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                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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                <text>&lt;p&gt;Stocatta School of Defence was established in Sydney, New South Wales, in 1998. The school teaches swordsmanship based on historical texts written between the thirteenth and nineteenth centuries. Weapons taught include Highland broadsword, English and German long sword, quarterstaff (a long wooden pole), rapier, sword and shield, and sword&lt;br /&gt;and buckler (a small round shield). There are classes available for both children and adults. &amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;Their website is available at http://sydney.stoccata.org/&lt;/p&gt;</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Convict Church, Port Arthur, Tasmania </text>
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                <text>George Arthur, Convict Church, convict, crenellation, Gothic, Gothic Revival, Henry Laing, lancet window, Thomas Lempriere, pointed arch, Point Puer, Port Arthur, spire, steeple, Tas, Tasmania, tower. </text>
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                <text>&lt;p&gt;The foundation stone for the Convict Church at the former penal settlement of Port Arthur, Tasmania, was laid by Lieutenant Governor George Arthur (1784-1854) in 1836. The church was possibly designed by the Deputy Commissariat Officer Thomas Lempiere (1796-1852) and convict architect Henry Laing (1803-1842). It was built with convict labour, with some of the decorative stonework and pews done by the boys at the nearby Point Puer Juvenile Establishment. The church opened in 1837 and was never consecrated as it was used by different denominations for the compulsory Sunday services. It could accommodate one thousand people. The former steeple on top of the tower blew down in 1876, and the church was gutted by fire in 1884. Since then it has been a picturesque ruin, similar to many actual medieval churches in Europe. The church is in the Gothic Revival style, with a tower with crenellation, pointed arch windows and doorways, lancet windows, and numerous spires.&lt;/p&gt;&#13;
&lt;p&gt;For the church tower see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1136"&gt;http://ausmed.arts.uwa.edu.au/items/show/1136&lt;/a&gt;&lt;/p&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Norman baptismal font, St Maryâ€™s Cathedral, Hobart, Tasmania</text>
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                <text>&lt;p&gt;Repair work on St Mary&amp;rsquo;s Catholic Cathedral, Hobart, in 2008 brought to light the possibility that a baptismal font in the Cathedral may be from the medieval Norman period. The cylindrical font has elaborately carved columns and Romanesque arches. The Romanesque style was popular in Normandy and was introduced to England following the Norman conquest in 1066. It is thought that the font was brought to Hobart from England by Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866) in 1844. When the antiquity of the font was first discovered, the Cathedral administrator told ABC News in 2008 that it may date&lt;br /&gt;back to the ninth century, but as Normandy was not formally established until 911 this is unlikely. More recently it has been suggested that the font comes&lt;br /&gt;from the Norman period in England and is dated c. 1066-1200. Research into the font is continuing.&lt;/p&gt;&#13;
&lt;p&gt;The baptismal font is a rare example of the Australian&lt;br /&gt;public&amp;rsquo;s practical use of, and interaction with, an actual medieval item for many generations.&lt;/p&gt;&#13;
&lt;p&gt;For the original dating see &lt;a href="http://www.cathnews.com/article.aspx?aeid=7424"&gt;http://www.cathnews.com/article.aspx?aeid=7424&lt;/a&gt;.&lt;/p&gt;&#13;
&lt;p&gt;For the revised dating see &lt;a href="http://hobart.catholic.org.au/history/st-marys-cathedral"&gt;http://hobart.catholic.org.au/history/st-marys-cathedral&lt;/a&gt;&lt;/p&gt;&#13;
&lt;p&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;</text>
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                <text>This Congregational Church is in the town of Richmond, Tasmania. It was built in 1873 after the previous church, built in 1844, was damaged in a storm. The sandstone building is in the Gothic Revival style with buttresses, and a pointed arch doorway and lancet windows accentuated by the use of moulding. The congregation of the Richmond church decided to remain independent when most other Congregational Churches became part of the Uniting Church in 1977.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;p&gt;The anonymous online article &amp;lsquo;Living by the sword&amp;rsquo; appears in volume 4 of the Leatherwood Online &amp;ndash; Tasmania&amp;rsquo;s Journal of Discovery website and was posted in June/July 2007. It is about professional swordsman Stephen Hand of Hobart, Tasmania. Stephen teaches writes about, performs, and choreographs medieval and Elizabethan sword fighting. His technique is based on the late sixteenth-century works by Italian rapier master&lt;br /&gt;Vincentio Saviolo and the Englishman George Silver who favoured a more traditional backsword. Stephen helped establish the Stocatta School of Defence in Sydney in 1998 and a Hobart branch in 2004, and also teaches adult education classes. &amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
For the article see &lt;a href="http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/"&gt;http://www.leatherwoodonline.com/index.php/weblog/comments/living-by-the-sword/&lt;/a&gt;</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Summerhill Publishing Pty Ltd / Leatherwood Online</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Stephen Hand</name>
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        <name>Stocatta School of Defence</name>
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              <name>Title</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>St Josephâ€™s Catholic Church interior, Hobart, Tasmania</text>
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                <text>Blind arcading, Catholic, convict, gallery, Gothic, Gothic Revival, Hobart, Henry Hunter, lancet windows, Walter McEntee, pointed arch, roof trusses, Tas, Tasmania, John Joseph Therry, James Alexander Thompson, tower, Robert William Willson, Bishop Willson.</text>
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                <text>&lt;p&gt;St Joseph&amp;rsquo;s Catholic Church is on the corner of MacQuarie and Harrington Streets in Hobart,&lt;br /&gt;Tasmania. The foundation stone for the sandstone church was laid in 1840 and it was opened by Fr. John Joseph Therry (1790-1864) on Christmas day, 1841. It was the principal Catholic church in Tasmania until St Mary&amp;rsquo;s Cathedral was completed in 1866, so Tasmania&amp;rsquo;s first Catholic bishop, Robert William Willson (1794-1866), was installed there when he arrived from England in 1844. The church was designed by ex-convict James Alexander Thompson (1805-1860), and it was built using convict labour. Alterations to the interior were made under the direction of Bishop Willson in 1856 by Henry Hunter (1832-1892). The interior is in the Gothic Revival style and features pointed arch windows and doorway, blind arcading, a gallery supported by rounded clustered gothic columns, and lancet windows. The timber trusses of the roof were painted brown to make them resemble English oak. The large brass electric lights were designed in the Gothic style by Fr Walter McEntee and added in 1972.&lt;/p&gt;&#13;
&lt;p&gt;For the exterior see &lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1125&lt;/a&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p&gt;For more on St Joseph&amp;rsquo;s see &lt;a href="http://www.passionistshobart.org.au/"&gt;http://www.passionistshobart.org.au/&lt;/a&gt;&lt;/p&gt;</text>
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            <name>Creator</name>
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                <text>McLeod, Shane</text>
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                <text>October 6, 2012</text>
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            </elementTextContainer>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28051">
                <text>No Copyright</text>
              </elementText>
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            <description>A related resource</description>
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                <text>&lt;a href="http://ausmed.arts.uwa.edu.au/items/show/1125" target="_self"&gt;http://ausmed.arts.uwa.edu.au/items/show/1125&lt;/a&gt;</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="28053">
                <text>Digital Photograph</text>
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        <name>Bishop Willson.</name>
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        <name>blind arcading</name>
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        <name>Catholic</name>
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        <name>Henry Hunter</name>
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        <name>Robert William Willson</name>
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        <name>Tas</name>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Medievalism in the Classroom</text>
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            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
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                <elementText elementTextId="34457">
                  <text>This Collection traces the development of academic medievalism in Australiaâ€™s universities, and explores the disciplineâ€™s complex ideological affiliations. In this Collection you will find items relating to: the medievalist content of educational programmes, such as examples of university unit outlines; the teaching of the medieval through processes of medievalism, such as in demonstrations of medieval cooking or fighting techniques; and references to the medieval in modern educational debates and contexts.</text>
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              <text>&lt;a href="http://nla.gov.au/nla.news-article71688335" target="_self"&gt;http://nla.gov.au/nla.news-article71688335&lt;/a&gt;</text>
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                <text>&amp;lsquo;Lecturer says our Universities are still &amp;ldquo;Mediaeval&amp;rdquo;&amp;rsquo;, &lt;em&gt;The Argus&lt;/em&gt;, 7 January 1955</text>
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                <text>authority, classroom, education, lecturer, lecturing, pedagogy, specialist, teacher, teaching, teaching methods, university, W. A. Townsley. </text>
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                <text>This article from &lt;em&gt;The Argus&lt;/em&gt; in 1955 quotes Mr W. A. Townsley, a lecturer in Political Science, on the outlook of Australian Universities as &amp;lsquo;still mediaeval&amp;rsquo;. Criticising lecturing on the reasoning that it turns out &amp;lsquo;poorly educated, highly technical specialists&amp;rsquo; instead of critical thinkers, Townsley negatively invokes the medieval period to explain the continued use of lecturing as the principal method of university teaching. This, he suggests, is &amp;lsquo;a hangover from medieval times when only very few people were educated&amp;rsquo;. Implied in this statement is a sense that the medieval period is &amp;lsquo;backwards&amp;rsquo; or reactionary, and that progress requires a move away from medieval ideas about, and methods of, teaching.</text>
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                <text>TROVE: National Library of Australia, &lt;a href="http://nla.gov.au/nla.news-article71688335" target="_self"&gt;http://nla.gov.au/nla.news-article71688335&lt;/a&gt;</text>
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                <text>&lt;em&gt;The Argus&lt;/em&gt;</text>
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                <text>7 January 1955, p.8</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Copyright Expired</text>
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              <elementText elementTextId="27979">
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