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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>The Ancient Order of Foresters Parading in Ceremonial Dress</text>
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                <text>Ancient Order of Foresters, Foresters, Forestry garb, Forestry dress, friendly societies, friendly society, procession, processions, parade, parades, float, floats, fraternity, fraternities, banner, banners, Ted Hood, NSW, New South Wales, horse, horses</text>
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                <text>&lt;p&gt;Image depicting men of the Ancient Order of Foresters parading on horses in their ceremonial dress at a parade in 1929.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated &lt;span class="grame"&gt;members,&lt;/span&gt; has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." &lt;/span&gt;&lt;/p&gt;&#13;
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                <text>State Library of New South Wales</text>
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                <text>State Library of New South Wales</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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                <text>Two Men of the Ancient Order of Foresters Parading in Ceremonial Dress</text>
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                <text>Ancient Order of Foresters, Foresters, friendly societies, friendly society, procession, processions, parade, parades, float, floats, fraternity, fraternities, horse, horses, Ted Hood, NSW, New South Wales</text>
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                <text>&lt;p&gt;Image depicting two men of the Ancient Order of Foresters on horses dressed in full Forestry garb.&lt;/p&gt;&#13;
&lt;p&gt;&lt;strong&gt;About the Ancient Order of Foresters:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Ancient Order of Foresters originated in England in the mid-eighteenth century, with the first recorded Foresters meeting being held in Leeds in 1834. The Ancient Order of Foresters established its first branch (court) in Australia in Victoria in 1849.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The Foresters are a non-profit &lt;span class="spelle"&gt;organisation&lt;/span&gt;. The principles of the society are founded on a desire to provide financial and social benefits as well as support to members and their families in times of unemployment, sickness, death, disability and old age. Consequently, the Foresters played a particularly active role in the lives of members and their families during the Depression and both World Wars.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Membership growth was significant during and up to the mid 1940's. At this stage the society had nearly one hundred courts located throughout Victoria, and had representation in all states of Australia. During this period funds raised by Foresters contributed to the construction of approximately twenty Foresters halls throughout the state. These facilities were &lt;span class="spelle"&gt;utilised&lt;/span&gt; for meetings and community purposes and halls were used as refuges in times of trauma such as bushfires and floods.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;In the post Second World War period membership began to decline as the social circumstances improved due to the growth of the economy and an abundance of work and improvement in the provision of government benefits. Although the importance of such groups as the Ancient Order of Foresters has declined in recent years, the society through a core of loyal and dedicated &lt;span class="grame"&gt;members,&lt;/span&gt; has never wavered from its original objectives and mission to "serve the community and deserving groups by involvement in social activities and fund raising for charities." &lt;/span&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;a href="http://www.forestersfs.com.au/1history.html"&gt;http://www.forestersfs.com.au/1history.html&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Hood, Ted</text>
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                <text>State Library of New South Wales</text>
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                <text>State Library of New South Wales</text>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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              <text>&lt;p&gt;See Page 98&lt;/p&gt;&#13;
&lt;p&gt;&lt;a href="http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf"&gt;http://www.nla.gov.au/ferguson/13276638/18440808/00010007/1-10.pdf&lt;/a&gt;&lt;/p&gt;</text>
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                <text>Chaucer. [From various sources].</text>
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                <text>biography, Dante Alghieri (c.1265-1321), Early Australian Literary Tastes, Edmund Spenser (c.1552-1599), English language, Geoffrey Chaucer  (c.1340-1400), Hainault, heresy,  John of Gaunt (1340â€“1399), John Milton (1608â€“1674), John Wycliffe (d.1384), medieval poet, medieval poetry, poet, poetry, William Shakespeare (1564â€“1616).</text>
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                <text>&lt;p class="MsoNormal"&gt;This column from the &lt;em&gt;Colonial Literary Journal&lt;/em&gt; in 1844 provides a biography of medieval poet Geoffrey Chaucer. Quoting from an unnamed source, the article names Chaucer alongside Spenser, Shakespeare and Milton as one of the &amp;lsquo;Four Great English Poets&amp;rsquo;, and credits him with helping to form the English language. In its praise of Chaucer&amp;rsquo;s poetry, the article likens him to a range of Renaissance painters: &amp;ldquo;Chaucer excels in pathos, in humour, in satire, character, and description. &amp;ndash;His graphic faculty, and healthy sense of the material, strongly ally him to the painter; and perhaps a better idea could not be given of his universality than by saying, that he was at once the Italian and the Flemish painter of his time, and exhibited the pure expression of Raphael, the devotional intensity of Domenechino. The colour and corporeal fire of Titian, the manners of Hogarth, and the homely domesticities of Ostade and Teniers!&amp;rdquo;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Although the article lists 1328 as the year of Chaucer&amp;rsquo;s birth, most scholars date it almost two decades later, c.1340. See for example, Douglas Gray, &amp;lsquo;Chaucer, Geoffrey (c.1340&amp;ndash;1400)&amp;rsquo;, &lt;em&gt;Oxford Dictionary of National Biography&lt;/em&gt;, Oxford University Press, 2004 [&lt;a href="http://www.oxforddnb.com/view/article/5191" target="_blank"&gt;http://www.oxforddnb.com/view/article/5191&lt;/a&gt;, accessed 24 Feb 2011.&lt;/p&gt;</text>
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                <text>Colonial Literary Journal and Weekly Miscellany of Useful Information, Volume 1, Number 7, p.98.</text>
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                <text>Thursday 8 August 1844</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Colonial Literary Journal</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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        <name>Dante Alghieri (c.1265-1321)</name>
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        <name>Early Australian Literary Tastes</name>
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        <name>Edmund Spenser (c.1552-1599)</name>
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        <name>Geoffrey Chaucer  (c.1340-1400)</name>
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        <name>Hainault</name>
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      <tag tagId="1265">
        <name>heresy</name>
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        <name>John Milton (1608â€“1674)</name>
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      <tag tagId="1266">
        <name>John of Gaunt (1340â€“1399)</name>
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        <name>John Wycliffe (d.1384)</name>
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        <name>medieval poet</name>
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            <description>An account of the resource</description>
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                <text>Image of the Melbourne General Post Office at night. The building was illuminated to celebrate the arrival of Queen Victoria to Australia. The lights on the building read "God Save the Queen" and "Long May She Reign." It was a medieval custom to decorate such things as streets, buildings and gates in honour of royal progresses, partly as a demonstration of loyalty to the monarch.</text>
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                <text>The Illustrated Australian News</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>The Illustrated Australian News</text>
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            <description>A language of the resource</description>
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        <name>Melbourne</name>
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        <name>Royal visit</name>
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        <name>Victoria</name>
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              <description>An account of the resource</description>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>He Still Wears the Ruff and Doublet</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Adam Lindsay Gordon, Alfred Hill (1869-1960), Australian poet, Camden, doublet, Elizabeth II, Hugh Raymond McCrae (1876-1958), international appeal, Kenneth Slessor (1901-1971), line-drawings, medieval clothing, medieval lyricism, New South Wales, Norman Lindsay (1879-1969), O.B.E., pastoral poetry, poetry, royal investiture, ruff, sketches, Sydney</text>
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            <description>An account of the resource</description>
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                <text>This article about Australian lyric poet Hugh Raymond McCrae (1876-1958) is titled â€˜He still wears the Ruff and Doubletâ€™ in response to a claim supposedly made by Kenneth Slessor (quoted in the article) that McCrae was â€˜perpetually haunted by the loss of his ruff and doubletâ€™. Hugh McCrae was highly regarded both throughout his lifetime and after his death in 1958 for his poetry, prose and line drawings. He often drew on the medieval past and old poetic forms in his work, and in the 1920s started work on a verse-drama called â€˜Joan of Arcâ€™. This article opens with a photograph of him being appointed O.B.E alongside Alfred Hill in 1953, and goes on to provide a complimentary sketch of his life, career and work. </text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>National Library of Australia</text>
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            <description>An entity responsible for making the resource available</description>
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                <text>Sydney Morning Herald</text>
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            <name>Date</name>
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                <text>Saturday 27 March 1954, p. 11.</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4791">
                <text>Sydney Morning Herald</text>
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            <description>The file format, physical medium, or dimensions of the resource</description>
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            <description>A language of the resource</description>
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        <name>Adam Lindsay Gordon</name>
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        <name>Australian poet</name>
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        <name>Camden</name>
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        <name>doublet</name>
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      <tag tagId="1285">
        <name>Elizabeth II</name>
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        <name>Hugh Raymond McCrae (1876-1958)</name>
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        <name>international appeal</name>
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      <tag tagId="1288">
        <name>Kenneth Slessor (1901-1971)</name>
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      <tag tagId="1289">
        <name>line-drawings</name>
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        <name>O.B.E.</name>
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      <tag tagId="1272">
        <name>poetry</name>
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        <name>royal investiture</name>
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        <name>ruff</name>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <element elementId="50">
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                <text>Flying Buttresses, St Patrickâ€™s Basilica, Fremantle, Western Australia</text>
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          <element elementId="49">
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                <text>arch, architect, architecture, basilica, blind arch, buttress, Catholic, Catholic Church, church, church building, Federation Gothic Style, flying buttress, Fremantle, gothic architecture, gothic revival, lancet window, lancet arch, limestone, masonry, Michael Cavanagh, minor basilica, missionaries, neo-gothic, Oblates of Mary Immaculate, Sydney freestone, Thomas Ryan OMI, tower, tracery, Vatican, Western Australia, WA</text>
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            <name>Description</name>
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                <text>A view of a flying buttress at the Basilica of St Patrickâ€™s in Fremantle, Western Australia. Flying buttresses were one of the most notable developments of gothic architecture in the medieval period. By means of a flying buttress, weight from a load bearing wall could be transferred to a non-adjacent buttress by means of a segmental or quadrant arch. Because this alleviated the need for a large stone buttress to directly adjoin the part of the building requiring support, flying buttresses meant that building design could become less bulky. They were often used, as in this case, to support the high or vaulted ceilings of churches where the addition of aisles with lower ceilings had moved buttresses outwards and created a gap between them and the central core of the building.&#13;
&#13;
About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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            <name>Creator</name>
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              <elementText elementTextId="12938">
                <text>McEwan, Joanne</text>
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            <name>Date</name>
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                <text>4 February 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12940">
                <text>No Copyright</text>
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          <element elementId="42">
            <name>Format</name>
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About St Patrickâ€™s Basilica:&#13;
&#13;
St Patrickâ€™s Basilica is a Roman Catholic Church located in Fremantle, Western Australia. It was designed by Adelaide architect Michael Cavanagh and constructed from local limestone and Sydney freestone in a Federation Gothic style. The church was commissioned by Thomas Ryan OMI as a place of worship for Oblates of Mary Immaculate, who had arrived in Fremantle in 1894 as missionaries. It was completed and consecrated in June 1900. A presbytery was also built on the site in 1916. The Vatican issued St Patrickâ€™s with the status of a minor basilica in 1994. </text>
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