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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Abbey Church Facade, New Norcia</text>
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                <text>Abbey Church, architecture, Benedictine monks, Benedictines, Bishop Fulgentius Torres, Catholic church, facade, Italian Renaissance style, monastery, monasticism, monks, New Norcia, Order of St Benedict, St Benedict of Nursia</text>
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                <text>&lt;p class="MsoNormal"&gt;The front fa&amp;ccedil;ade of the Abbey Church, New Norcia.  The original church building was constructed from stones and plaster. In  1908, New Norcia&amp;rsquo;s second Abbot, Bishop Fulgentius Torres, added this  Italian Renaissance style fa&amp;ccedil;ade and a bell tower.&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&lt;strong&gt;About New Norcia:&lt;/strong&gt;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;New  Norcia is a monastic town located 132 km north of Perth in Western  Australia. The town is owned and run by a community of Benedictine monks  and houses one of only three Benedictine monasteries (for men) in  Australia. At its height the monastery housed approximately 80 monks,  but currently there are only seven in residence. The Benedictines are  part of a religious order within the Catholic Church known as the Order  of St Benedict (OSB). Benedictines live in small, largely autonomous  communities and base their way of life on the Rule of St Benedict, which  prioritises a balance of prayer and work and calls for promises of  stability, obedience and a conversion of life. The first Benedictine  community was established in the sixth-century in Italy by St Benedict  of Nursia (c.480-547).&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;&amp;nbsp;&lt;/p&gt;&#13;
&lt;p class="MsoNormal"&gt;Originally  intended as a mission to evangelise and educate the indigenous peoples  of the Victoria Plains, the site at New Norcia was founded in 1847 by  two Spanish Benedictine missionaries, Dom Jos&amp;eacute; Benito Serra and Dom  Rosendo Salvado. Serra&amp;rsquo;s involvement in the missionary activities at new  Norcia decreased following his appointment as Co-adjutor Bishop of  Perth in 1849, while Salvado (1814-1900) committed himself wholly to  developing the mission and leading the monastic community. He  subsequently became the key figure in the first 50 years of New Norcia&amp;rsquo;s  history. He made numerous fundraising trips to Europe, which provided  him with the means to purchase books, vestments, artwork and equipment  for the community and also to oversee the construction of new buildings.  He died in Rome in 1900 and his body was returned to New Norcia. Under  Salvado&amp;rsquo;s successor, Bishop Fulgentius Torres (1861-1914), New Norcia  became more like a traditional monastic settlement. An increased focus  on education and artistic pursuits led to the establishment of two  schools and improvements to many of the town&amp;rsquo;s buildings. For more  information on New Norcia, see the New Norcia Benedictine Community  website: &lt;a href="http://newnorcia.wa.edu.au/" target="_blank"&gt;http://newnorcia.wa.edu.au/&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>McEwan, Joanne</text>
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                <text>7 January 2011</text>
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                <text>No Copyright.</text>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://abbeytournament.com/" target="_blank"&gt;http://abbeytournament.com/&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Abbey, Abbey Medieval Festival, Abbey Museum, Abbey Museum of Art and Archaeology, banquet, battle, Caboolture, costume, dancing, festival, jousting, market, music, QLD, Queensland, re-enactment, tournament</text>
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                <text>The Abbey Medieval Festival is held in the Queensland town of Caboolture, north of Brisbane, and is a major fundraising event held by the Abbey Museum of Art and Archaeology. The Festival is a week-long event that commences with a medieval banquet, features a mid-week Kids Medieval Fun Day, and concludes with a weekend tournament. During the festival visitors can see re-enactors in medieval clothing from various times and places in medieval Europe, jousting and mock battles, medieval music and dance, and purchase items at market stalls.  &#13;
&#13;
For more on the Abbey Museum go to the â€˜Archival Holdingsâ€™ section on this website.</text>
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                <text>Abbey Medieval Festival</text>
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                <text>3 January 2012</text>
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                <text>Abbey Medieval Festival</text>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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              <text>&lt;span&gt;&lt;a href="http://www.ngv.vic.gov.au/col/work/3312" target="_blank"&gt;&lt;span style="color: #0000ff;"&gt;http://www.ngv.vic.gov.au/col/work/3312&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;</text>
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                <text>Adam and Eve (Adam et Ãˆve)</text>
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                <text>Adam, Albert BartholomÃ© (1848-1928), art, biblical, Brancacci Chapel, bronze, cast, Eve, exile, expulsion, Expulsion from Paradise, Florence, Masaccio (c.1401-1428), paradise, sculpture, VIC, Victoria</text>
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                <text>This work by French sculptor Albert BartholomÃ© was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1922. It is a bronze sculpture depicting the expulsion of Adam and Eve from Paradise. It has been dated to 1905, although the work from which it was cast was probably finished by 1899. The figures of Adam and Eve are believed to be modelled on Masaccioâ€™s fresco, Expulsion from Paradise, (c.1426-1428) in the Brancacci Chapel, Florence (See Ted Gott et al, 19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.112). </text>
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                <text>BartholomÃ©, Albert</text>
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                <text>National Gallery of Victoria</text>
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                <text>National Gallery of Victoria</text>
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                <text>cast 1905</text>
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                <text>National Gallery of Victoria</text>
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                <text>Bronze sculpture, 139.8 x 54.7 x 64.6cm;&#13;
Hyperlink</text>
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                <text>A 2011 undergraduate unit run by Associate Professor Frances Bonner in the School of English, Media and Art History at the St Lucia campus of The University of Queensland. Week 7 of the unit uses Tolkienâ€™s books informed by the early medieval world, The Lord of the Rings, as its case study.   </text>
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                <text>An advertisement for The Medieval Shoppe, a store in NSW which produces and sells replicas of swords, shields, armour, and other historical weapons. The advertisement is shot in black and white and features The Medieval Shoppe crest and five men clad in armour and bearing weapons. The five men, representing warriors, knights and infantrymen, are wearing armour from different eras, including chain mail, plate armour, helmets, and leather padding. The weapons include swords and a halberd, a primarily Swiss weapon of the fourteenth and fifteenth centuries. The Medieval Shoppe logo features three arrows. &#13;
&#13;
'Shoppe' is a Middle English (late twelfth to late fifteenth century) version of 'shop'.</text>
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                <text>Image used with the permission of The Medieval Shoppe.</text>
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              <text>&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;For AEMA conference programmes, abstracts, and selected photographs, see &lt;a href="http://home.vicnet.net.au/%7Emedieval/conferences.html#aema" target="_blank"&gt;http://home.vicnet.net.au/~medieval/conferences.html#aema&lt;/a&gt;&lt;/span&gt;</text>
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                <text>AEMA, Australian Early Medieval Association, chain-mail, conference, demonstration, heraldry, re-construction, weaving</text>
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                <text>The conferences of the Australian Early Medieval Association feature practical sessions, in which delegates are often able to try some hands-on aspects of life in the early medieval period. The sessions have featured instruction in heraldry, making chain-mail, and weaving. </text>
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                <text>McLeod, Shane</text>
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                <text>The Australian Early Medieval Association</text>
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                <text>Alana Bennett, Andrew Lynch, Aneala Barony, chivalry, costume, Eglinton Tournament, ENGL2238, entertainment, essay, fantasy, fighting, imagined community, J. R. R. Tolkein, Last Tournament, â€˜Living historyâ€™, medieval names, medievalism, medievalist space, pageantry, postmodernism, recreation, re-creation, re-enactment, romanticised medievalism, SCA, Society for Creative Anachronism, student essay, The Medieval in the Modern World, The University of Western Australia, tournament, WA, Western Australia</text>
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                <text>A student essay on the Society for Creative Anachronism submitted by Alana Bennett as part of her assessment for â€˜ENGL2238: The Medieval in the Modern Worldâ€™, a second year English unit delivered by Professor Andrew Lynch at The University of Western Australia.  The author traces the origins and objectives of the SCA as a â€˜Living Historyâ€™ group, and discusses particularly the different levels on which the group operates. She draws a distinction between the recreational aspect of the Societyâ€™s activities on the one hand, in the sense that they provides entertainment and create a â€˜joint fantasyâ€™ amongst individuals with similar interests, and the â€˜re-creational â€™ aspect of its medievalism on the other, in which they â€œreconstruct a semblance of the Middle Ages through material culture and romanticised values systemsâ€.&#13;
&#13;
With thanks to the author for permission to include a copy of this essay.</text>
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                <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;This work is &amp;copy; Alana Bennett. Under no circumstance is this work to be republished without the express written permission of the author. To cite this work: Alana Bennett: &amp;lsquo;The Society for Creative Anachronism&amp;rsquo;, 2011, &lt;a href="../../../" target="_blank"&gt;http://ausmed.arts.uwa.edu.au/&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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                <text>Albany Bell Castle</text>
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                <text>Image of Albany Bell Castle in the Perth suburb of Maylands. The castle was designed by architect Alexander Cameron for Mr Albany Bell and his company Albany Bell Ltd. Completed in 1919, the building was used as a cake and confectionary factory. It was designed as a model factory providing pleasant conditions for employees, and was inspired by the Cadbury factory in Bourneville, England. The red brick and stucco building features towers with parapets, and crenellation on much of the building. It was heritage listed in 1992 and converted into apartments.</text>
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                <text>McLeod, Shane</text>
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                <text>9 July 2011</text>
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