file format, physical medium, or dimensions of the resource Essay; PDF Language A language of the resource English â€˜Living historyâ€™ Alana Bennett Andrew Lynch Aneala Barony chivalry costume Eglinton Tournament ENGL2238 entertainment essay fantasy fighting imagined community J. R. R. Tolkein Last Tournament medieval names medievalism medievalist space pageantry postmodernism re-creation re-enactment recreation romanticised medievalism SCA Society for Creative Anachronism student essay The Medieval in the Modern World The University of Western Australia tournament WA Western Australia