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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website.</description>
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              <text>&lt;span style="line-height: 115%; font-family: 'Tahoma','sans-serif'; font-size: 10pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: EN-AU; mso-fareast-language: EN-AU; mso-bidi-language: AR-SA; mso-bidi-font-weight: bold;"&gt;&lt;a href="http://www.morris.org.au/index.html"&gt;http://www.morris.org.au/index.html&lt;/a&gt;&lt;/span&gt;</text>
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            <description>A name given to the resource</description>
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                <text>Australian Morris Ring</text>
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                <text>ACT, Australian Capital Territory, Australian Morris Ring, Borders Morris, costume, Cotswold Morris, dance, England, folk dance, folk music, Morris Dancers, New South Wales, North West Morris, NSW, performance, Qld, Queensland, SA, Sides, South Australia, Tas, Tasmania, Vic, Victoria, WA, website, Western Australia.</text>
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                <text>&lt;p&gt;Australian Morris Ring is an organisation that represents Australian Morris dancers. It represents &amp;lsquo;sides&amp;rsquo;, or Morris dancing teams, in all Australian states and territories except the Northern Territory. The groups perform the Cotswold, Borders (the border between Wales and England), and North West (of England) versions of Morris dancing, Morris dancing is an English folk dance that is attested from the late fifteenth century. There are also other dances mentioned elsewhere in Europe that may have a common origin.&lt;/p&gt;&#13;
&lt;p&gt;For more information see &lt;a href="http://www.morris.org.au/index.html"&gt;http://www.morris.org.au/index.html&lt;/a&gt;&lt;/p&gt;</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Kimberley Brown Graphic Design</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Australian Morris Ring</text>
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        <name>Australian Morris Ring</name>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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      <name>Hyperlink</name>
      <description>Title, URL, Description or annotation.</description>
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          <name>Original Format</name>
          <description>If the image is of an object, state the type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photograph: b&amp;w</text>
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              <text>&lt;a href="http://acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=90386"&gt;http://acms.sl.nsw.gov.au/item/itemDetailPaged.aspx?itemID=90386#&lt;/a&gt;.</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Investiture, Royal visit of Queen Elizabeth II and the Duke of Edinburgh, 1963, Government House, Sydney.</text>
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            <description>The topic of the resource</description>
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                <text>knighthood, Queen Elizabeth II, Elizabeth, Investiture, New South Wales, NSW, Coat of Arms, New Coat of Arms, ceremony, Duke, dubbing, Duke of Edinburgh, sword, Sydney </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This photograph from 1963 shows Queen Elizabeth II, accompanied by the Duke of Edinburgh and other dignatories, knighting someone at Government House in Sydney. The photograph depicts the action of 'dubbing', a light blow with the flat side of the sword to the recipient knight, usually to both shoulders. Dubbing is an essential part of the public ceremony. Such ceremonies and the many orders of knighthood date to the medieval period.</text>
              </elementText>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Australian Photographic Agency</text>
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            </elementTextContainer>
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          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
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                <text>State Library of New South Wales</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Australian Photographic Agency</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>February, 1963</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14870">
                <text>State Library of New South Wales, 2007</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink; Photograph</text>
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        <name>Duke of Edinburgh</name>
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                  <text>Medievalism on the Streets</text>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;" lang="EN-AU"&gt;&lt;a href="http://www.awlleather.com.au/al_med_shoes.html" target="_blank"&gt;http://www.awlleather.com.au/al_med_shoes.html&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Awl Leather: Medieval Shoes</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Archaeology, Awl Leather, Bellingen, Coppergate, craftsmen, England, Bruce Erskine, leather-work, New South Wales, NSW, re-enactment, retail, shoes, Viking, York</text>
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                <text>Awl Leather is a company started by craftsman Bruce Erskine in 1991 and based in the New South Wales town of Bellingen that creates leather goods. Amongst their collection are a number of medieval shoes, some of which are based on actual medieval shoes discovered during archaeological excavations. For example, they sell a Coppergate Shoe based on the shoe found during the excavation of the Viking-Age Coppergate district in York, England.</text>
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            <name>Creator</name>
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                <text>Awl Leather</text>
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                <text>10 January 2012</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Awl Leather</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>Hyperlink</text>
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        <name>archaeology</name>
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        <name>Awl Leather</name>
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        <name>Bellingen</name>
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        <name>Bruce Erskine</name>
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        <name>Coppergate</name>
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        <name>craftsmen</name>
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        <name>England</name>
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        <name>leather-work</name>
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        <name>New South Wales</name>
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        <name>NSW</name>
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        <name>re-enactment</name>
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        <name>retail</name>
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        <name>shoes</name>
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        <name>viking</name>
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              <description>A name given to the resource</description>
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                  <text>Medievalism on the Streets</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;p&gt;&lt;a href="http://www.awlleather.com.au/al_med_shoes.html"&gt;http://www.awlleather.com.au/al_med_shoes.html&lt;/a&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Medieval â€˜Coppergateâ€™ Shoes</text>
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            <description>The topic of the resource</description>
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                <text>Awl Leather, bags, belts, coppergate shoes, medieval clothing, medieval footwear, leather, leather goods, saddlers, Saxon shoes, shoes, Viking shoes, York</text>
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                <text>Awl Leather, established in 1991, is a manufacturer of footwear, bags, belts and other leather accessories. They are also saddlers. This online catalogue features a selection of medieval style shoes, including several â€˜Coppergateâ€™, Viking, and Saxon shoes. The Coppergate-style shoes are based on an original medieval pattern found in York (UK), and have been dated to sometime between the tenth and thirteenth century. </text>
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                <text>Awl Leather, Bellingen NSW</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>c. 2011</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18634">
                <text>Â© Awl Leather 2011</text>
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          </element>
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        <name>coppergate shoes</name>
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        <name>medieval clothing</name>
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      <tag tagId="4288">
        <name>medieval footwear</name>
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      <tag tagId="4291">
        <name>saddlers</name>
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        <name>Saxon shoes</name>
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        <name>shoes</name>
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        <name>Viking shoes</name>
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        <name>York</name>
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                  <text>Medievalism at the Foundations</text>
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                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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          <name>URL</name>
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              <text>&lt;span&gt;&lt;span style="color: #000000; font-family: Tahoma; font-size: x-small;"&gt;&lt;a href="http://www.ngv.vic.gov.au/col/work/3796" target="_blank"&gt;&lt;span style="font-family: 'Tahoma','sans-serif'; font-size: 10pt;"&gt;&lt;span style="color: #0000ff;"&gt;http://www.ngv.vic.gov.au/col/work/3796&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;</text>
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          <element elementId="50">
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                <text>In Springtime (Im Fruhling)</text>
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                <text>Arnold BÃ¶cklin (1827-1901), art, beauty, Felton Bequest, feminine ideal, landscape, medieval dress, medieval theme, music, musical instrument, naturalism, nature, nostalgia, Renaissance art, Renaissance beauty, seasons, spring, springtime, VIC, Victoria</text>
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                <text>This work by Swiss-born artist Arnold BÃ¶cklin was acquired by the National Gallery of Victoria with funds from the Felton Bequest in 1977. The painting depicts two beautiful â€˜otherworldlyâ€™ female figures in flowing, colourful dresses walking in an idyllic green landscape. Although the dresses are of a romanticised medieval style, the naturalism with which the landscape is rendered is a typically nineteenth-century artistic style. â€œBy bringing a modern sensibility to a late medieval sceneâ€, Ted Gott et al have suggested, â€œthe artist has brilliantly linked to his contemporary world the fifteenth-century ideal of beautyâ€ (19th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria, Melbourne, National Gallery of Victoria, 2003, p.63). </text>
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                <text>BÃ¶cklin, Arnold</text>
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          <element elementId="48">
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              <elementText elementTextId="18420">
                <text>National Gallery of Victoria</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="18421">
                <text>National Gallery of Victoria</text>
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            </elementTextContainer>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18422">
                <text>1873</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="18423">
                <text>National Gallery of Victoria</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="18424">
                <text>Oil on Canvas, 104.5 x 78cm;&#13;
Hyperlink</text>
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        <name>Arnold BÃ¶cklin (1827-1901)</name>
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        <name>art</name>
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      <tag tagId="4179">
        <name>beauty</name>
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      <tag tagId="2466">
        <name>Felton Bequest</name>
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      <tag tagId="4180">
        <name>feminine ideal</name>
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      <tag tagId="1758">
        <name>landscape</name>
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      <tag tagId="447">
        <name>medieval dress</name>
      </tag>
      <tag tagId="4181">
        <name>medieval theme</name>
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      <tag tagId="237">
        <name>music</name>
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        <name>musical instrument</name>
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        <name>naturalism</name>
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        <name>nature</name>
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        <name>nostalgia</name>
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        <name>Renaissance art</name>
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        <name>seasons</name>
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        <name>spring</name>
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        <name>Vic</name>
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        <name>Victoria</name>
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            <element elementId="50">
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                  <text>Medievalism on the Streets</text>
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              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="34455">
                  <text>This Collection analyses popular medievalism in material and public culture from the mid-nineteenth century to the present, with an emphasis on popular medievalist theatre, parades and public spectacles, as well as recreational, literary and political associations. It explores the ways in which medievalism was not simply derivative but also local and disctinctive. In this Collection you will find items relating to medievalism in public contexts and popular culture, and the revisitation or reenactment of the Middle Ages by groups such as the Society for Creative Anachronism.</text>
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              <text>&lt;a href="http://www.balingupmedievalcarnivale.com.au/"&gt;http://www.balingupmedievalcarnivale.com.au/&lt;/a&gt;&amp;nbsp;</text>
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            <name>Title</name>
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                <text>Balingup Medieval Carnivale, 2012</text>
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              <elementText elementTextId="23133">
                <text>Balingup, Balingup Medieval Carnivale, banner, camouflage, carnival, carnivale, fair, fayre, festival, recreation, Shire of Donnybrook-Balingup, South-West WA, WA, Western Australia</text>
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              <elementText elementTextId="23134">
                <text>This website tells you everything you need to know about the Balingup Medieval Carnivale for 2012. The event lasts from the 25th to 26th of August and is held in the beautiful town of Balingup in Western Australia's South-West.</text>
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          <element elementId="39">
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            <elementTextContainer>
              <elementText elementTextId="23135">
                <text>Balingup Medieval Carnivale</text>
              </elementText>
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          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23136">
                <text>Accessed 7th August 2012</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23137">
                <text>Balingup Medieval Carnivale</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
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            <elementTextContainer>
              <elementText elementTextId="23138">
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            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23139">
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      <tag tagId="180">
        <name>Balingup</name>
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      <tag tagId="3312">
        <name>Balingup Medieval Carnivale</name>
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        <name>banner</name>
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        <name>camouflage</name>
      </tag>
      <tag tagId="177">
        <name>carnival</name>
      </tag>
      <tag tagId="178">
        <name>carnivale</name>
      </tag>
      <tag tagId="174">
        <name>fair</name>
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        <name>Shire of Donnybrook-Balingup</name>
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                  <text>Medievalism at the Foundations</text>
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              <description>An account of the resource</description>
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                <elementText elementTextId="34459">
                  <text>This Collection illustrates how medievalism has always existed â€˜in plain viewâ€™ in Australian public life, as a conspicuous cultural memory ghosting Australiaâ€™s modernity. It focuses on discourses about, debates over, and changing interpretations of i) Australiaâ€™s medievalist political and religious institutions and rituals, ii) its architecture, and iii) its civic environment. In this Collection are items relating to all three of these key areas. Firstly, you will find items that point to the medieval influences and inflections that still permeate and influence our political, legal and religious institutions and traditions. Secondly, you will find numerous examples of neo-gothic and neo-romanesque architecture, and some cases where architectural features are known to have been modelled on specific medieval buildings. Thirdly, you will find items relating to the ways in which medievalism is incorporated into our civic environments and expressed through statues, monuments and war memorials.</text>
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            <elementText elementTextId="3241">
              <text>A digital text sponsored by the University of Sydney Library, 2003</text>
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          <elementTextContainer>
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              <text>&lt;a href="http://gutenberg.net.au/ebooks06/0607421h.html#s1"&gt;http://gutenberg.net.au/ebooks06/0607421h.html#s1&lt;/a&gt;</text>
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          <element elementId="50">
            <name>Title</name>
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              <elementText elementTextId="12761">
                <text>A Voyage to Botany Bay, With a Description of the Country, Manners, Customs, Religion &amp;c. of the Natives.</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12762">
                <text>George Barrington (1755 - 1804), George Barrington, convict, convicts, deportation, convict deportation, transportation, theft, attempted theft, crime, criminal, diamonds, Order of the Garter, Knights of the Garter, Australian custom, Australian customs, early Australia, early Australian customs, Botany Bay, Sydney, NSW, New South Wales, early settlement, colonisation, colonization, colonial, colonialism, colony</text>
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            <description>An account of the resource</description>
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                <text>â€˜On page 9 of this text, an attempted theft of the diamonds of the Order of the Garter is detailed: On forming a connection with one Lowe, which was but a short time previous to that evening of the month of January, which is observed as the anniversary of the Queen's birth-day, it was resolved on between them, that, habited as a clergyman, Mr. Barrington should repair to Court, and there endeavour, not only to pick the pockets of some of the company, but, what was a much bolder, and a much more novel attempt, to cut off the diamond orders of some of the Knights of the Garter, Bath, and Thistle, who, on such days, usually wear the collars of their respective orders over their coats. In this enterprize he succeeded beyond the most sanguine expectations that could have been formed, by either his new accomplice Lowe or himself; for he found means to take the diamond order of Lord C--, with which he got away from St. James's perfectly unsuspected.'</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12764">
                <text>Barrington, George</text>
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            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="12765">
                <text>University of Sydney Library</text>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="12766">
                <text>London: C. Lowndes, 1795</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12767">
                <text>1795</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12768">
                <text>University of Sydney Library, 2003</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="12769">
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            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="12770">
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        <name>attempted theft</name>
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        <name>Australian customs</name>
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        <name>Botany Bay</name>
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        <name>colonial</name>
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        <name>colonialism</name>
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        <name>colonization</name>
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        <name>colony</name>
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      <tag tagId="988">
        <name>convict deportation</name>
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        <name>convicts</name>
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                  <text>This Collection examines literary medievalism from the mid-nineteenth century to the present day. It traces an arc from the populist literary medievalism of the nineteenth century, through the more rarefied modernist turn of the mid-twentieth century, to the re-emergence of popular forms such as childrenâ€™s literature and fantasy since the 1980s. In this Collection you will find items relating to printed medievalist works and also to medievalism operating in print, for example in references to medieval events, people, and literature in nineteenth- and twentieth-century texts and dramatic works.</text>
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                <text>Elizabeth Barsham, Pieter Bruegel, Albrecht DÃ¼rer, E.M. Christensen, Gothic, painting, Renaissance, tapestry, Tas, Tasmania, Tasmanian Gothic, website, art, artwork</text>
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                <text>Tasmanian Gothic is the website for Tasmanian artist Elizabeth Barsham (formerly E.M. Christensen). Her work is inspired by such things as medieval tapestries and the Renaissance artists Pieter Bruegel and Albrecht DÃ¼rer (according to the â€˜just a Tasmanianâ€™ tab).</text>
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